Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013)
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2021-10-14
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Universidade Federal de Goiás
Resumo
By understanding that music has a profound relationship with its time, constituting a possible
language of expression of the society with which it interacts, the work proposes to understand
how a fraction of popular music from Goiás contributes to the narratives of Goianity, having
contributed to the Municipal Culture Incentive Laws. For this purpose, we used as a point of
reference the Movement of Goianity brought by the Goiana Press Association (AGI) in the early
1990’s, whose main expression was the publication of the magazine “Goianidade” in 1992. Such
movement points, among other characteristics, cultural manifestations of a group of singers
such as Maria Eugênia, Pâdua, Luiz Augusta, Fernando Perillo, João Caetano and Marcelo Barra,
considered by the magazine as “singers of the land” and, by us here named singers of “popular
music from Goiás”, as true identity icons. Considering the movement, and to a certain extent,
the biography of such artists, we sought to relate them to the cultural dynamics of the State of
Goiás and its capital, Goiânia, between the years 1992 and 2013, under the strong impact of
policies aimed at this sector. From this perspective, the research sought to investigate the
extent to which the songs of such artists dialogue with the identity issues of the State, that is,
with the construction of of the idea of Goianity orchestrated by institutions with the support of
cultural policies. Recognizing the expressive character of the musical language, it was intended
to distinguish the elements of the widespread identity, identifiers of the “Goiás way of being”
pointed out by the movement. It was observed in such an exercise that in the elaboration of
the idea of Goianity, elements related to the foundation of Goiânia - as a modern city - were
and are articulated with elements of the tradition and the peasant experience of yore, common
to the state’s history. In light of the work of these artists and cultural expressions, the
“Movimento da Goianidade” systematized and expanded the identity narratives present in such
songs, as well as in the music scene under which they expressed themselves. Under such
movement, memories were triggered in the songs as mechanisms of construction and
crystallization of an identity for the State, reverberating a kind of adjustment between a
backward past and a modern, propagated present.
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SANTOS, I. F. N. Entre acordes da goianidade: identidade e regionalismos na música goiana (1992-2013). 2021. 406 f. Tese (Doutorado em de História) - Universidade Federal de Goiás, Goiânia, 2021.