Montagem como catalisadora da criação cinematográfica

Abstract

This research is part of the “Aesthetics and Poetics of Performing Arts” research line of the Postgraduate Program in Performing Arts, EMAC, UFG. The general objective of this work is to understand the editing processes and methods developed in the cinematographic productions of the feature-length and short films, Silêncio Não Se Escuta (2016), Aquelas Ondas (2017), and De Onde Viemos, Para Onde Vamos (2021), understanding the discursive method of filmmaker Sergei Eisenstein, and the filming process and montage thinking of filmmaker Dziga Viértov. This is a theoretical study on processes of filmmaking productions in constant experimentation. Filmmaking, based on encounters and captures of instantaneous and accidental images, has montage as the discourse and synthesis of the film.