Do jornalismo ao streaming: a cultura da convergência e a narrativa criminal de Suzane von Richthofen

Abstract

This study aims to understand the relationship between violence in the media and the culture of convergence, according to Jenkins’ perspective and based on documentary records of the Richthofen Case. More specifically, it seeks to analyze this dynamic within the contemporary media ecosystem, particularly through bibliographic and documentary research. In this regard, we highlight how streaming has become increasingly central to the dissemination of criminal narratives, reinforcing consumption dynamics and interactions in an increasingly participatory media environment. The choice of the criminal case of Suzane von Richthofen, who was imprisoned in 2002 for her direct involvement in the murder of her parents in São Paulo, is particularly relevant due to the production of three films and a series through Amazon Prime, a streaming platform for audiovisual content. The case received extensive media coverage, thus involving the role of journalism and society’s continuous interest in the spectacularization of violence. It is possible to understand that media coverage persists as long as new actions are triggered or reinterpreted in new media formats, highlighting the interdependence between content production and audience engagement. This behavior becomes atypical when violent cases are involved, precisely due to the algorithmic and economic logic that sustains the high demand for such content. Finally, this study aims to promote a clear and open exchange of information within the academic community. Furthermore, expanding the discussion on the theory of convergence culture and its role in the creation and circulation of criminal narratives can contribute to new analytical approaches and critical reflections on the role of the media and communication professionals in shaping the collective imagination about crime.