Aspectos midiáticos e culturais do estilo cinematográfico: a mise en scène na obra de Paul Thomas Anderson
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2020-02-19
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Universidade Federal de Goiás
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The research has as its theme the midiatic and cultural aspects of film style in north american
fictional cinema. The corpus is composed of two feature films directed by Paul Thomas Anderson,
from which the intention is to understand mise en scène choices as formal resources influenced not
only by what is rational in filmic experience, but also by the constant affective dynamics
maintained between public and film. From the investigations of King (2005) and Biskind (2004)
on independent American production of the 1990s, the main objective is to analyze how the director
builds the mise en scène in his films in order to reveal emotional qualities to the audience, creating
formal disruptions that put him on the fringes of his country's mainstream production. In this sense,
the study will explore singularities that, according to Bordwell (2013), Oliveira Jr. (2013) and
Aumont (2006), justify a possible opposition to the classical conventions, whether narrative or
formal, established by Hollywood. For this, an in-depth analysis of Anderson's stylistic choices is
performed based on the movies There Will Be Blood (2007) and Phantom Thread (2017), showing,
based on the analysis of the obtained data, patterns and variations relevant to the comprehension
of Anderson’s way of staging. Therefore, it is a qualitative approach research that will adopt as a
method the neoformalist film analysis described by Thompson (1988). As a result, the research
found that in both films Anderson is more interested in the psychological and emotional
development of his characters, as well as in the relationship between them, than in narrative
structures based on constant twists.
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RABELO, T. Aspectos midiáticos e culturais do estilo cinematográfico: a mise en scène na obra de Paul Thomas Anderson. 2020. 118 f. Dissertação (Mestrado em Comunicação) - Universidade Federal de Goiás, Goiânia, 2020.