A Caligrafia de Deus e a cidade ilhada: imagens da cidade de Manaus na contística de Márcio Souza e Milton Hatoum
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Data
2012-10-03
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Universidade Federal de Goiás
Resumo
This study analyzes the books of short stories The handwriting of God (1994), Marcio
Souza, and Islanded city (2009), Milton Hatoum, to see how the city of Manaus is
represented by two Amazonian writers. The metaphors that enable reading of the town
are the crystal, the flame and the city mouse, systematized concepts by Italo Calvino
(1990) and Renato Gomes Cordeiro (2008), the mappings proposed by Kevin Lynch
(1999) and the steps practitioners of the characters of the town suggested by Michel de
Certeau (2009). The analyzes undertaken in stories demonstrate that there similarities
and differences between Márcio Souza and Milton Hatoum provide readability in the
way the city of Manaus in the literary text, for while the former builds tableaux of
Manaus seen by various senses (visual, sensory, olfactory and taste), the second
represents the urban area of Manaus evoked by memories of the narrators.
Descrição
Palavras-chave
Contos , Cidade de Manaus , Metáforas , Márcio Souza , Milton Hatoum , Tales , Manaus , Metaphors , Márcio Souza , Milton Hatoum
Citação
RINCON, Neire Márzia. A Caligrafia de Deus e a cidade ilhada: imagens da cidade de Manaus na contística de Márcio Souza e Milton Hatoum. 2012. 129 f. Dissertação (Mestrado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2012.