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Navegando EMAC - Artigos publicados em periódicos por Autor "Camargo, Goiandira de Fátima Ortiz"
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Item Adélia Prado e a poética ressalva(2014-07) Guimarães, Maria Severina Batista; Camargo, Goiandira de Fátima OrtizThe recurrence with an author uses certain stylistic resources to features to incorporate in your language experience is its poetics. In Adelia Prado, the most recurring themes of his work have already been well explored by critical, considering that it is a very well read poet and studied in academia. The study that we present in this article is intended to be one more contribution to its critical fortune, highlighting an important issue that permeates throughout its theme: the recurrence with the poet uses the adversative connectives, but mostly, what gives his poetry one sense of caveat, meaning of redemption of thefeminine condition.Item O cânone crítico-poético de Manoel de Barros(2001) Camargo, Goiandira de Fátima OrtizThis study aims to examine the critical-poetic literary canon in Manoel de Barros. The self-reflexivity in Barros’ poetry forms a creative consciousness which articulates literary creation and critical invention in the poetic space. In Manoel de Barros’s works, the poems question the crisis of the word and the compositional process which giving form to intentions presented in the author’s essays allows us to depict the poet’s aesthetic project. The choice of a universe of ordinary things, the preference for that which despised by society, the feeling of fragmentation, the search of an Adamic word, which denotates a lost language – all this are some of the recurrent motives that are interwoven to the liric voice of Barros’s poetry. Departing from a reshaping of the poetic canon that can be obtained by mean of a critical approach to poetry, we will examine the “critical metaphor” – the precarious condition in which the insertion of poetry in the world as metaphor inaugurates the space of criticism of the word as well as the criticism of mechanisms used for representation of reality.Item Os entre-lugares da subjetividade na poesia de Armando Freitas Filho(2007) Camargo, Goiandira de Fátima Ortiz; Ferro, Letícia Costa e SilvaOne of the guidelines for reading contemporary Brazilian poetry is the figure of the subject which, time and again, discloses itself empirically during the process of lyrical refinement. Starting from this basis, the present article attempts to verify the way this happens in some poems by Armando Freitas Filho.Item A performance da voz e a subjetividade na poesia contemporânea(2013) Rosa, Olliver Mariano; Camargo, Goiandira de Fátima OrtizIn this paper, we deal with the relationship established between the reader and the subjectivity set in contemporary poem. For this, we consider the vocal performance as a tool for understanding the poetic text, despite today prevail the use of printed media for publication. We believe that, to the extent that the making of the poem substantially involves the manipulation of the sound of the word, the reading need to resort to the listening of a voice, even if only as a potentiality. We note, however, that performing vocal does not demonstrate only rhythm, tempo and intonation of the verse; with her, the presence of subjectivity that manifests itself in lyrical composition becomes clear. At this point, it is important to mark that in the contemporary world poetry harbors a diversity of settings given by a multiple creator subject. Considering this, we study poems written by contemporary poets: three Portuguese, Fiama Hasse Pais Brandão, Ana Luísa Amaral and Manuel de Freitas, and three Brazilians, Francisco Alvim, Neide Archanjo and Claudia Roquette-Pinto. Based on these poems, we propose a classification of different instances of the subjective principle. We observe, finally, how the performance of the voice comes into play with these instances.Item Recordar e esquecer: a elaboração Freudiana na poesia de Cora Coralina(2012) Siqueira, Ebe Maria de Lima; Camargo, Goiandira de Fátima OrtizThis paper intends to analyze some excerpts from the poetry by Cora Coralina based on Freud’s study on technique in “Remembering, repeating and working-through (Further recommendations on the technique of psycho-analysis II)”, 1969 . We also search for a dialogue between literature and psychoanalysis, in order to show how two different areas of knowledge can entwine, without, however, signifying they submit to each other. In the excerpts from the poems, we will examine traces of a memory that searches, through poetry, to repeat experiences of tension present at the moment of producing the literary text.