As mãos amarram nós, a boca canta pontos: o crochê e a arte

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Data

2023-02-15

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Editor

Universidade Federal de Goiás

Resumo

The present work presents the multiple origins of crochet and is based on the theory of Formative Aesthetics pointed out by Luigi Pareyson. I seek to understand the textile crafts as art and indicate the historical erasure of women artists that nowadays start to be reviewed and rethought. Through practical production and craft I find ways to create artistic questions like: how to break the historical homogeneity that textile techniques carry in literature? And how to break pre-established patterns that classify techniques, bodies and objects into 'bigger' and 'smaller', 'feminine' and 'masculine? The doing as a research method and an experience with the technique of crochet, that has accompanied me since childhood become thread and needle to weave ideas, and bring out the resistance present in the textile crafts, both from the one who weaves, but also from the woven object that affirms that crochet is more than art or crafts, it is a way of life.

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Palavras-chave

Crochê, Arte têxtil, Resistência, Crochet, Textile art, Resistance

Citação

MONTAGNA, Ligia Marina de Morais. As mãos amarram nós, a boca canta pontos: o crochê e a arte. 2023. 60 f. Trabalho de Conclusão de Curso (Bacharelado em Artes Visuais) - Faculdade de Artes Visuais, Universidade Federal de Goiás, Goiânia, 2023.