A dicção israelo-palestina em dois poemas de Dahlia Ravikovitch

Abstract

What is necessary to see through a seemingly limited and limiting window? The Israeli poet Dahlia Ravikovitchoffers us, through her poetic instruments, her discursive and poetic experiences on Israeli-Palestinian relations in chronic personal, cultural and political confrontations throughthousands of years, worsening in the 20th and 21st centuries. This study, in this aesthetic-social context will analyze two poems of this activist artist that are: “The Tale of the Arab Who Died by Fire”and “The Baby Cannot Be Killed Twice”.Poems that deal with the ethical and aesthetic positioning of a large Israeli social segment in the framework of the living metaphorand of the minor literature in the face of possible dialogues with Palestinian society that hybridizes identity aspects.