A sublimação e suas vicissitudes
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Data
2021-06-11
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Universidade Federal de Goiás
Resumo
In this paper, the concept of sublimation is discussed as from the bibliographical research of
the main works of Freud, where the concept appears being linked to central concepts of
psychoanalysis such as drive, fantasy, symptom, art, among others. To this end, seeks to
understand the way Freud presents and defines what is sublimation, symptom, drive and
fantasy. The individual's psychic life permeated by the conflict between drive and culture is
also discussed about. It remains for the subject the renunciation of his drives and substitutive
ways to satisfy them. Among the various forms, there is sublimation, a process through which
the drive is transformed and directed to socially valued objects, such as work and art. It is in
this context that art is inserted as an emblem of the sublimatory process, where, to deal with the
lack, the individual creates for himself a new object in which to invest his libido and find
satisfaction for the desire, even if in a substitutive way. The fundamental discovery of this work
is that sublimation does not exclude the possibility of the subject coming into contact with
suffering. In this way, sublimation cannot be thought of as a definitive response to the subject's
suffering, but one of the responses that allows him to obtain pleasure by relieving the intrinsic
tensions of the relationship between the individual and culture.
Descrição
Palavras-chave
Sublimação, Pulsão, Arte, Sintoma, Fantasia
Citação
MARTINS, Lucas George Rezende. A sublimação e suas vicissitudes. 2021. 46 f. Trabalho de Conclusão de Curso (Graduação) – Faculdade de Educação, Universidade Federal de Goiás, Goiânia, 2021.