Programa de Pós-graduação em Antropologia Social
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Navegando Programa de Pós-graduação em Antropologia Social por Por Orientador "Hirano, Luis Felipe Kojima"
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Item “O véu do congá do pai Joaquim”: cosmovisão, ritual e experiência ou sobre três aspectos do conhecimento umbandista(Universidade Federal de Goiás, 2017-02-09) Brito, Lucas Gonçalves; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Lima Filho , Manuel Ferreira; Carvalho, José Jorge deThis Thesis of Master aims to contribute to the construction of analytical devices which allow the comprehension of the umbandista movement from an ethnographic and anthropological perspective, considering lived experience as preponderant factor in the theory’s horizon. The assumption is the theoretical openness to the native’s point of view (GEERTZ, 1997) and the attention to native concepts (STRATHERN, 2014), thereby configuring an epistemological humbleness, based on the ethnographic encounter in which researcher and researched share an intersubjective experience in and of the time – the exercise of coevalness, defined by Fabian (2013). Through fieldwork, interviews and conversation between august 2015 to august 2016 we could see that, for “filhos de Oxalá da Casa de Pai Joaquim”, Umbanda is Unified Knowledge whose origins date back to Lemuria and Atlantida. This text methodologically combines three aspects of umbandista knowlegde as it stands in “umbanda de Pai Joaquim”, namely, worldview, ritual and experience. We conclude that the native concept of Aumbandan has theoretical implications to the study of Umbanda, especially the serious need to take it as an epistemology.Item Uma etnografia sobre memórias e fotografias no terecô: entre possibilidades, interditos e afetos(Universidade Federal de Goiás, 2022-08-09) Freire, Fladney Francisco da Silva; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Barros, Antonio Evaldo Almeida; Ratts, Alecsandro José Prudêncio; Souza, Maria Luiza Rodrigues; Ferreira, Glauco BatistaAlthough they seem like an individual phenomenon, photographs should also be understood as a collective construction. In this study, besides being important in the plot of memory in the context of Terecô of Bacabal (MA), are pieces that set up a timeline of the Spiritist Tent of Umbanda de São Raimundo Nonato, the terreiro of my family. The thesis seeks to provoke a reflection on the limits and potentialities of the image for religion, portraying how it is used in the temple to narrate the trajectory of the terreiro itself and its members. Throughout the study, we approached the context of Terecô in the municipality of Bacabal(MA ) and the genesis of the terreiro, also trying to understand the conception that religious leaders and scholars have about the importance of image in the production of knowledge, without leaving aside the approach to care for the dissemination of these photographs, since religion is historically the target of prejudices. In the terreiro, it is believed that the care with the way these records reach the spaces outside the walls is able to collaborate with the breaking of stereotypes. Part of this care occurs with the contextualization of the record of rituals that will be exposed – considering that images about Afro-Brazilian religions undergo negative historical construction – and preservation of those that are part of the secret/mystery of Terecô, interdicts that are beyond human decision. It is concluded that the dissemination of images is able to help in the construction of a new look at terecô. In the academic field, the research seeks to guide researchers who use the resource of photography on the best way to act in terreiros that have rules on the dissemination of these images. In addition, another perspective begins here, this time from Bacabal, on terecô, until then portrayed predominantly from the axis of Codó (MA) since most of the published texts deal with terreiros located in this city. In the end, it is understood that photography is capable not only of helping the anthropologist to retrieve information observed in the field and serve as an illustrative element to the reader, but also to provide information that supports the construction of knowledge.Item Vidas operárias: trajetórias migrantes no Brasil-Central na virada para o século XXI(Universidade Federal de Goiás, 2021-10-13) Malta, Atilio Lúcio; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Wichers, Camila Azevedo de Moraes; Godoi, Emilia Pietrafesa de; Collaço, Janine Helfst Leicht; Nunes, Jordão HortaThis ethnography, built at the interfaces between anthropology, sociology and oral history, aims to oversight an urban and contemporary factory workers group from Aparecida de Goiânia, municipality of Metropolitan Area of Goiânia, in Brazil´s Central Region. This work has as analysis unit the trajectory of people from this workers group, under the point of view of determined difference social markers. The intention of this work is to follow these trajectories in its flow, arrangements, circulation, relations and network on the everyday saga of each person, trying to abandon poverty, social undifferentiation and social inequity in every range. My interlocutors do not reside in a single neighborhood, although, in fact, there is a district “only” for them. They do not even work on a single factory, although their itineraries are marked for one. They do not even belong to a same gender or generation, but they share a social and symbolic universe: the one from contemporary popular factory worker classes. This universe is the aim I try to get on the relations between past and memory when they narrate their own conception of autobiography. Given the relation between researcher and his field, the effort consists in “wonder the familiar” that, in many words, is given by diving in literature concerning this subject and by the contrast between memories and “shared trajectories”.Item A guerra e a paz em Latour: uma compreensão do bélico e do pacífico em The pasteurization of France e War of the worlds(Universidade Federal de Goiás, 2017-09-25) Noli, Ana Carla; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Viei, Suzane de Alencar; Pfrimer, Matheus HoffmannThe present work intends to discuss the terms war and peace in both works of Bruno Latour, I) The Pasteurization of France and II) War of the Worlds: What About Peace? Anthropology has been studying the theme of peace and war through the classic concept of war between peoples and civilizations. In relation to peace, Anthropology had some initiatives in trying to understand how peace works in collectives, thinking beyond war. However, for the author, is it peace and war concepts, attitudes, or strategies? If this language is central, how does it build itself? Being one of the main authors of the Theory-network Theory and theorist of modernity, Bruno Latour present war and peace first as a posture in the network, which made the moderns expand their thinking acting way through the globe. In addition to this perspective, Latour argues that a War of the Worlds is taking place, a war between modern and non-modern knowledge, proposing that peace is possible through diplomacy between the parties involved in each conflict. Thus, in The Pasteurization of France, war begins and happens among the moderns, giving more emphasis to the division of nature/culture. In War of the Worlds the war already happens in another level, putting even more in discussion the division already mentioned.Item Entres redes neurais naturais e artificiais: estudo antropológico sobre humanidade e inteligência artificial em algumas revistas brasileiras(Universidade Federal de Goiás, 2018-11-30) Nunes, Ana Carolina de Assis; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Silva, Valéria Cristina Pereira da; Oliveira, Alessandro Roberto de; Mainardi, CamilaBased on the assumption that discourse precedes subjects and is also a producer of subjectivities (FOUCALT, 1970), this dissertation aims to understand how the concept of humanity is defined in relation to the concept of artificial intelligence in Brazilian magazine articles and a specific journal of scientific communication. Namely, Veja, IstoÉ, Carta Capital, Piauí e Pesquisa FAPESP. This work is experimental in the perspective of which it tests the netnografic methodology proposed by Kozinets (2014). The theoretical means used for the construction of the analysis and the text is diverse, revealing the polysemy of the object researched; but the contributions come mainly from authors who seek to promote approximations between anthropology and cognitive sciences such as Braidotti (2013), Bloch (2012), Ingold (2011), and Clark (2003). The analysis of the magazine articles will reveal that the discourse used by them seeks to proclaim the human as the center of the universe, just as in the humanist perspective that prevailed during the Enlightenment. Therefore, the human is always seen as superior in relation to artificial intelligence, or even in opposition to it, since it is constructed and not "born." Humanity is also seen as irreconcilable with the artificial world because of modernity as described by Latour (2016), who divides reality into three different spheres.Item “Toma cuidado com esses baianos”: migração, identidade e preconceito na relação entre estabelecidos e outsiders em Inhumas (GO)(Universidade Federal de Goiás, 2017-03-06) Oliveira, Túlio Fernando Mendanha de; Lima Filho, Manuel Ferreira de; http://lattes.cnpq.br/9114125597206149; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Jesus, Matheus Gato de; Lima Filho, Manuel Ferreira de; Vetorassi, AndréaThis paper seeks to ascertain through the anthropological and sociological bias of the power relations of Norbert Elias and John L. Scotson in The Established and the Outsiders (2000) the relationships that exist between prejudice and identity, and the differentiation between Northeastern migrants and the population of City of Inhumas-GO. At first, I seek to investigate how the city of Inhumas has the migration / immigration intrinsically linked to its construction and consolidation. In the next chapter, supported by the historical construction of the city, we try to understand, through ethnography and oral history narrated by older residents, how these residents identify themselves, as well as the way in which they construct their memory. Finally, I intend to establish a discussion related to the identity and difference between both groups, through interviews conducted with migrants from various regions of the Northeast and residents of Inhumas. It is noteworthy that there is a certain search for differentiation between the so-called goianos or belonging to a possible goiano‟s identity, of the Northeastern migrants, while the local inhabitants are seen as established, the outsiders‟ notions are delegated to the migrants, which makes them to be adjectived with pejorative and prejudiced notions.Item Jazz dance: memórias e histórias negras do Brasil(Universidade Federal de Goiás, 2023-10-23) Santos, Susan Maria da Graça Castro dos; Vilaça, Aline Serzedello Neves; http://lattes.cnpq.br/1365305407750338; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Ratts, Alecsandro José Prudêncio; Ribeiro, Ana Paula Alves; RibeiroThis dissertation addresses the presence of black bodies in Jazz Dance in Brazil through the lens of the Anthropology of Ethnic-Racial Relations and dance. I intend to articulate my autoethnography in dialogue with Edson Santos and Israel Plínio, who participated in the Cia de Dança Race of Roseli Rodrigues (SP), as well as Vera Passos, who was a member of the Ballet Folclórico da Bahia in Salvador. From the presented scenarios, one can perceive how black trajectories are continually made invisible by the dominant narrative voices of white researchers and/or artists. To combat this, my main goal is to investigate, analyze, and highlight black jazz stories and memories, including mine, to point out aesthetic, poetic and afro-oriented paths in creative practices in dance.Item Arquivos da insistência: narrativas biográficas de entendidas, maduras e lésbicas(Universidade Federal de Goiás, 2023-10-02) Silva, Isabella Gonzaga Guimarães; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Kofes, Maria Suely; Gonçalves, ElianeThis dissertation is the result of an ethnography of the biographical narratives of 4 women homosexuals aged between 51 and 70 years old and who record their sexual itinerations since categories such as “madura”, “entendida”, and “lésbicas”. The complex arrangements were covered temporalities put into circulation by them when they problematize the way their sexual and gender performances are constructed over time. When counting their modes of subjectivation articulate an ethnographic theory about the different relationships between subjectivity and truth in different cultural formations, making their existences are like seismographs of subjectivities in transit. Taking the narratives from themselves since the moments in which they underline the way in which they constituted themselves as subjects from a temporality of the impossible, it is suggested that their existences compose an archive of insistences and a radical imagination.