Doutorado em Educação (FE)
URI Permanente para esta coleção
Navegar
Navegando Doutorado em Educação (FE) por Por Orientador "Burgarelli, Cristóvão Giovani"
Agora exibindo 1 - 4 de 4
Resultados por página
Opções de Ordenação
Item O conto de Bariani Ortencio: formação e goianidade(Universidade Federal de Goiás, 2019-10-29) Junqueira, Lilian de Castro; Burgarelli, Cristóvão Giovani; http://lattes.cnpq.br/7094012821984177; Burgarelli, Cristóvão Giovani; Faria, Gina Glaydes Guimarães de; Carvalho, Maria Alice de Souza; Pinheiro, Veralúcia; Paganini, Vera Lúcia Alves MendesThis research investigates the aspects conceived as constitutive traits of goianidade [the sense of belonging to the state of Goiás], through the writings of the writer Bariani Ortencio, under the triad: literature-education-human formation. This writer, born in São Paulo - from Goiás state of belonging - is one of the most important and awarded writers of Goiás regional literature whose works are linked to the representation of Goias cultural identity. Alongside this question, we present the formative reciprocities between education and literary art, discussing art as human formation, the making-expressing-knowledge highlighted by Bosi (1995) in constant becoming. As for methodology, this research is eminently bibliographical, based on the conceptual scope of Pierre Bourdieu. Regarding the apprehension of Brazilian literature and its importance for human formation, we adopted texts by Antonio Candido (2000, 2002, 2011), Alfredo Bosi (1985, 1999, 2002, 2006) and Lucien Goldmann (1967, 1976). To support the reflections on the theme, we also list the studies by Jadir de Morais Pessoa (2006, 2011, 2013, 2017), Carlos Rodrigues Brandão (1986, 1995, 2009), Vera Maria Tietzmann Silva (2004), Jaqueline Veloso Portela de Araújo (2005) and Ligia Chiappini (1995). We have evidenced, therefore, that orthodox short fiction, drawing on the author's insight and versatility, it is possible to outline the characteristic features of goianidade through the relationship between text and context and the clashes experienced by the characters in their narratives.Item Psicanálise e Cinema: em busca de uma aproximação(Universidade Federal de Goiás, 2014-03-25) Lemos, Moisés Fernandes; Burgarelli, Cristóvão Giovani; http://lattes.cnpq.br/7094012821984177; Burgarelli, Cristóvão Giovani; Nogueira, Lisandro Magalhaes; Pontes, Suely Aires; Roure, Glacy Queirós de; Roure, Susie Amâncio Gonçalves deConsidering the challenging relationship between psychoanalysis and the cinema, both products from the same period although constituted as separate fields, this study intends to answer the following questions: How to produce an approach between psychoanalysis and the cinema field? What is the importance of the language in the intended approach? In view of the existing relationship between these fields and that the psychoanalytic theory has become a method of film analysis in the 1960s, what can be inferred from its relationship with the cinema? Therefore, this study overall goal this produce an approximation between psychoanalysis and the cinema field nowadays. It specifically aims to: a) analyze the importance of the language in the intended approach b) contemplate the psychoanalytic thinking of art c) ask what psychoanalytic theory as a method of film analysis infers by its relationship with the cinema; d) understand both the history and the evolution of the cinema, especially at times when there is an approximation to the history of psychoanalysis. It is a theoretical study of sociocultural processes, elapsed outside the analytic situation, which made use of Freud's both work and writings of his commentators, especially Lacan to articulate psychoanalysis and the cinema field nowadays. The movie Three Colors: Blue, by Krzysztof Kieslowski, is taken into analysis, as an example of the extended psychoanalysis as it proves itself suited to our research project. Because our object of study and the nature of our research are qualitative it is impossible to cover everything, considering that the fullness of the subject is inaccessible. However, this research enables us to think about the field in analysis making room for new questions. The study moves through an arduous journey, implying the recapture of a complex part of Freudian’s theory related to several changes in the course of his career. The Lacanian recapture of Freud's theory raises a number of questions, expanding the understanding of the topic. Finally, although the research is not conclusive, it allows us to better understand how the conceptual development of the interface psychoanalysis and the cinema. It is evident that there are gaps in the theory and open concepts, lacking research and reformulations.Item O lugar do Édipo na psicanálise: reverberações de uma estrutura(Universidade Federal de Goiás, 2019-04-29) Machado, Alan Oliveira; Burgarelli, Cristóvão Giovani; http://lattes.cnpq.br/7094012821984177; Burgarelli, Cristóvão Giovani; Santos, Dayanna Pereira dos; Pontes, Suely Ayres; Chaveiro, Eguimar Felício; Real, Márcio Penna CorteIn this thesis we aim at discussing the ascertainment that Edipus complex remains in the psychoanalisis until the last Freud’s writings. We state that, during all Freud’s elaboration, he emphasizes a psychic structure in which a dialect of desire is kept. We undertake our readings from the Lacanian point of view, taking the stated structure as a structure of language. Although not so directly revealed in Freud's work, it is linked, from the initial texts, to the understanding of the psychic apparatus as a language apparatus, since his The interpretation of dreams, a book that was the starting point of psychoanalysis. We will also discuss how it is developed in his early studies on aphasias and in later approaches such as that carried out in the Wunderblok approach. From Freud’s and Lacan’s theories, we observe that this structure has a dialect core: the phalus, the father, the name-of-the-father and the paternal metaphor, going through Lacan's enunciation on his return to the Freudian text, supported by the linguistic studies of Saussure, Jakobson and by the elaborations achieved by Lévi-Strauss on the structure of the myths. We see Lacan as a freudian one without ignoring the age Lacan elaborated his thoughts, this permited him to think and to keep the unconscious as language. Since Freud the language apparatus was in his theories, but it did not find scientific support in the linguistic field to be developed. We emphasize, therefore, our understanding of Lacan as a Freudian one, but without disregarding its origin in a situation that is no longer Freud’s, which will unleash its importance as a structural unconscious as a language. Thus, we can understant that the Freudian development over a long period of time, although, in its time, no theoretical support has been found in the science of the language.Item A questão do corpo em psicanálise: de Freud a Lacan(Universidade Federal de Goiás, 2017-12-15) Rythowem, Marcelo; Burgarelli, Cristóvão Giovani; http://lattes.cnpq.br/7094012821984177; Burgarelli, Cristóvão Giovani; Borges, Sonia Xavier de Almeida; Resende, Anita Cristina Azevedo; Rocha, Maria Alice de Sousa Carvalho; Roure, Glacy Queiroz deThe aim of this research is to perform a reading of the body as a critical issue in its relation with the psychoanalysis. In this thesis, I carry out a discussion on the dimension of the corporeality from the works of Freud and Lacan, supported the idea that the body, in the analysis práxis is a caused body, pulsatory, an effect of the signifier, thus, bodylanguage. I uphold that in the relationship between the psychic and the somatic it is necessary to put in place a snip of reading that may sustain a coherent proposal to the unconscious thesis. In that sense, this reading acknowledges as the conceptual and methodological benchmark the lacanian thesis that is, the unconscious is structured like language. In compliance with those presuppositions, the body, to Freud, cannot be mistaken with the anatomy because the representation, being perceived from the register of the language, indicates the body also as a discourse phenomenon. In the body of the hysterics, the symptoms would make it possible for the unconscious to appear. Freud, from an ethical atitude took into account what those bodies were saying. The body, in Freud, is not an evidence, because it is in the relation with the parental desire – like the projection of the Self Ideals – that a body for a subject is established. I also bolster the concept that the body, in which the ubiquity of the pulsations provides a link, even so a lost one, between the psychic and the somatic, is also ruled by a narrative that Freud denominates mythology and that has profound bonds with the linguistic phenomena. From Lacan’s viewpoint, the body issue is faced under the perspective of a structure in which the elements cannot be taken isolatedly. The body, therefore, is inscribed in the three registers of the pshychic reality, that are, Real, Simbolic and Imaginary. In the conjunction with the Other, the signifiers’ treasure, the subject, to be constituted, concedes a part of his/her body, that may never be taken as a whole, but as a mindless topological community. This way, I explore the different forms of the subject a, as body. The body in this sense, carries the mark of a reality that, being under the structure of the signifier, is always an opacity, as from the body, one will never have an objective knowledge, because the barrier that divides the signifier from the meaning cannot be transpassed. The psychoanalysis , in doing so, founds a turning point that we can name ethics because it convenes the human being to be responsible for his/her subject position and therefore, to respond for his/her desire. Elevate the body to the dignity of the thing.