Mestrado em Arte e Cultura Visual (FAV)
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Navegando Mestrado em Arte e Cultura Visual (FAV) por Por Orientador "Andrade, Rita Morais de"
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Item Indumentária e visualidade: modos de vestir de mulheres Kalunga sob uma perspectiva histórica (séculos XIX e XXI)(Universidade Federal de Goiás, 2019-03-15) Cabral, Alliny Maia Siqueira de Carvalho; Andrade, Rita Morais de; http://lattes.cnpq.br/0652175469093010; Andrade, Rita Morais de; Sant’Anna, Mara Rúbia; Jesus, Samuel José Gilbert deThis dissertation discusses historically built meanings through the observation of black women's ways of dressing in the nineteenth century's Brazil and of Kalunga's women ways of dressing in the 21st century. We have started from the observation of photographs of women from the rural black Kalunga community, located in northeastern Goiás, that allow a perception of visual approximation between the construction of these women's clothing and that of black women portrayed in nineteenth-century images in Brazil. The adopted methodology includes photographs analysis and fieldwork, developed in the Kalunga community. To support the proposed discussion, the research comprehends an interdisciplinary approach, moving amongst the studies referring to Fashion and Clothing; Material Culture and Visual Culture. During the research, we noticed the importance of images for the study of clothing, through which it was possible to trace relations between fashion, tradition, and sociability. Based on reports from women in the Kalunga community, we could understand how their relationship with clothing is plural and heterogeneous, and should not, therefore, be simply categorized but rather problematized. The collected reports marked themes about the feeling of resistance related to historical social inequality, belonging to the community and ways of dressing as an important instrument to deal with these issues.Item A indumentária no Museu Goiano Professor Zoroastro Artiaga: visualidade e patrimônio(Universidade Federal de Goiás, 2018-02-19) Di Calaça, Indyanelle Marçal Garcia; Andrade, Rita Morais de; http://lattes.cnpq.br/0652175469093010; Andrade, Rita Morais de; Cândido, Manuelina Maria Duarte; Silva, Thiago Fernando Sant'Anna eThis dissertation presents the study of the costumes and ornaments exhibited at the Museu Goiano Professor Zoroastro Artiaga (MUZA) in Goiânia, Goiás. The museum has more than one hundred artifacts of this type in its collection, which are divided into several collections. The questions that guide this research are: in relation to the Brazilian heritage in museums, how the clothing is present at MUZA? What senses are produced from the exhibition of these costumes and ornaments? What do they hide or reveal? In order to answer these questions, the study is based on the visual analysis of the objects, using the methods proposed by the researchers Jules Prown (analysis of artifacts), Heloísa S. F. Capel (image analysis) and Rita Morais de Andrade (textile artifacts analysis). As for the procedures, the study consists of a literature review, which involves the areas of Visual Culture, Material Culture, Heritage, Museology and Study about Clothing. In addition, there was the analysis of documents related to the costumes, visits to the museum and interviews with employees and former employees. Through this study, it was possible to perceive how was the creation of the museum and the formation of its first collections; to quantify and qualify the clothing and adornments belonging to its collection; identify how the collections that have this type of artifact were formed and the criterion used to acquire these items; to realize that it is possible to carry out the study of clothing not only from the textile artifact, but also through the visual analysis of paintings, photographs and sculptures; and to identify that the way the artifacts are organized in the exhibitions place contributes to the construction of specific identities of the state of Goiás.Item Trajes de festa: um estudo do figurino do Mestre de Catopês João Farias de Montes Claros – MG(Universidade Federal de Goiás, 2014-08-28) Ferreira, Suely Lopes de Queiroz; Andrade, Rita Morais de; http://lattes.cnpq.br/0652175469093010; Andrade, Rita Morais de; Lima, Nei Clara de; Mendonça, Míriam da Costa Manso Moreira deThis work consists of the study of party costumes Master João Farias, group leader Catopês "Our Lady of the Rosary" from the year 1971.That group is part of the Traditional festivities August of Montes Claros /MG, festivities that fit into the context of the Brazilian Congado. The research aims to describe the costumes of the Master, aiming to identify possible relationships between culture and devotion, as well as pointing out which visual features of the costumes, the members of both groups as the participants of the reigns, may be representative of an inheritance colonial that endures today as an important cultural practice, maintaining old features while incorporating aesthetic innovations. The methodological procedure used was bibliographical and documentary research, and features as data collection of interviews, photographs and costumes analysis of Master João Farias. This investigation led us to believe that faith and devotion are manifested not only when the Master and his group use the costume party, but these religious elements permeate every moment of the cortege.Item Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX(Universidade Federal de Goiás, 2015-04-02) Hardman, Aline Souza; Andrade, Rita Morais de; http://lattes.cnpq.br/0652175469093010; Andrade, Rita Morais de; Cidreira, Renata Pitombo; Mendonça, Míriam da Costa Manso Moreira deThe dissertation aims to understand the jewelry balangandã trinkets, used by the Brazilian African, called “crioula”, from nineteenth-century in Salvador - Bahia. The jewelry was used in a mixed slave society full of racial distinction, it was seen as an artifact, in other words, as a human production, with meanings that contributed to historical and social construction. From a qualitative study and in a cultural visual approach, the jewelry was studied through the analysis of nineteenth- century photographic images. Bibliographical research was done about balangandã trinkets, images analysis, racial constructions and visual culture. The study was designed in three stages: 1) the description of the methods of studies adopted; 2) the study of the bangles from their origins since racial issues and African Diaspora in Brazil to the description of its components and; 3) analyses of photos of XIX century Crioula wearing typical costumes and their meaning and relationship with the construction of the image of women called “crioula”.Item Figurino fora de cena: um estudo sobre a constituição de acervos de figurinos teatrais(Universidade Federal de Goiás, 2013-04-03) Soares, Kárita Garcia; Andrade, Rita Morais de; http://lattes.cnpq.br/0652175469093010; Andrade, Rita Morais de; http://lattes.cnpq.br/0652175469093010; Oliveira, Urânia Auxiliadora Santos Maia de; Mendonça, Míriam da Costa Manso Moreira de; Cândido, Manuelina Maria Duarte; Martins , Alice FátimaCette dissertation nous présente une investigation autour de la constitution de fonds de costumes de théâtre chez Goiânia, à partir de l'analyse de la manière comme des groupes et d'autres producteurs scéniques s'organisent et se positionnent actuellement face à la thématique. La recherche veut la compréhension des possibles motivations et implications qui ont de la relation avec la formulation d'espaces dédiés au stockage de costumes de théâtre portés aux spectacles scéniques, spécialement dans le contexte de la capitale de l'État de Goiás. On voit que de tels espaces peuvent acquérir des caractéristiques diverses d'accord aux nécessités, désirs, et conditions structuraux et financiers de ceux qui se prédisposent à les organiser. Dans ce sens, à partir de la recherche bibliographique et de terrain - la deuxième comprise dans la réalisation de sept entretiens semi-directifs avec des différents professionnels et représentants du théâtre à Goiânia -, on trace des compréhensions conceptuelles et historiques du costume de théâtre et du théâtre chez Goiânia, ce qui indique une réalité dans laquelle le costume de théâtre est, de plus en plus, réfléchi avant, durant et après la scène.