Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX
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2015-04-02
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Universidade Federal de Goiás
Resumo
The dissertation aims to understand the jewelry balangandã trinkets, used by the
Brazilian African, called “crioula”, from nineteenth-century in Salvador - Bahia. The
jewelry was used in a mixed slave society full of racial distinction, it was seen as an
artifact, in other words, as a human production, with meanings that contributed to
historical and social construction. From a qualitative study and in a cultural visual
approach, the jewelry was studied through the analysis of nineteenth- century
photographic images. Bibliographical research was done about balangandã trinkets,
images analysis, racial constructions and visual culture. The study was designed in
three stages: 1) the description of the methods of studies adopted; 2) the study of the
bangles from their origins since racial issues and African Diaspora in Brazil to the
description of its components and; 3) analyses of photos of XIX century Crioula
wearing typical costumes and their meaning and relationship with the construction of
the image of women called “crioula”.
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HARDMAN, A. S. Pencas de balangandãs: construção histórica, visual e social das "crioulas " no século XIX. 2015. 124 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.