Mestrado em Arte e Cultura Visual (FAV)
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Navegando Mestrado em Arte e Cultura Visual (FAV) por Por Orientador "Berardo, Rosa Maria"
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Item Corpos em movimento a partir do olhar de Pina Bausch – construindo modos de dançar(Universidade Federal de Goiás, 2015-12-16) Araújo, Pedro Simon Gonçalves; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Martins, Raimundo; Berté, Odailso SinvaldoThis work is the result of a research project that was conducted by the Graduate Program in Art and Visual Culture, master´s level, in FAV-UFG, and aimed to immerse in the dance theater practice, through paths traced by the German choreographer Pina Bausch, who was a guide in the development os this research and helped me to answer personal questions, which the principal aim was to discover how our histories, memories and feelings are represented in body. This research started with a watchful eye in the dance history, as well as in the creative process of Pina Bausch to be able to understand the method of creating images by the body and her representations through cinema. Her unique movie “The Lament of the Empress” had an important function in structuring the Project, since questions that were shared with two other dancers in an immersive practive came from it, and led to the creation of a documentary that dialogues with the videodance and brings through interviews, essays and movements research a sample of a body-affective experience also shared with students from the Federal Institute of Goiás. In a play between theories and reports I sought the different perceptions of the body and dance, crisscrossing authors of visual culture, movement researchers, theories of representation, documentary, which merged with the reports of the meetings with dancers, ballet lessons, contemporary dance and some workshops. The aim was to achieve tangible answers that unravel the pathways of the body and image to find my dance through my body.Item Cinema e animação: poéticas de um vivência(Universidade Federal de Goiás, 2013-04-05) Brandão, Flávia Christina Leite; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Oliveira, Selma Regina Nunes; Silva Filho, Raimundo Martins daThis study aimed to mix in the work art experience theory and poetics. Were aggregated at the same level both religious and visual references of the author to produce a short film hybrid between live-action film and animation. The study of the archetypes Umbanda’s entities and the history and principles of animation also contributed, like the film hybrid between film and animation and analysis of the film Kill Bill I, chosen as the reference technique with which we bond our poetic. In the theoretical chapter the history of animation is based on the principles of technological devices of the season coming to current devices such as computers and software that were of great importance to the animation frame by frame made by the author. The choice of technique animated 2D is closely linked to technological devices today. We base ourselves on the theories of film analysis to conduct the analysis of Tarantino's movie and through this stimulus did correlate with in our practice we get elements of great importance for the production of the short film. Added to this analysis we also identify the archetype of character O'Ren Ishii that served us for the construction of the archetypes of our characters, creating a fine line between Tarantino references and references of the author. All this added to the theory and practice experience led us to achieving a live-action film and animation drawing on inspirations on religious experiences and professional author culminating in the production sequence and performing a short film essentially copyright.Item Análise e desenvolvimento de uma narrativa fílmica a partir do discurso fotográfico: Chris Marker como referencial(Universidade Federal de Goiás, 2012-06-13) Carvalho, Luciana Miranda de; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Guimarães, Leda; Mendonça, Maria Luiza Martins de; Monteiro, Rosana Horio; Gomes, Suely Henrique de AquinoThe main objective of this research is to trace a line of reasoning since the time of the first machines to reproduce the illusion of movement, through the film until the 1960s where did my object of study: the French short film, fiction, La Jetée. From then on it was a brief technical analysis on the a esthetic film that Chris Marker (the author of the film) used in his narrative. Not leaving out a list of photofilmes produced in Brazil for a better contextualization of this type of animation pictures today. Finally, we elaborate on the practice, a movie production, using the same format as that quoted above short film: photographs. This visual narrative, the genre of fiction, has a structure in its cinematic language.Item O inferno é aqui: a estética grotesca da banda cicuta e a representação poética transmidiática na obra viver até morrer(Universidade Federal de Goiás, 2015-04-10) Felipe, Frederico Carvalho; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Franco, Edgar Silveira; Christino, Daniel; Silva, Thiago Fernando Sant'Anna; Mendonça, Maria Luiza Martins deThe objective of this work is to contribute to studies about the grotesque aesthetic in rock'n'roll and the use of different media platforms as a means of poetic styling and creating new narratives converge to Viver até Morrer. The grotesque as a visual representation of the anxieties and contradictions of an age full of constant daily shocks that the people is exposed challenge institutionalized social models through the aesthetics. The transmedia exhibition of the work provides an expansion of the fictional imaginary narratives through interconnections from different platforms and media languages such as animated film, the music video, comics and music.Item Bonecos que dançam catira: uma produção goiana em animação stop motion(Universidade Federal de Goiás, 2019-02-28) Neiva, Dustan Oeven Gontijo; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Franco, Edgar Silveira; Oliveira, Flávio Gomes deThe present research aims to examine issues related to local identities and connected to the authorship production of animation films. This is a theoretical-poetic research that aims to produce an authorship movie in animation that reflects on the identity of Goiás. This research is based on theoretical studies on identity, regionality and the historical formation of the state of Goiás. The methodology of filmic analysis is used for the perception and understanding of identity elements in films produced by animators from Goiás, as well as the investigation of my creative process. From these considerations, the poetic production proposed in the research will be carried out.Item A Representação Brasileira no Cinema de Animação Nacional, identidade, mercado cinematográfico e prática artística(Universidade Federal de Goiás, 2013-04-05) Oliveira, Isabela Veiga; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Martins, Raimundo; Oliveira, Selma Regina Nunes de; Franco, Edgar; Gomes, SuelyThis study aims to reflect varied viewpoints on the concept of "identity" and its development throughout history, emphasizing the post-modernity, its relationship with the social imagination, mass culture and memory. We direct this study to the Brazilian culture and cinema as a support for the representation of Brazilian identity. To demonstrate this concept reflected in national production and look at the film market in full development from incentive laws, we analyzed three animated feature films: Brichos (2007), A Turma da Mônica em uma Aventura no Tempo (2007) and Brasil Animado (2011). Finally, from these studies and personal experiences, we held the poetic "A Velha Gulosa", a fiction film with animated inserts, financed through municipal incentive laws.Item Escuta vibrátil(Universidade Federal de Goiás, 2014-02-28) Oliveira, Thaís Rodrigues; Berardo, Rosa Maria; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4721898T1; Berardo, Rosa Maria; Franco, Edgar Silveira; Stolf, Maria Raquel da Silva; Silva, Thiago Fernando Sant'anna e; Oliveira, Selma Regina Nunes deAn increasing recurrence of the image study has arose from researches attentive to the problematical that involves themes like culture and society. We are “imgetic” beings and the contemporary society of consumption has powered the sense of vision in our daily life. However, there are few researches that use the sound and its relation to what is called “visual culture”. From the perspective of the cultural studies and of the visual culture, the aim of this paper is to identify a possible “audible” culture and how identitary souding meanings can be stimulated in the spectator / listener of the audiovisual material. Based on the souding vocabulary of an investigation concerning to the sound produced internment by the human body, this research seeks the conception of a practical work with the use of these images and sounds not common to our daily life.Item Webdocumentário: a representação da ótica documental no ciberespaço(Universidade Federal de Goiás, 2015-04-14) Peixoto, Hugo Cardoso Brandão; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Franco, Edgar Silveira; Nogueira, LisandroThis research has the intention to discuss documentary language expansion and its ramifications in cyberspace, focusing on webdocumentaries, analyzing the relationship between documentary traditions and new media narrative processes. In order to contextualize the new possibilities of documentary point of view representations, based on the multiple forms of contemporary audiovisual production, which, marked by continuous development of digital technologies, production and manipulation of images, form the broader context of new media. Founded on the creative freedom afforded by new media, documentary cinema widened, and with the tools of digital technologies, its creative process and its experimental possibilities have expanded. Generating new narrative patterns, which are powered at all times by new productions, resulting in the documentary field, a constant modification and development of its language.Item A poética dos estranhos no videoclipe “Electric Guitar” a partir dos discursos videográficos de Lady Gaga(Universidade Federal de Goiás, 2014-04-23) Pinto, Rafael Mendonça Lisita; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Martins, Raimundo; Mendonça, Maria Luiza; Silva, Thiago Fernando Sant'Anna e; Montoro, Tania SiqueiraThis dissertation results of the research developed throughout the Master’s Degree course within the Art and Visual Culture Graduate Program in FAV-UFG. It aims to investigate de representation of uncanny identities in music videos, starting out with some analysis of Lady Gaga’s videos, in order to develop my videographic discourse in my music video “Electric Guitar”. The main goal is to continue creating subversive audiovisuals, which consist in primary and complex products that contemplate several parameters of approach, exploring sensorial matters and establishing bonds with historical, sociological and cultural issues. The first chapter presents Lady Gaga and her artistic body of work which, curiously, defends minorities in spite of the singer being inserted into the star system. The second chapter introduces concept of “the uncanny”, from teoretical dialogues and, also, addresses their presence in music videos. The third chapter focuses on the study of music video as a audiovusal format, its relevance in visual culture and how they develop through media. The forth chapter reapproaches Lady Gaga’s music videos, selected according to this investigation theme, focusing on their analysis. The last chapter discusses the creative experience of “Electric Guitar” through my goal of reassuring the relevance of studying the uncanny and, also, my attempt to expand music video’s frontiers by employing new perspectives to them, without escaping the plastic aesthetics predominant in pop.Item Uma aurora, um crepúsculo – imagens da juventude estudantil da UFG no período final da ditadura militar: um jogo de poderes?(Universidade Federal de Goiás, 2017-06-13) Ribeiro, Itamar Pires; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Freitas, Luiz Antõnio Signates; Silva, Thiago Fernando Sant’anna e; Franco, Edgar Silveira; Silva, Ademir Luiz daThe main objective of this research is to produce a documentary that has as theme the experience of the participants in the studente movement, in UFG context, between 1979 and 1985, the last moments of Brazilian military dictatorship. That documentary focuses on reaction to images produced about and by youth college students at that time. The documentary will also deal with research of images and material documents. We will try to build an original soundtrack also genereted by sampling process, that is, sound reassembly of existing material. The soundtrack will be an element of expression and politica ideology. This work also proposes three new descriptive categories: micro power rizonomic network, visagem and symbolic accertion.Item Animação e diversidade: gênero trans e arte Sudaca – aquarelando com pigmentos naturais para além do azul e do rosa(Universidade Federal de Goiás, 2020-03-09) Santana, Janayna Medeiros Pinto; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo , Rosa Maria; Rodrigues, Manoela dos Anjos Afonso; Oliveira, Flávio Gomes deYou, reader or reader, consider this text as an essay in which I bring part of my concerns and experiments from research in art, which has as a differential the focus on making conceptual images that illustrate a script for animation, which were watercolored with natural pigments. The proposal consists of developing, under the theme LGBTQI +, an animation script, until the production of watercolored manual drawings with natural pigments that represent it visually. It is projected through the theoretical-methodological construction of weaving, to take place through such a method in written and audiovisual language, to the elaboration of a final product, being a documentary about the process of creating these images that illustrate my script in a version for a storyboard. The proposal is structured around the protagonism of history by a trans character (woman / girl), in the name of a Sudanese art, which seeks to break with the ideological paradigms of a hegemonic western culture, which presents the differences in stigmatized, violated and silenced. Dialoging with the place, the Cerrado, and the re-existence of this biome in the face of an agricultural culture that devastates it out of ambition, in the name of food and the maintenance of society. I sought to explore its natural diversity in terms of its color palette to be printed in watercolors, where I come to call for a policy of identities and place. In a “tangle” of relevant discussions, the fact of the emergency in dealing with current and controversial issues, such as the re-existence of trans people and the confrontation of violence to the LGBTQI + group, stands out and together problematize the re-existence of the Cerrado biome, highlighting it o in its plurality.Item Goiânia déco em animação: o amor entre formas geométricas e curvas ousadas(Universidade Federal de Goiás, 2017-05-11) Teixeira, Guilherme Araújo Cardoso; Berardo, Rosa Maria; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4721898T1; Berardo, Rosa Maria; Franco, Edgar; Christino, Daniel; Sant´Anna, Thiago; Oliveira, SelmaThis work explore the development of an digital 2D animation that presents a graphic and aesthetic deco with its geometrical and angular shapes, connected mainly with the 30´s Art deco posters. Building a visual narrative, within a historical context using a Goiania Architectural project in 40´s, the work consists to create a feeling of the birth of the city. The historical center of the capital, where the Art deco lives, will be the main attraction.Item Batalha das máscaras: animação experimental digital baseada nas cavalhadas de Pirenopólis(Universidade Federal de Goiás, 2015-04-15) Teixeira, Iuri Araújo Cardoso; Berardo, Rosa Maria; http://lattes.cnpq.br/5933853765756576; Berardo, Rosa Maria; Franco, Edgar Silveira; Mendonça, Maria Luiza Martins de; Guimarães, Leda Maria de Barros; Christino, DanielThe main objective of this work was develop an experimental 2D animation which used digital resources to simulate traditional artistic techniques of drawing and painting. For this, I made a historical survey of experimental animation around the world, until the emergence of the first Brazilian productions. For references, animation analysis of five experimental artists and animators from countries like Brazil, Canada, United States, Russia and Japan. Based on these analyzes, there was the application of its artistic and cinematographic methods, exploring simulations of materials like oil pastel, colored pencil, acrylic paint and moving cameras via software. The narrative theme selected for the development of an animated story was the festival of Cavalhadas in Pirenópolis, representing its medieval origin in Europe, until his arrives in Brazil and the state of Goiás, showing its relevance as a regional cultural event.