Cinema e animação: poéticas de um vivência
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Data
2013-04-05
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Universidade Federal de Goiás
Resumo
This study aimed to mix in the work art experience theory and poetics.
Were aggregated at the same level both religious and visual references of the author to
produce a short film hybrid between live-action film and animation. The study of the
archetypes Umbanda’s entities and the history and principles of animation also
contributed, like the film hybrid between film and animation and analysis of the film
Kill Bill I, chosen as the reference technique with which we bond our poetic. In the
theoretical chapter the history of animation is based on the principles of technological
devices of the season coming to current devices such as computers and software that
were of great importance to the animation frame by frame made by the author. The
choice of technique animated 2D is closely linked to technological devices today. We
base ourselves on the theories of film analysis to conduct the analysis of Tarantino's
movie and through this stimulus did correlate with in our practice we get elements of
great importance for the production of the short film. Added to this analysis we also
identify the archetype of character O'Ren Ishii that served us for the construction of the
archetypes of our characters, creating a fine line between Tarantino references and
references of the author. All this added to the theory and practice experience led us to
achieving a live-action film and animation drawing on inspirations on religious
experiences and professional author culminating in the production sequence and
performing a short film essentially copyright.
Descrição
Palavras-chave
Cinema , Animação , Arte , Cultura visual , Umbanda , Narrativas híbridas , Animation , Art , Visual culture , Hybrid narratives
Citação
BRANDÃO, Flávia Christina Leite. Cinema e animação: poéticas de um vivência. 2013. 61 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2013.