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Item Estéticas da existência: a moda nos Festivais de Rock (Goiânia Noise Festival e Lollapalooza Music Festival-2008/2009)(Universidade Federal de Goiás, 2010-04-13) ABDALA, Lorena Pompei; MENDONÇA, Míriam da Costa Manso Moreira de; http://lattes.cnpq.br/8573276727905431This dissertation deals about the care of the self as a mediator of the construction of identities, which legitimize the existence of the socio-cultural subjects. Through the visual narratives produced in the scenario of rock festivals, were traced the relationship of fashion as a tool for the construction of identity. The fashion, understood as a social and cultural practice operates as an existential support in the setting of the visual symbolic representation of a given culture at a given time and space history. The figures of speech created by the practices of fashion generate social archetypes that become signs of a life style. The dress becomes a whole system of meaning. The analysis is based on photographs taken of goers of the two festivals (Festival Goiânia Noise and Lollapalooza Music Festival), noting that were considered the subjects photographed and not the photograph itself, as supported by observation. The study was structured considering the symbolic systems as creators of communities of existence and fashion as a form of social practice. Thus, the work is grounded in the discourse of fashion in the form of how identities are determined by simulations made by the groups / tribes and how to establish mediated existence poetics of everyday wear.Item Brasília gravada(Universidade Federal de Goiás, 2008-03-27) AFONSO, Manoela dos Anjos; FRAGOSO, Maria Luiza Pinheiro Guimares; http://lattes.cnpq.br/6228855946764716; CLÍMACO, José César Teatini; http://lattes.cnpq.br/4105136553667901This Master dissertation is mainly composed by some reflections about the creation processes that have brought me to the beginning of a new engraving production. The graphic research showed here was made from 2003 to 2005 and is a result of my affective relation with Brasilia through several languages. As I got to know the city, initially having a foreign look over it, I came from the architecture to its history and then to the Nicolas Behr´s poetry. In that constant transit I made the Brasília Gravada engraving series, which became a thinkingthe- city graphic place.Item Narrativas de patrimônio e percepções culturais sob a ótica da cultura visual(Universidade Federal de Goiás, 2011-05-09) ALEXANDRIA, Genilda da Silva; GUIMARÃES, Leda Maria de Barros; http://lattes.cnpq.br/1491866271915819This dissertation aims to investigate the relationship between patrimony and society, and in this sense focuses on the processes related to the building of this patrimony, by seek-ing out through the so-called narratives on patrimony a mélange of senses and under-standings about this theme and linked to the field of the visual culture. In reality, this is also a research under a clear-cut pedagogical approach, so that there is herein an inten-tion to re-read, reanalyze and reinvestigate, giving rise to a speculative review, the rela-tionship between identity and culture concerning the topic patrimony.Item Entre artistas, cineastas e sujeitos desviantes, a questão do olhar educado(Universidade Federal de Goiás, 2012-06-01) ARAÚJO, Allex Rodrigo Medrado; MARTINS, Alice Fátima; http://lattes.cnpq.br/2768377569632609This paper proposes an investigative reflection and (mis)reading helical tangle of lines that seeks, in the discourses and images of dadá and the avant-garde film movement dogma95 elements for performing an artistic intervention in the Rodoviaria Plano Piloto in Brasília (DF). The focus of the text is aimed at the questions that underlie the notion of looking educated in the (mis)direction of visual culture, as epistemological basis in order to ask about the different meanings articulated by the individuals who pass in the environment of the intervention in the field. By this route, the lines of escape and overflow interpretations by those subjects who admit a multiplicity of perspectives shaped, inventive and deviants, before the cultural transgressions in insurgency movements above. The research had the (dis)methodological guid Merz in the Hand, which has theoretical and historical descriptions of the movements in question, and the bases for practices with structured interviews, structured scripts of questions by e-mail, photographs, film and artifacts produced in the field. This multiplicity of assemblages unraveled reflections on the myriad of meanings from the looks of interpretations conformed to art images and connections between the subjective and cultural space-times, as well as the practices of subject positions that constitute deviant.Item A enunciação e a reflexividade no cinema documentário aproximaçoes teóricas, filmográficas e uma realização(Universidade Federal de Goiás, 2010-07-29) BARBOSA, Douglas da Silva; ROCHA, Cleomar; http://lattes.cnpq.br/5039948128955710This dissertation deals with the idea of enunciation in documentary cinema, also taking into account an aspect found within this field called reflexivity. Generally the questions of enunciation in the field of this cinema permeate the documentary undertaking from the film project to the moment of reception by the public who watch the film. In choosing this object of study it was aimed to find instigating aspects about the course of the documentary as an audiovisual product linked to the idea of enunciation about the lived world. The research joins together theoretical contributions of some authors around what we might consider typical of enunciation in documentary cinema, among them Fernão Ramos and Jean Louis Comolli, passing through the tendencies in this cinema and important film-makers with their films (among these: Eduardo Coutinho, 2005: O fim e o princípio ; João Moreira Salles, 2006 Santiago and Kiko Goifman, 2002: 33 ). Further on, a revealing discussion is made about the undertaking of the documentary Os Corrêa da Silva e Santos Reis (a short-film, 24 , the result of 12 hours of filming of raw material in the rural community of Água Limpa and with ex-inhabitants of that community). The results obtained with this dissertation point, generally, towards the notion of taking the câmera-image as a dimension of documentary enunciation which strengthens the persepective of enunciation about the lived world. At the end there is an understanding of a proposal of performance of the documentary film-maker which turns to the people, subjects of his/her action, in aiming to divide with them a cinematographic mise-en-scène capable of making emerge their singularity, as well as argumentation directed to something pre-defined. It is this aesthetic dependence on the real which strengthens a documentary film and allows one to see in it more than what is in its enunciation.Item O ativismo ambiental nas ações e instalações de Siron Franci, 1986-2008: A arte como estratégia de divulgação(Universidade Federal de Goiás, 2009-06-26) BERTAZZO, Lucia; BORGES, Maria Elizia; http://lattes.cnpq.br/0672444382021221Siron Franco is an artist who has, in a parallel with his pictorial work, always produced pieces that denounced social grievances and pieces of political nature which, placed in public settings, aimed at inducing the media to broadcast protests. The artist has for very long championed the environmental cause, what has led him to produce a series of pieces on the theme: paintings, demonstrations, stickers, installations, video-sculptures. This dissertation sets out to review the historical moment in which these pieces come out and presents them as postmodern art work produced in line with environmental activism. This research intends to analyze the insertion of artistic protests which have the environment as a cause, into the press and in contemporary art productionItem Prática refllexiva e trabalho pedagógico entre contornos e sombras de um livro didático de arte(Universidade Federal de Goiás, 2009-05-06) BRISOLLA, Livia Santos; TOURINHO, Irene; http://lattes.cnpq.br/0199098726098947The recearch reflexive practive and pedagogic work: shadow and shapes of a didatic work book, develops an analisys of a pedagogic experience inspired on a didatic work book. ART AND HABILITIES , book II. The didactic book is seen, primary as a cultural workmanship that joins knowledge and works studies, in order to orient teachers pedagogic work. It is now considered to be a source of original ideas to the recearcher teacher and lately also as an experimental field of studies to the students as a reference. That investigation is built from the observation and relationship between children of 8 and 9 as to live reflexive and creatives practices. I point out here the capacity of observing and interpreteting images as essencial to educate people to have a reflexive and creative position in an intelligent and critical way with textual and visual images as the book shows. As a teacher and also as a recearcher I feel like to reflect and to work my teacher practice from the relationship and conceptions with my students to set new ways to develop the work in the classroom, sharing different pedagogic practices. That investigation shows the urgency of analizing the objective of the didactic book connected with living experiences of the students and particulary to the teacher as an important hole to interfere in that process.Item Dualidades: sobre permanências e impertinências: um estudo sobre a percepção do ciberespaço(Universidade Federal de Goiás, 2009-06-29) CARVALHO, Leonardo Eloi Soares de; MARTINS, Alice Fátima; http://lattes.cnpq.br/2768377569632609; ROCHA, Cleomar; http://lattes.cnpq.br/5039948128955710This work analyses, under a phenomenological point of view, our perception of the cyberspace, since we are beings in the world. The study begins considering the hypothesis that the cyberspace is in the interface; thus it is in the natural world. Besides, this study questions how the approximation between the physical space and the cyberspace happens, and it defends the existence of a continuity between them. In order to do so, we discussed many aspects related to not only the cyberspace, but also the natural world, the own body, the perception, the computer interfaces, the real and the virtual, along the text, trying to understand how the perception works to later understand the perception itself. The research led us to some conclusions which were used in the development of a practical proposition which represents the imagetic production for this master course. The project, through a modified chess game, questions the notion of continuity between both the physical space and the cyberspace. To achieve this objective, we described the chess game elements, and we elect, among technical possibilities, a way for the poetic materialization of this project which is the modification of the game rules and of the perception that we have of it. In the end, this research made clear the phenomenical orientation of the project, highlighting the understanding of perception as a bodily act, part of a single process in which the body experience is as important as the conscience, in contrast to the positive conception.Item Memórias do brincar e construção de subjetividades: uma experiência com alunas de um curso de magistério(Universidade Federal de Goiás, 2010-03-10) CHARTIER, Getúlio Corrêa; TOURINHO, Irene; http://lattes.cnpq.br/0199098726098947Based on the methodological approach of action-research, this study examines play and playing memories as resources for subjective manifestations that include images, actions and expression of imaginary universes. Integrated in the formal educational process of a group of future female teachers, play experiences are analyzed as inciting situations which allow and provoke socialization associated not only to entertainment but, also, to conflict and discrimination episodes. The study privileges dialogues about how play integrates and stimulates perceptions, interpretations and reactions of the students collaborators, discussing and reflecting about teaching work as a proposal constructed through playing actions. The voice and circumstances of two students are emphasized in order to put in evidence the flows between memory and subjectivity and, furthermore, to underline the importance and contribution of playing in the re-creation of daily situations. In this sense, play establishes conditions of possibilities for reflecting and collectivizing experiences lived in family, school and other spacesItem Os segredos visíveis da cidade: a efemeridade da luz e da sombra na linguagem fotográfica(Universidade Federal de Goiás, 2010-04-06) COLLANTES, Galo Raúl Yépez; BORGES, Maria Elizia; http://lattes.cnpq.br/0672444382021221The present work proposes a theoretical reflection around the photographic images produced by the author between the years 2001 and 2006 during the passing of certain visual effects of a transitory nature that appear in the city. The analysis of images is proceeded by a historical review on urban morphology and iconography; the image of the city; and on a selection of American and European photographers that included the city within their preferred subject matter. In the second part of the article the intention is to be explicit on some of the positions that underlie the fundamental concepts of the author's work, starting with the explanation of the language around the ephemeral and then developing aspects relating to the technical image, an unbreakable element of the photograph. Finally, the study focuses on an interpretative and descriptive analysis, looking at historical, technical, aesthetic and conceptual elements of the most representative images that form part of the author's three thematic exhibitions. At this stage it explores: the embedding in photographic aesthetics of facets of simple and routine urban daily life; the potential of reflection in water on the ground; as well as the dominance of shadows in the contemporary vision of creative photography.Item Vou te contar uma história! : estudo a partir do filme Simeão, o boêmio, de João Bennio(Universidade Federal de Goiás, 2011-06-30) CUNHA, Marla Cardoso Oliveira; MARTINS, Alice Fátima; http://lattes.cnpq.br/2768377569632609The object of this research is to investigate the cinema produced in Goiás specifically in the film by João Bennio (1927-1984) Simeão, o boêmio (1969), from its sociocultural and historical relevance and from interpretations constituted by a discussion group, formed by eight students and three professors of the Social/Audiovisual Communication Course at Universidade Estatual de Goiás. In order to discuss the possible relations between public and film producer, seven meetings with the discussion group have been called and happened in two phases. The first encompassed six meetings organized with the project proposal presentation; film projection and discussion; argumentation with the group based on various images which relate to the film and our trajectories and affection; creation and realization of a visual narrative derived from those images and their interpretations. The second phase consisted of only one gathering intended for presenting the result obtained with the the finalized visual narrative to the discussion group. Considering that the relations between the spectator and the film are part of the social practices in a constant relationship between teaching and learning, the viewer is thought of not as a passive consumer, but as a main character who produces social value and cultural languages, integrating the complexity of the contemporary society complexities. I consider that the histories described in this paper have not been concluded, still they bear some reserve for other possible histories yet to come and many more.Item Mazagão Velho: imagem-mundo de uma festa, um baile e suas máscaras(Universidade Federal de Goiás, 2009-12-15) DIAS, Ronne Franklim Carvalho; SILVA FILHO, Raimundo Martins da; http://lattes.cnpq.br/1270126774554014This study has its focus on the masks of the feast of St. James of Mazagão Velho in the state of Amapá - Brazil. Held since 1777 by the residents of the city in the margins of the Mutuacá River, the feast celebrates the transfer of the former Portuguese colony from the Dukkala region, in the North of Africa. Full of rich and diversified visualities, rituals and symbols of Catholicism, the community lives with intensity its cultural and religious manifestations. The masks are distinguished during a ball exclusive for masked individuals and, in this study they are analyzed from the perspective of visual culture as visual artifacts. The research aims to build interpretations on the relations between mask and identity, observing and discussing the learning processes connected to the production and use of the masks in the symbolic context of the feast. The work also investigates the meanings of possible points of infiltration, resistance and hybridization that the masks present originated from a multicultural community formation and the influences of a global world. The text is built taking into consideration the multiple interpretations of the research participants that, through open interviews, recollect and reconstruct histories of the cultural and oral memory of the cityItem Vestidos de família: visualidade e sentidos(Universidade Federal de Goiás, 2010-06-28) JAYME, Sejana de Pina; MARI, Marcelo; http://lattes.cnpq.br/8059077343813699This dissertation tries to understand the possible meanings of the old objects stored in old boxes and trunks. Specifically, clothes. To this ending, the visuality of the family dresses is investigated from the knowledge, description and registration of their physical and material features, which are the basis of the analysis. The testimonies of the individuals involved in its making and its use, the quest for the historicity of each piece, as well as their typology, support the discussion of the various functions, that the artefact can assume: starting as biographical objects, the dresses change from this and the other functions determined by their creation, use and keeping. With the Camisa de Pagão, used on babies, the children's little dresses, the debut gown and the bridal gown, this search goes through the economic, social and affective issues triggered remembrance processes.Item Quem sou eu: autorrepresentações de travestis no orkut(Universidade Federal de Goiás, 2009-07-07) LIMA, Aline Soares; MONTEIRO, Rosana Horio; http://lattes.cnpq.br/9262982142956906This study investigates the self representations of transvestites in orkut and constitutive elements of their (cyber)identities, having the visuality as the focus and determinant axis. For this, the emphasis is given to pictures and self portraits, present in albums of their profiles on the site. We are interested in understanding what is the image they construct of themselves from physical reconstructions, aesthetic formulations, costumes, scenery, performances and a whole network of symbolic meaning which is important for them. Orkut, like many other social environments of the internet, comprehends speeches and narratives of individuals and social groups that describe, identify and represent themselves of the most varied ways and with the most diverse goals and interests. In order to understand how the self representations of transvestites are built on orkut, it was investigated initially some communities with trans thematic, then it was selected the profiles of two transvestites, with whom interviews were also conducted. Although this study focuses on the self representations in the orkut, other environments in cyberspace have been researched, as blogs and sites for transvestites. We conclude that there are multiple ways to represent transvestitely, not just the stereotypical, stigmatized and marginalized representations widespread by the mediaItem Casa de bricolador(a): cartografias de bricolagens(Universidade Federal de Goiás, 2010-03-31) LODDI, Laila Beatriz da Rocha; SILVA FILHO, Raimundo Martins da; http://lattes.cnpq.br/1270126774554014This research asks permission to enter in houses of bricoladores, people who make their homes with their own hands, using found fragmentary material, collected, diverted from their original functions, adopting creative procedures and dealing directly with the random and unexpected. Bricolage operates without a pre-designed project, featuring a tactical process of invention which appropriates and reframe available elements of different origins. Inspired by the concept of rhizome and its multiples entries, this study articulates essays that dialogue between themselves, creating ramifications and displacements. Theoretical referential follows the texts to design crossings between images, processes, places and meanings. Trying image beyond the illustrative function, a visual essay proposes sensitive approaches to the houses. Through cartography, a mapping of the landscape and its accidents and transformations, bricolage talks reveal subjectivity productions which emerge from the movement's own power.Item Interfaces gráficas, sites sociais e encantamento: proposta para implementação de jogo eletrônico a partir do site Twitter(Universidade Federal de Goiás, 2010-12-15) LOPES JUNIOR, Vanderlei Cassiano; ROCHA, Cleomar; http://lattes.cnpq.br/5039948128955710Based on the conceptual analysis of Graphical User Interfaces (GUI), the issues respecting visualities and the conceptual framework presented in Aristotle s Poetics, this study aims to identify the elements into these interfaces for the users benefit as much as their web experience may be considered to be a pleasurable one, highlighting at which point it is possible to design a digital environment in a poetic sense, and in favor of enchantment. By considering the so-called Web 2.0, this study also assesses the Collaborative Web s structures which enable and facilitate the interaction between users, and links up these structures with the theme of enchantment, with the aesthetics of the medium, and with the very concept of game. This study is ultimately an attempt to apply its theoretical framework to Twitter, and propose the enhancement of users interaction on this social networking site, by setting up the electronic game Blood & Brains, which is based on Twitter s graphical interface and may be considered as an outcome of all the themes discussed herein.Item Entre evas e humanos: uma abordagem da relação homem-máquina através da animação japonesa néon genesis evangelion(Universidade Federal de Goiás, 2006-06-05) LOPES, Danielly Amatte; MONTEIRO, Rosana Horio; http://lattes.cnpq.br/9262982142956906In a brief examination of contemporary productions about the most diverse subjects we identified the role of the image at the end of 20th century Identified by many studious as a society that constructed great part of its symbolic universe through the information supplied by the means of mass culture specially those that present visual as data the contemporary occidental society passes through a process which the image has an accurate importance in the way to interpret and to organize concepts and dogmas Parallelly to this supervalorization of the image we identify in this period a great number of new technological and scientific discoveries This techonological and scientific development in the last 50 years of the 20th century has such a dimension that modified and reorganized a lot of conceptions and relations. This development did not modify only the technological apparatuses around us but also the relation that man established with them This narrowing of the man-machine relation is portrayed by many different languages giving an idea about how this man interprets this new type of relation and the questions rised by it Practically all the languages admit the representation and the discussion about man and machine mentioning the possibility of hybridization the sprouting of trans-biological creatures (natural environment artificial environment) the loss of the human domain on the machine and the way the absorption of these new ways to think the human being can influence this man-machine relationConsidering this this study aims at through an audio-visual production setting the problem and identifying these discussions and questions that appeared at a time when the relation between technology and human being got a new dimension Using the production of one of the greatest phenomenon of the popular culture in the world the aminé we based on Néon Genesis Evangelion to get elements that could give visually support to this discussion It is about a TV serial produced in Japan in the 1990 that has in its 26 episodes the representation of an intense approaching between the machine and the human being There two types of characters EVA´s and pilots we will analyse the materialization of the two sides of the relation From one side the EVAs representing the machines the element capable to extend on the man to this machine On the other side the pilot of each EVA respresenting the human being in a future where the technology interacts with its cognition a human being that has to reformulate his suject conceptions identity and alterity The object of the study provides us simultaneously the battles a net of mysteries and intrigues happen rising sensible questions and aspects related to the characters´subjectivity It is a complex net that is being unfolded having as a setting another attempt to make the human being prevails Rising other questions such as the alterity the possibility of hybridization between man and machine a new conception of human being and the possible consequences of this hybridizationItem A Última Princesa: Pensando a Ilustração do Livro Infantil, uma produção em gravura(Universidade Federal de Goiás, 2010-05-07) MACÊDO, Luciana Vasconcelos; CLÍMACO, José César Teatini; http://lattes.cnpq.br/4105136553667901This masters dissertation deals with the children's book illustration from the standpoint of the illustrator, emphasizing the structural aspects of visual as well as the relationship of images with text. The production of an illustrated book, starting from the creation of the text until the final aspects of graphic production, highlighting in detail the process of designing and creating the illustrations, punctuatess comments and thoughts on specific aspects of this type of image.Within the text, are approached from the history of children's book illustration, to its development, going through technical aspects and focusing the discourse on the similarities and differences within the processes of production of manuals and digital images and their impact on the final results All this from the point of view of my own experience as an illustrator.Item COSTURANDO MODA: Uma análise das práticas vestimentares femininas em Vitória da Conquista Ba (1950 1965)(Universidade Federal de Goiás, 2009-06-04) MATOS, Juscelina Bárbara Anjos; MENDONÇA, Míriam da Costa Manso Moreira de; http://lattes.cnpq.br/8573276727905431As Durand (1988), the fashion is capricious matter, which invites us to speak of many things. Speaking in fashion is not only remember of the fashion designers and parades importants is mainly know how they dress ordinary people, as they do for follow the latest fashion and adapt it to their daily lives. It's talk, as objective is of this study, as was the behavior of fashion of the women in Vitória da Conquista-BA between the years 1950 and 1965; of how fashion is related to the lives of these women who live far from large cities, in a period of limited resources and access to information in more limited of fashion. We talking about, too, as the women's from there of different social classes were wearing at this time. Not just talking about the lady of society, but talking about how the worker, the seller of the little store the corner, a housewife, a seamstress is related to fashion. We still talk as the vestiment practices are closely related to the role that women was doing in the season. We show which were the main influencers of fashion in the city, as magazines, parades, competitions of beauty and social events. We seek to retract who were the main seamstresses local, shopping areas and how the binomial production/consumption constitute itself in marks symbolic of distinction. The approach adapted in this investigation have how sustentation the methodology of historical research where we are privilege the analysis of photographic images, anchored in oral history and analysis of other secondary documents as newspapers and magazines of time. Of crossing of the photographic document whit other fonts complementary is that we can rebuild the social practices and vestiment practices of them.Item PROJETO GRÁFICO PARA AMBIENTES COMPUTACIONAIS: INVESTIGAÇÃO E PROPOSTA.(Universidade Federal de Goiás, 2009-06-10) MELO, Marcilon Almeida de; ROCHA, Cleomar; http://lattes.cnpq.br/5039948128955710This dissertation takes a look at graphic design for interactive media, specifically online magazines, verifying what media maintains the most aspects relative to print media, and offer solutions to better articulate concepts related to digital support. In a second moment, adopting an editorial model of the magazine Etc/Art as a guide to develop a practical offer to this masters. The purpose of this project is to present coherent solutions with defended concepts and the possibilities raised, to offer the utilization of refined resources of information technology and communication, emphasizing hypertexts structure and media convergence. Beyond this, verifying that many digital magazines still maintain a strong relationship with print media within the elements which compound that and also the final product still resembling the printed version, even though there is an urgency for utilizing better resources, in terms of the relation to interactive support. Finally, point to which aspects of this paper fast forward the discussion, opening a passive structure to technological actualization, refining the graphic project with support of digital media