Etnografar O Intangível: Mangacrioula, o Tambor de Crioula na Chapada do Corisco

Abstract

This dissertation investigates the concepts of heritage and memory, contextualizing them through the popular cultural manifestation known as Tambor de Crioula and its local expression entitled Mangacrioula, based in the city of Teresina (Piauí), located in the middle course of the Parnaíba River basin. The research examines the symbolic, religious, and social constitution of the group, whose practices—such as workshops, instrument baptisms, and commemorative events—are mainly held at Memorial Esperança Garcia, a reference center for Black culture in the state. The origin of the drum trio (parelha) dates back to a workshop held in 2013 in Caxias (Maranhão), and since then, the group has engaged in ongoing activities of resistance and celebration of AfroBrazilian identity. The methodological approach is grounded in ethnographic practices, combining technical records, participant observation, and symbolic analysis. Key elements include the ritual use of amaci, drum baptisms, traditional attire, and the veneration of Saint Benedict, the group’s patron. Mangacrioula emerges as a unique expression of Tambor de Crioula in Piauí, incorporating original songs (toadas) that reflect the geography, ecology, and daily life of Teresina, as well as Afro-diasporic ancestry. The dissertation also explores how the group collectively builds its identity (or id[entity]) through performances, rituals, and social interactions, portraying Tambor de Crioula as a dynamic intangible heritage whose safeguarding is ensured by the community’s active participation. This study is part of the research line “Ethnography of heritage, memory, landscapes, and material culture” and highlights the importance of understanding popular cultural manifestations as forms of resistance, reconnection, and transformation of collective memory.