Caligrafia marginal: pichação, performance e patrimônio
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Data
2015-12-09
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Universidade Federal de Goiás
Resumo
This research does a general approach about the urban interventions, giving priority to the actions
ephemeral (graffiti and pichação), how arise each of these practices, their disparities in Brazil, and
the actions taken by the Government for combat them, with enphasis in pichação. The pichação is a
practice of marginal and oppositional character that has become an integral part of complex
societies. For the government, as well as for a large portion of Brazilian society that action is taken
as a crime, but for those who are included in this marginal culture, the act of tagging can be
interpreted as a socialization tool communication, leisure, art, call to memory etc. Among the
various perspectives of analysis contained in pichação, this work sought to explore how this urban
offensive action can be interpreted under the bias of performative act. In addition, it sought to
understand how graffiti artists and other residents of Goiânia/GO, deal with the elements arranged
in the urban space, emphasizing the architectural constructions of social value.
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Palavras-chave
Pichação , Performance , Patrimônio , Transgressão , Espaço urbano , Heritage , Trespass , Urban space
Citação
ROGRIGUES, Livia Nunes Borges. Caligrafia marginal: pichação, performance e patrimônio. 2015. 99 f. Dissertação (Mestrado em Antropologia Social) - Universidade Federal de Goiás, Goiânia, 2015.