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Item Uma abordagem da forma musical como elemento constitutivo da trama social(Sonia Ray, 2002-12) Clímaco, Magda de MirandaMusical form in its interation with lhe sacio-historie context is lhe underlying theme of this work. A motel from the 14'h century was taken as the prime example with lhe intention of establishing possible relationships between the formal structure of the work and lhe structures of the society. The aesthetic and socio-historic approach made possible lhe afirmation that lhe musical composition, taken as example, can be considered a representative support of the collective imagination with which has been interaged, as well as the changes of time inherent to that age. Under this condition, it was capable of suppartting a "multiple rime", to present three dimensions of meaning: actual, residual and latent. lt was a practice and a way of disseminating elements that would be basic to the starting of new ages. It was capable of constituting the social element.Item Adélia Prado e a poética ressalva(2014-07) Guimarães, Maria Severina Batista; Camargo, Goiandira de Fátima OrtizThe recurrence with an author uses certain stylistic resources to features to incorporate in your language experience is its poetics. In Adelia Prado, the most recurring themes of his work have already been well explored by critical, considering that it is a very well read poet and studied in academia. The study that we present in this article is intended to be one more contribution to its critical fortune, highlighting an important issue that permeates throughout its theme: the recurrence with the poet uses the adversative connectives, but mostly, what gives his poetry one sense of caveat, meaning of redemption of thefeminine condition.Item O alongamento muscular no cotidiano do performer musical: estudos, conceitos e aplicações(Sonia Ray, 2005-06) Ray, Sônia; Andreola, XandraDuring the last years we can observe an increasing number of Brazilian texts which approach the use of the body musical performance. These texts have raised many new questions, such as: what is stretching and what it its role in performance, how can it contribute to optimize the use of the performer's body, when does it hinder musical execution, or if a sequence of exercises can actually have an effect on results. Answering these questions is the main goal of this paper, which presents Brazilian studies related to the use of the body in musical performance, the concepts of warm-up and stretching, and a proposal for muscular warm-up and stretching for the musician's daily routine.Item Ampliando a compreensão sobre a relação entre a música e a expressão gênica através de uma revisão sistemática(Universidade Federal de Goiás, 2016-02-15) Sousa, Romes Bittencourt Nogueira; Silva, Ana Lidia Alcântara-; Vale, Arthur Ferreira; Silva, Tereza Raquel Alcântara-Systematic review of Music and gene expression, wich aim to expand knowledge on the subject. The data bases used were Scopus, Pubmed and Scielo. They were included in the publications of the last five years in Portu guese, English and Spanish, which contained the title song or music therapy associated with at least one of the other descriptors: Molecular Biology and Genetics and Cell. We found 394 articles and were excluded 389. We observed that the subject is poorly studied, most studies prioritize the relationship music and musical abilities, and music therapist attended none of them. Further research is needed to expanding the understanding of the subject and there by increase contributions to the music therapy clinic.Item Ampliando a compreensão sobre a relação entre a música e a expressão gênica através de uma revisão sistemática(Sonia Ray, 2015-12-10) Sousa, Romes Bittencourt Nogueira; Alcântara-Silva, Ana Lidia; Vale, Arthur Ferreira; Alcântara-Silva, Tereza RaquelAbstract: Systematic review of Music and gene expression, wich aim to expand knowledge on the subject. The databases used were Scopus, Pubmed and Scielo. They were included in the publications of the last five years in Portuguese, English and Spanish, which contained the title song or music therapy associated with at least one of the other descriptors: Molecular Biology and Genetics and Cell. We found 394 articles and were excluded 389. We observed that the subject is poorly studied, most studies prioritize the relationship music and musical abilities, and music therapist attended none of them. Further research is needed to expanding the understanding of the subject and thereby increase contributions to the music therapy clinic.Item Andança kalunga: relato de experiência de uma catadora/contadora de histórias(Universidade Federal de Goiás, 2019-12-30) Neves, Vanusa Nogueira; Silva, Renata de LimaThe text is an experience report of a scavenger / storyteller in the northeast region of Goiás, where is the Kalunga Historical and Cultural Heritage Site with communities distributed in three Goiás municipalities: Cavalcante, Monte Alegre de Goiás and Teresina de Goiás. From the meeting with Kalunga women from the communities of Engenho II, Riachão and Vão de Almas, comes the enchantment for their personal narratives. The Kalunga walk is the device of the Masters research in Cultural Performances on the narratives and performances of Kalunga women, specifically the Riachão Community, in the municipality of Monte Alegre de Goiás. From the enchantment to the awareness that these narratives relate to performance of these women in their communities, the Master's project in Cultural Performances was structured, aiming to investigate the art of storytelling from the experiences of quilombola women, observing in this process their social strategies in the construction of ways of life and identity to from your memories. And the goal was reached through the lived field. Field experience is understood, analyzed and described from the point of view of a sensitive experience, permeated by affects and enchantments, which do not ignore the adversities experienced by the Kalunga people in their history of struggle and resistance. Vanusa Nogueira, with the character Glorinha Fulustreka, goes on telling, picking and (re) inventing stories as a way to allow herself to hear, see and understand, from the perspective of performance studies, the poetics of otherness, expressed in kalunga culture and identifications. There are several voices participating in this study. The field experience is analyzed here from the perspective of the “lived field”, as discussed by researchers from NUPICC (Collective Scenic Research and Research Nucleus 22), where being in the field is to experience it from the point of view of aesthetic experience, sensitive knowledge and affections, which can be recognized in enchantment and adversity as a creative impulse for poetnography (SILVA & LIMA, 2014), which mean dramaturgies in dance, theater and storytelling, engaged with the poetics of otherness and knowledge. popular.Item A arte de conversar – existência, epistemologia e comunicação(2015-12) Christino, DanielThe French and Italian treatises of the sixteenth and seventeenth century deeply reflected on the problem of communication as a phronesis, a rationality of the court in manuals and breviaries that circulated at the end of the Baroque. In these texts we can glimpse an epistemological approach to the problem of communication even before the advent of the Enlightenment and therefore more committed to the existential elements that characterize the phenomenon. Starting from this epistemic shift, the article attempts to discuss the concept of communication, anchored in the philosophy of Heidegger and Gadamer, and to articulate the existential and epistemological elements in order to propose an alternative approach to the traditional research within the scope of an applied social science.Item Arte sequencial e cultura da convergência - a conexão entre as histórias em quadrinhos e as novas tecnologias(2014) Neves, André Roberto Custódio; Christino, Daniel; Ramos, Rubem Borges TeixeiraWhat are comics ? According to Scott McCloud , “ and other images are juxtaposed in deliberate sequence intended to convey information and / or produce a response to the viewer .” Here is a narrative universe that tends to be seen , sometimes to humorous or derogatory way and wrapped by prejudices dating from laymen and ordinary readers beyond the academic environment . But while that one undertakes an analysis , study or debate the issue we note that finding an answer is not a simple task . It even daring, somehow , to discuss the “ marginalization “ of the object of study by academic bias, taken as a scholar. .The present work emphasizes the importance of transmedia narratives and the convergence culture in the comic book universe . This term , coined by Henri Jenkins (2009 ) , creates social and cultural impact through your posts , symbolism , and suggest new interactive forms between the reader and the object of study through the advent of new technologies . For both , conveys a journey to the past to understand the expressive , artistic and media potential of this type of narrative that aligns text and image.Item Arthur Azevedo: o teatro de revista entre a vida e a arte(2011-12) Camargo, Robson Corrêa deThis study analyzes the play Tribofe by brazilian dramatist Arthur Azevedo (1855-1908), one of the leading reviews of the year written by the author, using the categories of carnivalization. This castegories were presented by Mikhail Bakhtin in his works Rabelais and His World and Problems of Dostoevsky’s Poetics. Bakhtin assumes that Carnival does not enter the realm of art, standing on the border between “art and life”. These drama reviews of the year among many, seek to carnavalize the theatrical life of Rio de Janeiro society, so we find these categories described by Bakhtin in the carnivalization of everyday life on this play: free family contact, the relationship between the characters, the eccentricity, the mesalliance, desecration and the stage of the actions.Item Atos de autoria: assinaturas, rasuras, rupturas(2009-01) Pinto, Joana PlazaThis essay confronts some ideas about author, with speech act theoretical trouble base. For that, the Austin’s IX Conference (1976) are confronted by Derrida’s Signature Event Context (1990) and this confrontation is related to an implied notion of subject in Barthes’s author (1987) and Benjamin’s narrator (1983).Item O cânone crítico-poético de Manoel de Barros(2001) Camargo, Goiandira de Fátima OrtizThis study aims to examine the critical-poetic literary canon in Manoel de Barros. The self-reflexivity in Barros’ poetry forms a creative consciousness which articulates literary creation and critical invention in the poetic space. In Manoel de Barros’s works, the poems question the crisis of the word and the compositional process which giving form to intentions presented in the author’s essays allows us to depict the poet’s aesthetic project. The choice of a universe of ordinary things, the preference for that which despised by society, the feeling of fragmentation, the search of an Adamic word, which denotates a lost language – all this are some of the recurrent motives that are interwoven to the liric voice of Barros’s poetry. Departing from a reshaping of the poetic canon that can be obtained by mean of a critical approach to poetry, we will examine the “critical metaphor” – the precarious condition in which the insertion of poetry in the world as metaphor inaugurates the space of criticism of the word as well as the criticism of mechanisms used for representation of reality.Item Cansaço e não pertença: a importância da canção na trilha sonora do filme Terra estrangeira, de Walter Salles(2011-12) Santana, Geórgia Cynara Coelho de Souza; Nogueira, Lisandro MagalhãesEste artículo propone un análisis de la banda sonora de la película brasileña Terra Estrangeira (Walter Salles e Daniela Thomas, 1995), teniendo como foco el uso de la canción popular en la película. El estudio tiene por objetivo demostrar la inseparabilidad de sonido/música e imagen en el discurso cinematográfico y el valor dramático, afectivo y narrativo de la canción en el cine brasileño, con la inserción de la película en el contexto actual de los estudios del sonido en las producciones audio-visuales brasileñas. Justifican el estudio búsquedas sobre la historia y la estética de la banda sonora en el cine y la música en la comunicación audio-visual.Item Canto compassado: os cantares de amigo e os Cantares de Hilda Hilst(2010-06) Ribeiro, Renata Rocha; Camargo, Goiandira de Fátima Ortiz deThis article aims to analyze parts of Hilda Hilst’s lyrical poems. At first, her production will be analyzed in the scenery of the contemporaneous Brazilian lyrical setting to try to establish which lyrical trend she fits in. After this, some characteristics of the Galician-Portuguese Chants, the cantigas de amigo, with a female lyrical self, will be related to Hilst’s poems, such as the female self, the structure and the themes. To sum up, it will be discussed how Hilda Hilst has promoted new reading approaches about this genre – the Trovadorism lyrical chants – especially in her book Cantares, published in 2002.Item A cinefilia no cinema contemporâneo: continuidades e rupturas(2012-08) Nogueira, Lisandro Magalhães; Santos, Fabrício Cordeiro dosStarting from the concepts of cinephilia and its historical background presented by the French reviewer and researcher Antoine de Baecque, this text intends to point out some distinctions between two kinds of cinephile: the classical one, who emerged more than fifty years ago, and the contemporary one, who lives in a time when media and communication are both able to amplify and twist the bond between films and their specific spectatorships.Item Cinema e jornalismo: o melodrama e a tragédia moderna(2008-12) Nogueira, Lisandro MagalhãesClassical cinema and broadcastHU journalism have narrative forms which are similar in that the two of them search for “objectivity” and have melodrama as its central characteristic. The film Doces Poderes (1996), by Lucia Murat, combines these two elements, while Um céu de estrelas (1996), by film director Tata Amaral, deviates from melodrama and criticizes the objective procedures of broadcast journalism. The analysis of these two films allows us to examine how Brazilian cinema represents broadcast journalism and evaluates the similarities and differences between both areas.Item Cinema e política: a representação do jornalismo e do marketing político no cinema brasileiro(2007-12) Nogueira, Lisandro MagalhãesBrazilian movies in the 1990s sought to provide a diagnosis of the rapid changes occurred in the field of communications during that period. The film Doces Poderes (Sweet Powers), by Lúcia Murat, shows how Brazilian journalism, when subjected to political marketing and advertising, loses its power as a primary source of information and gives room to what is know as “news as product”. Although Murat´s film purports to be a critical reading of the state of journalism in the 90´s, its cinematic language and narrative structure undermine its intent, revealing instead the frailties and limitations of the Brazilian cinema of political slant.Item Cinema, televisão e autoria: a ficção seriada e os filmes do melodrama(2003-05) Nogueira, Lisandro MagalhãesItem A civilização das imagens – entrevista com Jacques Aumont(2011-04) Nogueira, Lisandro MagalhãesIn this exclusive interview, granted to Professor Lisandro Nogueira, the French film theorist Jacques Aumont speaks of today’s civilization of Images, praises the canonical melodrama, discusses his most studied book in Brazil, “The Image” (another updated version will be published later this year in France), puts into perspective Guy Debord´s concept of Society of the Spectacle, and comments on the importance of modern cinema and Glauber Rocha.Item Compreensão filosófica dos aspectos musicais(Sônia Ray, 2001-12) Palácios, Gonçalo ArmijosAbstract ln thls artícle I will briefly compare Rousseau·s and Eduard Hanslick's formalist conception of music. Toe content of thls paper was presented in my conference for The 3n1 Goianian Musicoterapy Forum in November Slh 2001.Item Conexões teóricas entre performatividade, corpo e identidades(2003) Pinto, Joana PlazaBased upon Derrida's (1990) and Butler's (1997; 1998; 1999) interpretations of Austin's (1976) speech acts studies, this article examines theoretical connections with performativity, body and identities. A radical performative view of language submit the body to examination as a basic principle of identity practices analysis. Repeated speech acts within an unyielding normative frame constitute identities - ritual acts of a body that speech. Specially gender identities are important examples to understanding the linguistic aspects of body regulations.