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Item A larva, a crisálida e a borboleta: as cartas de liberdade em Goiás (1800-1824)(Universidade Federal de Goiás, 2019-04-11) Alencar, Igor Fernandes de; Moraes, Cristina de Cássia Pereira; http://lattes.cnpq.br/1005102348535090; Moraes, Cristina de Cássia Pereira; Rabelo, Danilo; Souza, Rildo Bento deThis research proposes a study of manumission records produced during the period of 1800-1824 in Vila Boa at the 1° Ofício de Registros e Notas register office. Our exam of the notarial registers of manumission certificate seizes these documents as the main interpretative resource on the procedure of manumitting. Furthermore, we seek to perceive the forms and practices that involved conflicts and negotiation strategies from the beginning until the sealing of agreements submit by the slave masters and enslaves. Yet, with the configuration of an important population of freedmen, we will consider the possibilities of social and economic inclusion of these manumitted subjects, given the socially-based hierarchies. As a result, we hope to contribute to the debate on the experiences of men and women who have transited into the tenuous frontier between slavery and freedom within the captaincy of Goyas.Item Cofos e velas: tessituras da morte em dia de finados no cemitério São José, zona rural de Pinheiro-MA(Universidade Federal de Goiás, 2022-11-22) Araújo, Julyana Cabral; Borges, Maria Elizia; http://lattes.cnpq.br/0672444382021221; Borges, Maria Elizía; Santos, Cícero Joaquim dos; Ribeiro, Dimas dos ReisThe present study aims to analyze the funeral ritual of The Day of the Dead in the rural area of the municipality of Pinheiro - MA, more specifically in the cemetery São José. For this purpose, are used the ethnographic and historical methods to analyze the collected sources during the field research in the cemetery. The study of the funerary ritual pervades the idea of social memory as proposed by James Fentress and Chris Wickham (1992), and Catroga (2015), whose memory in relation to the dead is historically shared and based on cultural relations. Based on this, the question is: what extent do the funerary rituals and objects used in this context represent the funeral culture of a given locality? For this, this study uses several sources that complement each other, such as: pages of the Cidade de Pinheiro Newspaper, relevant bibliographies, oral and visual sources. All this serves as a basis for a more critical look at the relationships experienced during the fieldwork between people and objects installed in the cemiterial space, in particular: cofos and candles, on Day of the Dead. However, added it, that such visual productions provide cemetery visitors with the practice of a memory exercise on these images, symbolic messages and contact with memories that generate affection for the dead. Therefore, such artistic productions in this context are: rural and Afro-indigenous matrix materialized in funeral artifacts emphasizing sensitivities against to the death.Item A deterioração das relações Brasil / Estados Unidos e a missão Albino Silva (outubro 1962)(Universidade Federal de Goiás, 2020-11-19) Assis, Jamily Silva de; Patti, Carlo; http://lattes.cnpq.br/5828258601090620; Patti, Carlo; Caterina, Gianfranco; Franco, Geisa CunhaThis dissertation analyzed Brazil's participation in the Missile Crisis (October 1962). The reaction of the Latin American countries and the Brazilian vote in the Organization of American States (OAS) and the Albino Silva Mission are briefly portrayed. The objective, mainly, is to understand how the actions of the Brazilian government during the Missile Crisis and, specifically, the execution of the Albino Silva Mission led to the deterioration of Brazil- United States relations. It discusses how the ambiguity of the João Goulart government and its attempt to highlight the Independent Foreign Policy (PEI), along with national public opinion, through the Albino Silva Mission and the double game between Washington and Moscow, which came to be taken in the period. Confidential and secret sources were used, such as telegrams, letters, memos and minutes of meetings of the Brazilian and American governments. This dissertation relies on confidential and secret sources from the archives of the Brazilian Foreign Ministry.Item Educação, revolução e experiência: a Cruzada Nacional de Alfabetização e a Revolução Sandinista (1980)(Universidade Federal de Goiás, 2020-12-09) Ázara, Túlio Almeida de; Silva, Luiz Sérgio Duarte da; http://lattes.cnpq.br/4317054127961589; Silva, Luiz Sérgio Duarte da; Teixeira, Rafael Saddi; Garcia, Olga Rosa Cabrera; Rodrigues, Maria Emília de CastrosThe theme of this dissertation is about the great literacy campaign in Nicaragua called the National Literacy Crusade undertaken by the sandinistas shortly after their seizure of power in the event that historically became known as the Sandinista Revolution in 1979. In this sense, the objective of this study is think of education as a revolutionary project in the specific case of this revolution. The bibliographic review points to Paulo Freire as the theoretical framework for this literacy campaign. Thus, we intend to reflect on how the education process took place in the aforementioned campaign, bearing in mind: 1) education as a political act, in the prepositions of the Brazilian thinker Paulo Freire - the political dimension of this campaign, aiming to identify the objectives of the project of National Literacy Crusade (1980) and consider some developments of this campaign for the Nicaraguan nation; 2) some founding concepts of Paulo Freire - the author's considerations about experience and education, which run through the concepts of knowledge of the experience made, dialogicity and humanist-liberating education. To this end, the sources of this research are official documents from the Sandinista government and the Nicaraguan Ministry of Education, periodicals of the main communication vehicles in Managua in the 1980s and interviews with literacy teachers who participated in the campaign. The results of this research indicate that: 1) the literacy campaign was for the brigadiers to continue the revolution, therefore, aligned with the revolutionary project and engaged with Sandinismo; 2) despite the short space of time, they achieved expressive results that corroborated the policy of the Sandinista National Liberation Front; 3) although Paulo Freire's system was not used exactly as it was thought in the Pedagogy of the Oppressed, there were indications of freirian orientations played both in the elaboration and in the concretization of the campaign by literacy brigades, such as the break with traditional education or “banking” and the existence of dialogues between the “literacy teacher” (from the urban culture) and the student belonging to the rural culture in an education engaged with the “ragged”.Item A representação do movimento para salvar o Jóquei Clube de Goiás pela imprensa goiana(Universidade Federal de Goiás, 2023-02-27) Azevedo, Natane Rincon; Campos, Yussef Daibert Salomão de; http://lattes.cnpq.br/7307745252496902; Campos, Yussef Daibert Salomão de; Leal, Claudia Feierabend Baeta; Gomide, Cristina HelouThis master's thesis analyzes how the representation of the movement and the process of listing of the Jóquei Clube de Goiás by the main newspapers from Goiânia would relate to the history of struggles for the listing of cultural assets in Brazil and in Goiânia. In 2017, the sale of the Jóquei Clube de Goiás was negotiated with the Universal Church. If the sale went through, the club's headquarters could be demolished. Thus, a movement, named #salvejóquei on social media, emerged to "save" the club. Simultaneously, the Council of Architecture and Urbanism of Goiás (CAU-GO) filed a process for the listing of Jóquei's headquarters as a cultural heritage of Brazil. These events received wide coverage from the main newspapers in Goiânia, such as O Popular, Diário da Manhã and Jornal Opção. To analyze this representation, we resorted to the analyzes of collective memory, by Halbwachs (1990), Albuquerque Junior (2007) and Ricoeur (2007); the field of cultural heritage disputes and the history of listing in Brazil, by Chuva (2009), Rodrigues (2001) and Campos (2019); the rhetoric of loss and national identity, according to Gonçalves (1996); among others; united with theories from media studies, by Traquina (2012, 2016), Tuchman (1999), Wolf (2012), etc. For this purpose, we used the method Discourse Analysis to analyze the representation of the three newspapers.Item O mobiliário como testemunha da história de Goiânia: 1930-1940(Universidade Federal de Goiás, 2004-04-29) Badan, Rosane Costa; Nunes, Heliane Prudente; http://lattes.cnpq.br/1646676717277955; Nunes, Heliane Prudente; Santos, Dulce Oliveira Amarante dos; Lima Filho, Manuel FerreiraThis work analyzes the furniture as a document-object of the history that had testified Goiânia' s foundation, identifying wha had influenced the choices of furniture in the region and how Goiânia' s society had showed itself through then. With the objective to perceive until which level the modernity interfered on interior composition of some public edifices builded in Goiânia in 1930 and 1940 decades, an historical and geographical approach had being done about the modernity expressed on the city, in different speeches. Primary visual registers and writing that until now didn' t line the formal history of the city were analised. The result of these analysis show importance of material culture and everday objects for the construction of a history. At Goiânia the modern is reflected on the furniture, on the civil buliding materials, on the composition of the inside places. The furniture used here as the main actor of the narration of this history, has witnessed the economic, social and cultural development the characterized the city as a modern one. So, the intent of thes work is not sell out the theme, however: study the Goiânia' s furniture history means think over the everday life of a society whose mentality was in charge of the formation of Goiânia.Item Da nova direita ao bolsonarismo: usos da ditadura militar brasileira pelo canal do Youtube Folha Política(Universidade Federal de Goiás, 2022-10-28) Barbosa, João Marcos Santiago Monteiro; Teixeira, Rafael Saddi; http://lattes.cnpq.br/2919949012379731; Teixeira, Rafael Saddi; Pereira, Mateus Henrique de Faria; Abdala Júnior, RobertoThe present dissertation is the product of a research on the uses of the Brazilian military dictatorship by the channel, from the Youtube platform, entitled Folha Política. Our central question can be summarized as follows: how was the historical experience of the military dictatorship in Brazil (1964-1985) reconstructed in the videos produced by Canal Folha Política during the years 2016 to 2020? To provide an answer to this question, we consider it important, first of all, to reconstruct the trajectory of this channel: who created it? In what context? With what goals? What changes took place in the channel during the period 2016 and 2020? We could see, in our research, that the creation of the channel, in 2016, was directly related to the mobilizations of the so-called New Right in favor of the impeachment of President Dilma Roussef and that, in 2018, during the campaign for the presidential elections, the Folha Política verticalized its political position, fully adhering to Bolsonarism. In this way, our research was able to focus on the uses of the Brazilian military dictatorship in a contextualized way, understanding the relationships between the interpretations of the past and the interests of the present. We note that the channel mobilizes a predominantly exemplary and monumental Historical Consciousness. Through nostalgia and monumentalization, he builds the idea that the dictatorship era was qualitatively better than the present. This mobilization of the past, aiming to restore lost values, or keep them in the face of the possibility of loss, also occurs with the objective of keeping its subscribers engaged in favor of current banners. For this to happen, the channel maintains its followers with a feeling of suspicion and hatred against the left-wing segments, they make monumental celebrations about the Brazilian military dictatorship, alluding to events that give a feeling of victory against a common enemy. In addition, Folha Política also uses euphemisms to appease the controversial speeches of people close to President Bolsonaro that involve the past of the dictatorship in Brazil.Item Os escritos políticos de Cunha Leal e os impasses do colonialismo português em África (1961-1963)(Universidade Federal de Goiás, 2020-08-27) Bianchi, Janaina Fernanda Gonçalves de Oliveira; Pinto, João Alberto da Costa; http://lattes.cnpq.br/4246394797193440; Pinto, João Alberto da Costa; Gonçalves, José Henrique RolloThis master’s thesis presents the thinking of a Portuguese colonialist, Francisco Pinto da Cunha Leal (1888-1970), who proposed the continuity of the Portuguese colonialism within the African continent. It aims to understand the motivations to continue colonization, through the colonisers’ discourses. It first presents Cunha Leal's institutional trajectory. Afterwards, it develops the concept of self-determination of the colonies, as argued in his four books, published under the Collection Coisas do Tempo Presente [Things of Present Times], between the years 1961 and 1963. For it, the ideas and works were contextualized in the period when the war Angola started, as well as an international pressure, specially within the United Nations, so Portugal would grant independence to its colonies. In the third step of the research, the ideas encompassed by the writings of Cunha Leal were put in debate with the ones set forth by other Portuguese of the same time frame: Pacheco de Amorim, Franco Nogueira and Henrique Galvão — who exhibited diverging ideas, yet sometimes discreet, for the continuity of Portuguese colonialism; what we thus consider to represent the thoughts of groups made by those who believed in the action of colonisation and/or feared the economical consequences of the lost of the colonies. We conclude the ideas of these authors on Portuguese colonialism constituted the framework of justifications that took the sovereignty from the native peoples, ideas that came to be defeated in the years to come.Item Um estudo sobre a trajetória teórico-política de Mário Pedrosa (1927 - 1966): o intelectual e as opções da revolução brasileira(Universidade Federal de Goiás, 2021-10-19) Bosco, Thiago Martins de Moura; Pinto, João Alberto da Costa; http://lattes.cnpq.br/4246394797193440; Pinto, João Alberto da Costa; Andrade, Everaldo de Oliveira; Maciel, DavidMário Pedrosa was a great intellectual of the brazilian left, actively participating in several importante moments of Marxist militancy, both in Brazil and in the world. Throughout his political trajectory, which begins in the 1920s and continues until 1981, with the founding of the Workers' Party as his last major political act, Pedrosa transitioned between different Marxism approaches: he joined the PCB in 1925; discovered Trotskyism on a trip to Europe in 1927, becoming one of its greatest propagators in Latin America and Brazil; and, in the 1940s, Pedrosa became a reference in luxembourgism in Brazil, influencing a whole generation of intellectuals and activists. We will work, in this research, with the political and intellectual inflections of Mário Pedrosa, from PCB communism to Trotskyism, then to Luxembourgism, until the publication of the books “The imperialist option” and “The Brazilian option”, in 1966, marking the contradictions that he lived in historical time and the context that permeated the inflections of his thought.Item História e descontinuidade: algumas contribuições de Michel Foucault para o campo historiográfico(Universidade Federal de Goiás, 2023-10-10) Braga, Matheus Fellipe Rodrigues; Valle, Ulisses do; http://lattes.cnpq.br/3163617104627072; Valle, Ulisses do; Arrais, Cristiano Alencar Pereira; Penna, Mariana AffonsoThe main objective of this work is to achieve a systematization of the concept of discontinuity, presented a little in Foucault's writings and guiding his investigative work, and his contributions to the historiographic field. The notion of discontinuity raises certain problems and also possibilities for the field of historical knowledge, such as reflection on the event and the object of the narrative itself. The historical plot depends both on a diffuse and problematic past, as well as on a historian who has the task of elaborating meaning for the documents and speeches of the past.Item Conexões alimentares na capitania de Goiás: 1790 a 1810(Universidade Federal de Goiás, 2021-12-20) Brito, Ana Amélia Aquino; Moraes, Cristina de Cássia Pereira; http://lattes.cnpq.br/1005102348535090; Moraes, Cristina de Cássia Pereira; Souza, Rildo Bento de; Pereira, Alan Ricardo DuarteThis dissertation proposed a bibliographical study about the backlands of Goiás, having at the center of the discussion the food of its population and the medical prescriptions of the Royal Military Hospital of Vila Boa (RHMVB) in the 18th century. This chronological cut was chosen due to the fact that, in the course of investigations into the nutrition of Guayazes society, in the 18th and early 19th centuries, several documents were identified that indicated an intense flow of large shipments of products and goods to the Sertão, as well as beef, prescribed in the patients' diets and used in the food supplement of the region's residents, which aroused the interest of some governors of Goiás in the navigation trade of the Tocantinsand Araguaia rivers, trying to make a connection between Goiás and the other captaincies. These shipments, via convoys, included herbs, used sometimes as spices, sometimes asmedicine, in the RHMVB apothecary, in the treatment and cure of the sick. Such information boosted the study of the role of landings, which greatly facilitated the exchange of goods and people, the exchange of information about tax collection depots on royal roads. Thus, between 1790 and 1810, changes can be seen in all aspects of the social life of the people of the sertão, because, in the period, goods and food were transported that became part of the table of Goiás and medicine practiced in the sertão, resulting in in the incorporation of new customs to those established in the interior of the Guayazes.Item Mitos e vivências educacionais no Espaço Cultural Vila Esperança/Escola Pluricultural Odé Kayodê(Universidade Federal de Goiás, 2022-09-19) Campelo Filho, Haroldo Nélio Peres; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Campos, Esther Roca; Capel, Heloísa Selma FernandesOur Thesis is based on the idea that the Myths can and have to be used in school environment. Brazil is made up of several cultures, peoples, beliefs, legends and much more. Nowadays we still have many habits that are a mix of indigenous, African and Afro-Brazilian cultures that somehow had mixed through the centuries. We strongly believe that the regular people can learn a lot of aspects of identities linked to these cultures and it can be deeply useful. Beyond that, apply the Myths as an authentic and honest formula in school would guarantee the applicability of laws 10,639/2003 and 11,645/2008 that improve the LDB, Law 9,394/1996 that determine the guidelines and bases of national education. Its goal is include in the official curriculum of the teaching network the theme of afro-brazilian and indigenous history and culture. Studying this hypothesis, we got engaged in several experiences reported in articles and dissertations exhibited mostly as art. What we propose to the entire educative network already exists for decades. We refer to the Espaço Cultural Vila Esperança and its Pluricultural School Odé Kayodê, in the city of Goiás, a place where the Myths are known to be present in an oral, written, symbolic, material, artistic, visual ways. Facing facts, not theories, we do believe that decolonial education is working out in this place. We interviewed groups of children and educators and we provided thematic questionnaires to neighbors, families and relatives, former students, the town Mayor, his staff and everyone from every place in the town. We compared the answers of each group to understand how they could be aware and satisfied about the subjects we trhew to everyone. After that, we checked the answers and separate them in categories intending to find similar points. Our aim always was that the dialogue validated the research. Decolonial studies helped us to face subjects such as racism and prejudice. To expand our thoughts on decolonial issues we made contact with the movimento latino-americano modernidade/colonialidade/decolonialidade. The movement is a great background to think about how to understand the Eurocentric believes. To understand the Iorubá and the African cultures this study aply Síkírù Sàlámì, Vansina and Hampaté Bâ. We took it as the major reference the Iorubá Orixás mitology. We did it because in our way of thinking the Iorubá culture is one of the principal bases to the philosophy, culture and religiosity of the Espaço Cultural Vila Esperança. The complete research showed that the Myths can be perfectly and successful used in the escolar environmental. Even to get interest and participation in a class room, specially the indigenous Myths, the African Myths and afrodiasporich Myths. That will be the didactic decolonization. And more. Those ones that establish a relation with this way of learn could understand better their rights and fortify their identities. We got examples that the Myths work in education can initiate with very young children and proceed helping teenagers and adults. And for sure can help teachers formation.Item Notas sobre história única, racismo e o silenciamento das experiências negras em Pioneiros (1954) de Basileu Toledo França(Universidade Federal de Goiás, 2021-12-16) Carmo, Lucas Rodrigues do; Silva, Murilo Borges; http://lattes.cnpq.br/7222474976480477; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; Silva, Robson Pereira da; Silva, Murilo BorgesThis thesis aims to investigate how socio-racial relations between black and white people are represented in Basileu Toledo França’s Pioneiros (1954). This book was written in the mid-twentieth century. Therefore, it is a product of its time. It reports the occupation process of the current southwest region of Goiás by non-indigenous people in the nineteenth century. By inventing the cultural universe of the city of Jataí in the 1800s, França (1954) forged social representations that, although aspiring to universality, were determined by his own interests, and which have been legitimized, almost uncontestedly, by various institutional spaces. We argue that Pioneiros (1954) is the synthesis of a single story (ADICHIE, 2019). Forging and legitimizing a single story for the black population requires multiple, continuous, and repetitive processes permeated by different manifestations of racism. Thus, the single story is subject to historicity. Throughout this thesis, we discuss the dangers of appropriating a single story like the one under analysis, which reinforces the silencing of black people experiences in Jataí. Finally, we explore the reception of this narrative and evidence that, by legitimizing it without critical density, some authors have been reinforcing racist perspectives in Brazilian national history, perpetrating a single story for the black population of Jataí. This thesis allows us to think about racism historicity and its manifestations in the stories that forge and shape places.Item Representações do mito de Héracles na atualidade: o herói nos filmes Hércules (2014)(Universidade Federal de Goiás, 2021-05-21) Carneiro, Isaque Nascimento de Jesus; Abdala Júnior, Roberto; http://lattes.cnpq.br/7014946989727038; Abdala Júnior, Roberto; Gonçalves, Ana Teresa Marques; Gomide, Cristina HelouThe present work seeks to bring reflections on adaptations of the myth of Heracles, considering what his role in/for contemporary society consists of. The research takes cinema as its research object, reflecting on the use of films that portray this myth, aiming to understand the different ways in which the myth was represented. We seek to understand the cultural context in which the productions are involved and how their diffusion through cinema creates a new perspective and perception of myths for contemporary times, collaborating, through their narratives, for the formation of a notion about history/History, influencing in building a vision about the past and its uses in the present society. The central idea is that the cinematographic language, with its technical and artistic elements, has great potential for historical teaching-learning, especially due to its influence on youth culture. In line with the mythical narrative that has fulfilled the role of expressing the desires of societies since antiquity, we take cinematographic audiovisual narratives as being able to exercise an analogous role, using the popularity of mythology.Item Alimentação monástica nos fins da Idade Média: o mosteiro de Santa Maria de Alcobaça (Portugal, séculos XV - XVI)(Universidade Federal de Goiás, 2022-04-20) Carrijo, Letícia Cardoso; Santos, Dulce Oliveira Amarante dos; http://lattes.cnpq.br/2317207486041256; Santos, Dulce Oliveira Amarante dos; Gonçalves, Ana Teresa Marques; França, Susani Silveira LemosCistercian Order, with food also being characterized from normative documents, such as expenses and forums, in addition to cookbooks and other Cistercian writings. The foundation and formation of the Alcobaça community, as well as the changes that took place at the end of the Middle Ages, mainly in the administration and way of life of the monastery, initially stand out as necessary information to characterize the practices of the monks residing in the monastery of Alcobaça. Knowing the spaces of the monastery, both internal and external, as well as the water resources are also important given the prominence of these places in the transformation, preparation and consumption of food. The first aspect analyzed is the natural and consumer aspects, based on the investigation of the availability of food in the kingdom of Portugal at the time. The Alcobacense table is analyzed, based on the quantity and quality of the food served, as well as the composition of the meals consumed. The behavior at the table, specific to the monastic group, where all gestures and silence are part of a ritual proper to men devoted to God, is highlighted as a factor of distinction in relation to other groups in society. The role of religious discourse in practices such as fasting and abstinence was also highlighted, in addition to charitable actions for donating food to the poor. Within the food exceptions, the Hippocratic-Galenic medical tradition gains space, when food is seen as a means of healing and disease prevention, bringing back balance to the sick and bleeding of the monastery.Item Práticas políticas do patronato em âmbito aristocrático na concepção de Sêneca: um estudo à luz do Sobre os benefícios (62 d.C.)(Universidade Federal de Goiás, 2021-09-24) Carvalho, Dyeenmes Procópio de; Omena, Luciane Munhoz de; http://lattes.cnpq.br/0630395552910286; Omena, Luciane Munhoz de; Gonçalves, Ana Teresa Marques; Silva, Gilvan Ventura daPatronage system is investigated in this dissertation as one of the Roman aristocracy operations during the Principate of Julius-Claudian Dinasty under the view of Seneca in the treatise On Benefits. Political practices were a way of communication in which the exchange of favors and resources inserted themselves in the Roman aristocracy negotiations in pursuit of power, honor and distinction. So, the treatise On Benefits, written in the end of neronian period, analyses the relations between Roman aristocratic patrons and clients stressing the senatorial and equestrian orders and their bond to the Princeps and imperial aula. Such analysis is possible from a study on the formulation of a political practice proposal based on the stoic virtues. Then, Seneca uses stoic scope to reflect the tensions and disputes of his political context. Similarities and differences between Seneca’s and earlier stoics treatment are stressed in relation to the exchange of favors. Therefore, it’s offered the suggestion that patronage system is one of the keys to the comprehension of the political practices complexity of Roman Principate.Item Em terra de sertanejo também tem regueiro: a música e a diáspora maranhense na grande Goiânia (2000-2016)(Universidade Federal de Goiás, 2016-12-16) Carvalho, Márcia Daniele de Souza; Araújo, Alexandre Martins; http://lattes.cnpq.br/6195011167649888; Araújo, Alexandre Martins; Garcia, Allysson Fernandes; Silva, Carlos Benedito Rodrigues daThe proposal in this work was tostudy reggae as a rhyth minvolved in the processo fidentity (re) construction of the Maranhão community in the Metropolitan Region of Goiânia. We discussed the migration of Maranhão to the Metropolitan Region of Goiânia. We seek to understand the production of a Maranhão identity in a phenomenon that we identity as diaspora. Being Goiânia a city Who secon figuration by immigrants from various regions of the country, we locate the Maranhão immigration as part of this history of migrations that characterizes thecity. Reggae is a musicality identified as Jamaican, Who semain background of its first songs was Rastafarianism, a politica land religious movement of messianic character that arisesamid social instabilities that penalize, especially, the country'sblack population, along with the Influences of Pan-Africanism constitute damid the effervescence of the processes of independence of African nations and Christian Protestant thought presentonthe island. Thmovement preaches thee mancipation of Black people and there demptivereturnto Africa. From the junction of the rastafarimes sagessungto ther hythm sof Afro-Caribbean musicians hipen counters, such as rumba, calypso, rhythmand blues, mento forms reggae. The rhythm reaches there gionof São Luís do Maranhão either by searoutes through maritime trade, from the sound waves of the Caribbe anto that coastal regionnorth / northe as of Brazilan disstrongly received, mainlyby theblack population of the peripheral areas of the region. It also comes throught heinter national music market. Jamaican reggae, when addedtos pecific cultural features of Maranhae an culture, under goes a processof (re) signification acquiring peculiar characteristics on the is landthat later came tobeknown as São Luís or Brazilian Islan ddueto the popularity The Maranhão rhythmamongthe local population. Of the municipalities of the interior where it spreads, this rhythm reaches Goiânia along with the migratory flow that takes thousands of Maranhão toin habitthe region.In this process reggae become sanamalgamo funion of the Maranhão community that identifies ther hythm as a representative of Maranhão culture and makes it a vector in the process of (re)constructionor production of a Maranhão identity in exile. We use thee thnographic work through Field visitsand interviews in order to obtainin formation about the forms of reggae achievements, the similarities and differences in relation, mainly, to Maranhão. In this way, we seek tounder stand the (re) signification sofrhy thm in the Maranhão diaspora in the metropolitan region of Goiânia.Item Um romance de formação: representações da classe média brasileira em “Ciranda de pedra” (1954), de Lygia Fagundes Telles(Universidade Federal de Goiás, 2023-09-20) Carvalho, Natália Peres; Silva, Robson Pereira da; http://lattes.cnpq.br/5608673598392485; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; Silva, Robson Pereira da; Vieira, Thaís Leão; Capelozi, Lays da CruzThis research aims to investigate how Lygia Fagundes Telles produces a certain representation of the middle-classes familiy, highlighting the dimensions of childhood and the roles assigned to women in that society, based on the novel Ciranda de Pedra, published on 1954, which exhibit characteristics of a bildungsroman. In this work we will observe the process of development of Virgínia, the protagonist, who is part of a disrupted “family” and is plagued by loneliness and rejection. To achieve this, we presente a study that analyzes the sociability networks of Lygia Fagundes Telles, how she constructs a narrative of herself and the paths that the author traversed until the publication of the novel Ciranda de Pedra, verifying also the construction process as well as it’s reception on the literary world. The plot of the novel is permeated by various themes, so, in this study we also discuss female opression, racial and sexual prejudice, the fall of the patriarchal system and othem important issues relevant for the focus of this analysis. In order to support the development of this research, we draw upon theoretical concepts from Antonio Candido (1989), Cristina Ferreira Pinto (1990), Phillipe Airès (1986), among others.Item Adoção e conspiração no principado romano: as performances políticas de Galba e Otão em 69 d.C.(Universidade Federal de Goiás, 2021-09-20) Costa, Bruno Henrique Souza; Gonçalves, Ana Teresa Marques; http://lattes.cnpq.br/7049736226460820; Gonçalves, Ana Teresa Marques; Campos, Rafael da Costa; Arantes Júnior, EdsonMuch of the few Brazilian historiography about the Civil War of 69 d.C., the Year of the Four Emperors, understands this period as a troubled moment, with political actors of little relevance and a moment in Roman history that lives in the shadows of the Julius-Claudian and Antoninian Much of the few Brazilian historiography about the Civil War of 69 d.C., the Year of the Four Emperors, understands this period as a troubled moment, with political actors of little relevance and a moment in Roman history that lives in the shadows of the Julius-Claudian and AntoninianItem O primeiro Oswald de Andrade e a crítica: balbuciamento imbecil, suicídio literário e a dicotomia autenticidade / inautenticidade como critérios de brasilidade (1924-1927)(Universidade Federal de Goiás, 2022-02-24) Cruvinel, Zandélli Lira; Valle, Ulisses do; http://buscatextual.cnpq.br/buscatextual/visualizacv.do; Valle, Ulisses do; Vilela, Ana Lúcia Oliveira; Silva, Walkiria OliveiraAfter the Modern Art Week of 1922, the modernist movement began to focus not only on what they wanted to break, but also on what they wanted to build. From the reason for the existence of the movement itself (the liberation, in the creative spirit of the artist, from the bonds and impositions of formulas and metrics), to the demand for authentic and free expression, to the questioning about the nature and character of Brazilian cultural identity, the journey The modernist movement was crossed by bigger issues than the construction of a new art. In this environment, Oswald de Andrade launched his aesthetic project Pau-Brasil (1924; 1925). In addition to Oswald's own ideas, the reception of the Pau-Brasil project can give us access to the discussion on art, nationalism, Brazilian culture and national history made between intellectuals and artists in the final years of the First Republic. Using as a conceptual instrument the proposals of Robert Jauss (1996), within the Aesthetics of Reception, and, secondarily, of Wolfgang Iser, on the Aesthetic Effect, I approach the reception, between 1924 and 1927, of the Pau-Brasil project. In terms of authentic or inauthentic, original or copy, it is the dispute over Brazilian cultural identity that fragments the modernist movement, serves as an evaluative criterion for art and denounces the fragility of a national pact in the period. Among the criticisms of Pau-Brasil, I highlight those by Graça Aranha, Tristão de Athayde and the Verdeamarelistas (Menotti Del Picchia, Cassiano Ricardo, Plínio Salgado). This group of authors verbalizes central points of criticism of the pau-brasil project: the return or the return to the irrational and the authenticity/inauthenticity dichotomy (in terms of national versus foreign).