Mestrado em Letras e Linguística (FL)
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Navegando Mestrado em Letras e Linguística (FL) por Por Área do CNPQ "CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA"
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Item Ecos de Narciso [manuscrito]: leitura do livro Ecos(Universidade Federal de Goiás, 2009-03-27) BITTENCOURT, Frederico Luis Domingues; YOKOZAWA, Solange Fiúza Cardoso; http://lattes.cnpq.br/5485415308754463This study proposes to examine the book Echoes: the jewel of Pandora, of the goiana poet Yêda Schmaltz. To do so, she takes as its leitmotif the update, processed in the book, the myths of Echo and Narcissus. The reinvention of classical myths noticed in Echoes is exemplary of an applicant in the work of the author, which is, in the narratives of antiquity, one of the main centers of creation of her literature. In this case, the archetypal mythological women are treated in different and successive books in order to reveal the various stages of psychological growth of women. In Echoes, the character of the same name, unlike the original narrative, overcomes the rejection and beats the challenges of loving relationship. This overcoming causes in the I lyric the reach of the true love, which necessarily involves the development of self, the self-love, only to then distribute it to the others. Considering the development of this study, first of all, there will be a presentation of the author and her literature. Then, as this study includes the upgrade of classical myths in a modern poet, it will present some considerations on myth and on the relationship myth and poetry, seeking, as possible, establish a dialogue between these considerations and poems of the book covered. Finally, the procedure will be to rescue the narrative of Echo and Narcissus, as it appears in Ovid, the recovery of interpretations and theories about the narrative and also to examine, through the comment of paradigmatic poems, recovering the difference that Yêda Schmaltz stablishes about the myths of Echo and NarcissusItem Fios de vida, tramas de histórias: a ficção de Lygia Fagundes Telles(Universidade Federal de Goiás, 2009-04-27) BORGES, Kelio Junior Santana; CÁNOVAS, Suzana Yolanda Lenhardt Machado; CANOVAS,Suzana Yolanda Lenhardt MachadoCette étude a pour but d‟entreprendre un voyage à l‟univers fictif de Lygia Fagundes Telles, artiste qui enrichit la littérature nationale il y a longtemps. Parmi nombreux aspects esthétiques présentents dans cet objet d‟étude, notre regard se détiendra et analysera l‟insistante répétition de l‟image du fil et d‟autres semblables. Telle images sont presentées comme des symboles qui sont présents tout au long de l‟ouvre de cette auteure, en faisant partie son univers mythique particulier. Dans ce emmêlé de lignes, de points, d‟aiguilles, de crochets, de tricots, des fileuses le lecteur entrevoit des destins qui sont tissus, de personnes qui sont entrelacées les unes aux autres, des individus attachés à des rescaux sociaux et d‟autres qui se manifestent par un filet de voix. En reprenant des aspects propres du mythes, l‟écrivaine Lygia Fagundes Telles tisse un travail d‟artisane, une oeuvre d‟art sur laquelle on travaillera, en proposant une analyse des valeurs possibles et des sens du symbole du fil.Item A lira hesitante de Ana Cristina Cesar(Universidade Federal de Goiás, 2010-02-23) FERRO, Letícia Costa e Silva; CAMARGO, Goiandira de Fatima Ortiz de; http://lattes.cnpq.br/3029764057965151Once in contact with contemporary poetry, we can think of its multiple practice in which form and diction, the most diverse ones resist to critical reception that are tied to established literary standards. The literary work of Ana Cristina Cesar can be included in this particular context. Controversial in its essence, her work keeps oscillating and drifting from stable matters. Therefore, the aim of this study is to read it by the bias of hesitation, between poetry and prose, center and edge, biography and fiction, memory and forgetfulness, in order to find out what is hidden underneath it, and whether it means simulation or dissimulation. The essay is elected then, in the wake of Adorno (2003), as the academic style of dissertation. It is a belief that the essay is analogous to the poetry studied, for it is placed among absurdities since it neither starts from a very beginning nor converges at a final ending.Item A INTERFACE ENTRE O PARADISÍACO E O BESTIÁRIO NA CRONÍSTICA COLONIAL BRASILEIRA(Universidade Federal de Goiás, 2009-01-01) GERVÁSIO, Eduardo Vieira; FONSECA, Pedro Carlos Louzada; http://lattes.cnpq.br/6114671436176153Cette dissertation análise le mythe du Paradis tel qu il est disseminé dans les cronistiques des voyageurs européen en Amerique et Brésil dans la colonisation. Pour ça, deux chroniqueurs français sont análisés: André Thévet dans l oeuvre As Singularidades da França Antártica et Jean de Léry dans l oeuvre Viagem à Terra do Brasil. Pour la part des portugaises, les auteures: Ambrósio Fernandes Brandão, Os Diálogos das Grandezas do Brasil; Fernão Cardim, Tratados da terra e gente do Brasil; Gabriel Soares de Souza, Tratado descritivo do Brasil em 1587 et Pêro de Magalhães Gândavo, dans une chapitre avec le titre Tratado da terra do Brasil part de l oeuvre História da Província da Santa Cruz. Cette vision sur le Nouveau Monde port sur soi des caractéristiques du premier Paradis, tels que: l harmonie entre créatures, l état innocence, le délassement, l abondance, l immortalité et une faune exotique et marveilleuse. Sur la faune paradisiaque, on recherche l influence du symbolisme des bestiaires médiévaux à la description de la faune exotique brésilienne. Ainsi, le mythe du Paradis se fonde avec le symbolisme des bestiaire, c est une interface où les animaux exotiques de la cronistiques symbolisent les caractérisques principaux paradisiaques: quelques-uns symbolisent l abondance d aliments; des autres, vertus comme l immortalité et l absence de males comme maladies; et des autres, symbolisent l harmonie entre l homme et les animaux de la nature du Paradis de Adam et Éve. Il est construit, alors, ce qu on appele, dans ce travail, bêts paradisiaques . Alors, on identifie une nouvelle tipologie de bêtes, dont thème est un mélange entre les traditionneles bestiaires et le paradisiaque. Pour tel propos, le travail s appuye sur les théories sur le mythe du Paradis et sur les théories du symbolisme des bestiaires, dans une recherche critique et comparative de la mythologie e du symbolisme, éléments caractéristiques de la nature littéraire.Item AMOR E MORTE EM ENCARNAÇÃO, DE JOSÉ DE ALENCAR(Universidade Federal de Goiás, 2008-10-03) LIVIZ, Elisângela Martins Sandim Franke; CÁNOVAS, Suzana Yolanda Lenhardt Machado; CANOVAS,Suzana Yolanda Lenhardt MachadoThis dissertation is aimed at analyzing Encarnação, José de Alencar s last novel, which was, at first, read as a pamphlet, but after the author s death, it was published as a novel. To do so, we inserted this novel in the fantastic tradition, and because of it, we also intend to discuss about This genre, as well as Romanticism, a literary school in which both the author and his novel belong to. We compared Alencar s narrative to many others, which can be included in the fantastic genre and which have similarities with the author on focus. We set intratextual and intertextual relationships with Brazilian and international authors. The myth of the double, present in the fantastic genre, whose boom took place in Romanticism, drew our attention and we made a comparative study, linking Alencar and Edgar Allan Poe, through this theme.Item Representações da cidade de Goiânia em contos de meados do século XX : imagens e discursos(Universidade Federal de Goiás, 2009-11-10) MORAIS, Kamila Lopes; RAMOS, Marilúcia Mendes; http://lattes.cnpq.br/0736591553780542This dissertation has the urban problems as its study object, and its objective is to read the representations of Goiânia based on the short stories produced by goianos writers during the decades of 1960, 1970, and 1980. This way, 31 short stories were selected among the following writers: Alaor Barbosa, Alcyone Abrahão, José Mendonça Teles, Marietta Telles Machado, Maria Helena Chein and Dionísio Pereira Machado. In this perspective, some questions were problematized: is it possible to read‟ the city of Goiânia from the literary discourse? How can the theorization about literature and city analyze this city from the selected corpus? In what way does the option for the short story justify itself for the development of this work? Why does the chronological piece for the selection of short stories focus the decades of 1960 to 1980? For that, we can take some theorists and critics as the conductors for that they broach critical reflections about the short story and the relation between literature and the urban. In order to have an analysis of the corpus, the operational concepts of Calvino (1990) and Gomes (1994) were used based on a contrastive net of metaphors, such as: crystal, flame, labyrinth, city of the rat and the swallow; the allegorical picture of the flâneur; the mapping, as it was proposed by Lynch (1997), and the statement of the characters‟ footsteps according to what Certeau (2001) suggests. As a follow up, the study focused on specific historical outlined happenings since the transfer of the capital of Goiás and the construction of Goiânia, until the years 50 and 60 that correspond to a period of political, economic and cultural development, mainly on what concerns the establishment of the GEN (Grupo de Escritores Novos Group of New Writers), delimitating the moment when the stories were written. Therefore, the research was directed to the analysis that demonstrated the moment when Goiânia is simply imagined (projected) by the characters, once they are not in the city yet, until the moment when the city is undergone, once the place where the episodes happen are lived on the streets, avenues, stores, hospitals, buildings and the city squares. This way, literature, on its turn, writes the city, making it possible to learn it through the short stories that inscribe itItem Poesia infantil e juvenil brasileira: transformações e deslimites(Universidade Federal de Goiás, 2012-08-02) OLIVEIRA, Meirilayne Ribeiro de; CAMARGO, Goiandira de Fatima Ortiz de; http://lattes.cnpq.br/3029764057965151This study presents two main objectives. First, it reviews the route of the Brazilian poetry for children and teenagers in order to identify their transformations throughout history, and then, it sees how some poetic texts, with emphasis on contemporary, go beyond the limits of the definition of editorial reader for this genre. Second, we intend to point out methodological paths to work with poetry in school, focusing on the basic Education. In addition, for the historical review of the genre, we have as references the studies of Coelho (2006), Shavit (2003), Turchi (1995), Zilberman (1988). As for the discussion of the formation of the reader, we enclosed the conceptions of reader and reading processes of the aesthetics of reception, with Iser (1996) and Jauss (1994); poetry teaching, Balestriero (1998), and genres of discourse and teaching, in the perspective of Dowlz; Schnewly (2004). The survey of the route of this genre was carried out from the reading of the poetry works published in the late nineteenth century until the first decade of this century, and also, the study on the subject of criticism. Moreover, the search for titles was in private collections and libraries. For the approach to teaching, the various theoretical currents were evoked to propitiate, from one hand, a broader understanding of the formation process of a reader of poetry, and to the other, to propose a methodology that takes the subject to identify a stable structure of genre, and to the use of this structure as a reading tool, applicable to any poem. Comprehensively, the work presents an overview of Brazilian poetry for children and juvenile having as support the field of reception, as it clarifies the constitution of the literary system.Item O escritor em seu tempo: o autoritarismo nos romances Em liberdade, de Sil-viano Santiago e O ano da morte de Ricardo Reis, de José Saramago(Universidade Federal de Goiás, 2012-09-20) RODRIGUES, Célia Aparecida Ribeiro; RAMOS, Marilúcia Mendes; http://lattes.cnpq.br/0736591553780542A reflection is made over the true intellectual public role, understood by Edward W. Said (2005) as a "status quo disturber", in a comparison between two novels: Em liberdade, by Silviano Santiago, and O ano da morte de Ricardo Reis, by José Saramago, both published in the decade of 1980, presenting plots set in the decade of 1930, in Brazil and in Portugal, a period marked, in Brazil, by the deploying of Getúlio Vargas New State, and in Portugal, by the Antonio Salazar New State, politically authoritarian and corporativist regimes. The comparative analysis of these novels, which reshape the authoritarianism historical fact, has as its goal the critical study of the speech strategies pointing to the engagement, especially in written word of the citizen-writer, as the authors, in the 1980's, highlight the authoritarianism for reflecting over the writers-characters positioning and of the intellectual in general and its role toward the authoritarian regimes. Antonio Candido (2008) argues that in order to understand the uniqueness and autonomy of the literary work it is necessary to consider the elements of the social order, as long as they interfere in the weaving of the text. This is the north to this analysis, since those authors exercise an attempt to represent social life, through the literary experimentation, as they approach the violence committed by the state against individuals, among them the intellectuals, when an interesting dialog between Literature and History comes to light. These narratives are inserted in the macro-system of the Portuguese language countries, understood by Benjamin Abdala Junior (1989) as a common field of contacts between national literary systems. Therefore, aspects like literature and world knowledge, dialog between Literature and History, engagement, historical novel, authoritarianism, plot, character, narrator, time, space, representations of the intellectual and authoring notions are approached.Item Leitura literária na escola: a experiência de ler contos de Clarice Lispector(Universidade Federal de Goiás, 2012-03-05) SILVA, Lúcia Vagna Rafael da; CRUVINEL, Maria de Fátima; http://lattes.cnpq.br/8906871031413029This research observes and analyzes the school practice of reading literary genre developed by students of Basic Education. To make this investigation were performed in class, during one semester, reading workshops from a selection of stories by Clarice Lispector, with a group of about thirty three high school students in a Public School from the States Schools of Goias, these young people where aged between 14 and 21 years. The aim was to investigate the school reading activity, noting the importance of the literary text as a genre that can enable a practice whose outcome leads to the reader s maturation, through the aesthetic experience offered by literature. To develop this study we sought to support theoretical researchers as Chartier (1985, 1998), Larrosa (2000), Candido (1972, 1995), Compagnon (2009), Nunes (1995). The outcome of the investigation showed that although students found difficulties in understanding the literary discourse, because of those genre complexities, it was possible the construction of meanings during reading practice, noting that the relationship between reader and text was motive, as statements, especially by the nature of the provocative approach of literary material proposed by Clarice Lispector.Item Por essas estradas o homem voa nas asas de sua fantasia: História e ficção em Chegou o governador, de Bernardo Élis(Universidade Federal de Goiás, 2011-08-15) SILVA, Rogério Max Canedo; BERGAMO, Edvaldo; http://lattes.cnpq.br/7021881106861960In this work, I intend to analyze how the poet, the short story writer and the novelist Bernardo Élis makes use of the History of Goiás in order to rebuild, trough fiction, the economic, political and social scenery of this place, in the beginner of nineteenth century. In his novel Chegou o Governador, published in 1987, the author esthetically presents a realm that drives the reader to a specific historical period of Goiás which are the years between 1804 and 1809. These years correspond to the events of the arrival and departure of D. Francisco de Assis Mascarenhas, a distinguished political character of the Portuguese colonial company, who masterfully led the captaincy of Goiás during these years, according to the local historiography which were considered by Bernardo Élis in his novel. It can be observed the novel establishes an explicit dialogue to the historical studies, that is why, in this research we have proposed, it was necessary to analyze the historiographical records that have mapped the central regions of Brazil during the nineteenth century, moreover, to find the notes that were responsible to notice the events of Goiás during the beginning of the nineteenth century. For that reason, the first step I have taken was to take notes about what the History could tell. After that, it was necessary and approach on the amount of Bernardo Élis‟s works, all of them published in a period of more than four decades, in order to perceive the novelist‟s line of thought, related to the social and historical representation. This step let us explore another frequent discussion, the border limit between Literature and History through the reflection done by scholars and important representatives of both fields of knowledge. After that, the research focuses the discussion of the novel as the structure of artistic creation which gets closer to the problematized social events. It is known that this plural narrative has the History‟s features in its foundation and it is able to make use of this feature as the helm to the fictional work. When we bring out these questions, we are in the main purpose of this research: understanding in which theoretical base the Bernardo Élis‟ novel is established, whether in the principles of classic historical novel, theorized by Georg Lukács (1966), or in the operating modes of the new historical novel, discussed by Fernando Ainsa (1991), or if the novel moves among the both models, and if it does, how it happens. Finally, Chegou o governador is analytically seen in the bases of the theoretical principle mentioned. It is possible to verify how Bernardo Élis made use of the history of his people to illustrate it and problematize it through fiction getting a broader and more complex sense of the events that could demonstrate the local historical movement. By doing this, Élis complies with what we believe is the artist's role: show what is not said, sharpening the critical awareness of the reader about the controversial and contradictory progress of the History.Item Trilogia da morte: o imaginário em Lygia Bojunga(Universidade Federal de Goiás, 2009-10-01) SOUZA, Flávia de Castro; TURCHI, Maria Zaira; http://lattes.cnpq.br/1028003493670371Cette recherche a comme l‟objectif etudier la representation de la mort e de la violence dans les livres O meu amigo pintor, 1987, Nós três, 1987, e O abraço, 1995, de l‟écrivainne gagnante de prix infantile et juvénil Lygia Bojunga. Elle propose d‟analyser sous la théorie des structures anthropologuiques de l‟imaginaire, formulée (posée) pour l‟anthropologue Gilbert Durand, et sous la lumiére des études du sociologue Michel Maffesoli et du philosophe Georges Bataille sur la violence. La recherche observe entre les livres qui appartenance au corpus de cette dissertation qui a une approximation graduel des personnages avec les types de violence qui occasionnent (provoquent) la mort, dû aux moyens (recours) litteraires utilizées dans la composition des textes, dû aux choisis des images symbolique et dû aux strtégies narratives des rêves. La recherche est partager (se partage) en quatre chapitres. Dans le premier, elle mettre devant l‟aspect de la théorie du imaginaire et de la violence, en cherchant d‟associer (adhérer) les trois structures de l‟imaginaire de Durand régime diurne, régime nocturne mystique et nocturne synthétique aux verse de la violence et à la manière comme les personages protagonists regardent la mort. Dans les chapitres suivants, il fait l‟herméneutique symbolique de chaque un des livres qui sont réuni au-dessous du nom de trilogie de la mort, cela où le seconde chapitre sur O meu amigo pintor, le troisième sur Nós três et le quatrième sur O abraço. Ces analyses suivent l‟ordre chronologique de publication e obéissent aussi la proposition de gradation de la complexité et de la intensité de la violence e d‟augmentation de l‟angoisse des personnages dû à l‟approximation avec la realité mortelItem Do projeto ao romance: uma análise de O tronco, de Bernardo Élis(Universidade Federal de Goiás, 2010-10-08) TEIXEIRA, átila Silva Arruda; SANTOS, Rogério Santana dos; http://lattes.cnpq.br/5287301418226979The violence and neglect to which he was subjected to people of the region of Goiás, in the 20 and 30 of the last century, appearing in the center of the narrative of Bernardo Élis. Continuer of the regionalist tradition in Goiás, in the footsteps of Hugo de Carvalho Ramos, and added with a certain communist ideal, Élis is an author in which writing is, necessarily, for a social purpose. Bernardo Élis, without giving up their political beliefs, accepts and incorporates the aesthetic achievements of the first Brazilian modernist moment, and he is even the introducer of this movement in the his State, and his literary books are affiliated the second phase of regionalism - the "conscience of underdevelopment", in the words of Antonio Candido (2006). If tales - genre in which Bernardo Élis is nationally recognized - its aesthetics linked to the question of the ciclo do gado (SANTOS, 2004), in O tronco, novel by Bernardo Élis more polished aesthetically, now already in its tenth edition despite high point as the murder that became known as "The Battle of Duro," the story not only spans the document, to recreate it as literature, but not be limited mainly to the chronicle of events, reaching what we now define a historical novel. Not having its meaning restricted to the engagement of the writer and the ratio of men and women are subjected to degrading conditions of survival, the novel goes further, and lends itself to understand these degradations through the structure of society goiana that moment, its contradictions, and, primarily, of their transformations: the external becomes internal in the piece of art (CANDIDO, 1976, p.04). Thus, through literature, O tronco shows gradual incorporation of Goiás to the national and international economic scenario, leading to substantial changes in the socioeconomic structure of the state.