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Item Movências, encantarias e retomadas: uma natnografia sobre o corte e a cura dos Kariú Kariri no Maranhão(Universidade Federal de Goiás, 2023-10-30) Alves, Lidiane da Conceição; Pechincha, Monica Thereza Soares; http://lattes.cnpq.br/7816009438312510; Pechincha, Monica Thereza Soares; Nascimento, Rita Gomes do; Anaquiri, Mirna Kambeba Omágua-Yetê; Almeida, Emerson Rubens Mesquita; Mainardi, CamilaAedzé eerãkuara kietse utsohó ay bó dõ métsohó, samy ko tsebuhö bó ayby adjé kuá ay doibáhén tsohoá, ay ery, ma odeihó ninho, tedzy, de, maridzá, tsebuhö,bukémé kó teudiokié ayby ewóá ninho ma dziwichi, kó dõ tedzy, mariarcas hikié ay ery tsohó, ninho Kariú Kariri ayby Maranhão. Ay tsebuhö piwonhé, bó ayby keité ayby natnografia ko wówóá, ay doibáhén, netçoá ko Samy tsohoá ayby tsohó Kariú Kariri, ayby tedzy dõ ery yetçãmidé. Ay swbatekié waruá eridzá tsebuhö fü utsohó bó ayby wówóá ko idzéchi utsohó bí hi, ecudú ay ery mariarcas, ko ay doibáhén kanatsikie obohó tedzy, hiquiá, munankie ko yghé dõ ery tsohó anrá Maranhão, ayby urio ayby tsowana ko tsowanatsi ko ayby pitá dõ yetçamyá anrá wówó anrá Vale do Cariri no Ceará. Tobumi ay dó ká dõ natnografia obohó wówó mó ubyá ay kiçetsoklo utsohó bó kiçetso dó ay anranbuku utsohó ma dezudé dibuihoho-nanhèybá, ko ay bocu bó wodzodzó tokenhé, utsohó bó dziwichi utsohó bó ery tsohó. Anrá neietá dõ ubyá dó, bowró dó ay crody anranbuku peretó ko gytéwó peretó buanga hô dezudé dibuihoho-nanhèybá, dezudé tsohó Kariú Kariri,ydadé wócudú keité dõ celé ma dezudé dibuihoho-nanhèybá, ay dezudé uano ko netçó mó dzi laboi ko gytéwó ay utsohó kanatsikie dezudé lanlan woroy ma odeihó tsohó ninho sancry ayby radda.Item Psicanálise e arte: performances do eu em Jogo de cena(Universidade Federal de Goiás, 2023-09-22) Ferreira, Ezequiel Martins; Nogueira, Lisandro Magalhães; http://lattes.cnpq.br/6994570742767643; Nogueira, Lisandro Magalhães; Bezerra, Cláudio Roberto de Araújo; Nunes, Alexandre Silva; Amaral, Roberto Antônio Penêdo do; Christino, DanielThe proposal to relate the theories of Cultural Performances with Psychoanalysis was carried out based on the film by director Eduardo Coutinho, Play of Scene, taken, here, as a film within the limits of the documentary that carries traces of performance art, and evokes elements that point to the subjectivity behind the characters. In this, the objective is to elucidate the way in which this subjectivity appears in Coutinho's device, where the register of the imaginary prevails. The concepts of narcissism and the image of I are taken, and, extracted from the participants' testimonies, the significant extracts that are repeated and that point to a failure, at the same time that it expresses, as a mask, a another scene, in which something beyond the imaginary appears. Thus, as a result, the proposal given in the invitation, which is to crystallize an image of I in the form of characters, stumbles upon the reality of the scene itself.Item Kalunga cidadão: uma análise antropológica da extensão universitária da Universidade Federal de Goiás nas comunidades quilombolas Kalunga(Universidade Federal de Goiás, 2023-10-03) Gabry, Ulisses José; Omar Alvarez, Gabriel; http://lattes.cnpq.br/1246783304706348; Omar Alvarez, Gabriel; Soares, Carlos Alberto Caroso; Lima Filho, Manuel Ferreira; Dias, Luciana de OliveiraThis paper aims to contribute to the debate on the work of the Federal University of Goiás in the Kalunga Quilombola Communities through university extension. To this end, an anthropological analysis of UFG's university extension work in the Kalunga territory was carried out, starting with the extension program "Kalunga Cidadão: Promoção da Igualdade Racial na Comunidade Rural Quilombola Kalunga de Cavalcante, Monte Alegre e Teresina - Goiás" (Kalunga Citizen: Promotion of Racial Equality in the Kalunga Rural Quilombola Community of Cavalcante, Monte Alegre and Teresina - Goiás). It was found that the university's extension practice with the population has been built up over a long period of time by faculty members who, by having their research and teaching trajectories intersect with those of the communities, seek to contribute to the demands of the Kalunga Communities through university extension.Item Nhandereko: nosso direito(Universidade Federal de Goiás, 2022-12-16) Guarany, Vilmar Martins Moura; Pechincha, Mônica Thereza Soares; http://lattes.cnpq.br/7816009438312510; Pechincha, Mônica Thereza Soares; Amado, Luiz Henrique Eloy; Ladeira, Maria Inês; Mainardi, Camila; Silva, Joana Aparecida Fernandes daThis thesis seeks to carry out an autoethnography in which the author is an observer, member and participant of the Guarani indigenous people and proposes to analyze the migration of his group that leaving Paraguay at the beginning of the 20th century, when making an unprecedented journey to the Central-North region of Brazil. In this sense, the analysis focuses on the Mbya presence in Goiânia, Cocalinho in Mato Grosso, Xerente Indigenous Land, Xambioá Indigenous Land, both in the State of Tocantins and in the Jacundá Indigenous Land in Pará. Taking historical and mobility as a starting point, it focuses on self-determination and its relationship with the Guarani indigenous law that presents itself with the Mbya name “nhandereko”. It verifies self-determination in the past as well as in the present, going through a long period of invisibility of this right or even its denial, for recognition in the Brazilian legal system and in international spheres, to the point of being able to say that there is currently a reconquest of Guarani self-determination in the national and international scenario. Finally, it seeks to present the elements and principles to confirm the existence of a Guarani indigenous right.Item As performances das Folias de Reis e suas clivagens no campo e na cidade no município de Morrinhos/Go(Universidade Federal de Goiás, 2023-10-11) Machado, José Henrique Rodrigues; Souza, Geórgia Cynara Coelho de; http://lattes.cnpq.br/4911717849806520; Souza, Geórgia Cynara Coelho de; D’Abadia , Maria Idelma Vieira; Souza, Julierme Sebastião Morais; Amaral , Roberto Antônio Penêdo do; Oliveira, Rodrigo CássioThis research is linked to reflections on the Folias de Reis in the city of Morrinhos/GO. With the problem raised about this mode, and in what terms and cleavages, late capitalism and modern sociability are presented in/from the festivities of the countryside and the city, presented as a general objective to understand the possible differences, coincidences and determinations in the ritual, in the performance of the folios and their ritual, considering late modernity and modern sociability as influenced by the (dis)continuity and transformation of tradition. That said, an ethnographic survey of city and country leaves will be carried out, and their common, discrepant and convergent rites/acts will be verified. With the need to also capture unique markers of the performances of the festivities, the countryside and the city, in order to understand the countryside and the city as transformers of an invented tradition. The intention is still to document the founding symbolism existing in the ritual of the festivities and its imbrications in the tradition invented in the countryside and in the city and its possible variants, in the municipality of Morrinhos/GO. We will use Raymond Williams' theories that will demonstrate the relationships we need, with the purpose of understanding how late capitalism and modern sociability, theories brought by João Emanuel Cardoso de Melo, the object of this research, form a line of meaning. Here we will research the Folias de Reis, the rituals, the ambience, and to do so we will use, to illuminate this research, the concepts brought about culture by Peter Burke and his load of meaning on the breadth of the theme; Cultural Circularity by Mikhail Bakhtin; Representation, by Roger Chartier; Identity, by Stuart Hall; Memory, by Boaventura de Souza Santos; Invented Tradition, by Eric Hobsbawm. The methodology used was qualitative research, at an exploratory level. Derived from an ethnographic method, of an interdisciplinary nature, of a bibliographic nature, with field research, in which 59 festivities were visited, whose focus is on the social relations between devotion, the agents (devotees) and all the communities that receive the festivities described in order to highlight a dynamic scenario between Country and City and their divisions, always seeking to achieve maximum security from a visual point of view, and to frame what was seen in theories, taking into account the strength of the festivities of the festivities in Morrinhos/Go.Item Caminhos da memória: na rua de significados se encontra a cozinha de pit dogs(Universidade Federal de Goiás, 2023-08-15) Martins, Gabriel Sulino; Collaço, Janine Helfst Leicht; http://lattes.cnpq.br/9655194212314066; Collaço, Janine Helfst Leicht; Roim, Talita Prado Barbosa; Lima Filho, Manuel FerreiraThe present dissertation aims to present an analysis of the sociocultural context of workers and consumers who are interlocutors related to the cuisine of “Pit Dog” on Rua 10 in Goiânia. To carry out this qualitative research, ethnography will be used as a lived experience, adapting according to the situation, to identify the variables around this relationship between subjects and cuisine, based on theories that refer to the anthropology of consumption, food and urban throughout the dissertation . The research strategy, through cyberspace and face-to-face space, due to the current context of transition between the pandemic period and an endemic one in our society. From this, this text presents the conditions for the research, experienced field factors, relationships between the researcher and the interlocutors, information obtained in the text that lead to the construction of the notion of memory, tradition, identity and street. These aspects are related to the cuisine of “Pit Dog”, such as being on Rua 10, in Goiânia, changing and adapting to the movement of the city. Thus, the main object of research, the kitchen of “Pit Dog”.Item Roniwalter Jatobá e a rememoração da vida operária(Universidade Federal de Goiás, 2023-08-30) Oliveira, Luiz Fernando Pereira de; Viana, Nildo Silva; http://lattes.cnpq.br/3744231559402924; Viana, Nildo Silva; Souza, Renato Dias de; Silva, Edmilson Borges daThis thesis is the result of a research on Roniwalter Jatobá and the remembrance of working- class life. It consists of a study on memory, the working-class condition, and the universalization of issues related to labor. The research problem used as the starting point for our investigation was “how does Jatobá remember working-class life in the outskirts of São Paulo?”. This problem was explored through the relationships between Roniwalter Jatobá’s chronicles and theoretical analyses of working-class life, alienated labor, and proletarian everyday life. In this sense, the central objective of this work was to identify how Roniwalter Jatobá remembers working-class life in the outskirts of the city of São Paulo. Our specific objectives were to understand the process of remembrance and its identification in other works. With this theme, we aimed to conduct an analysis of migrant workers in the 1970s and how they related to the city amidst its expansion and emerging job opportunities. This also included the living conditions and remembrance of these events by the workers. All these elements were based on theoretical production on the subject, the reading of the work, and the historical perception of that moment. Regarding the theoretical foundation, the thesis relied on Marxist concepts from a critical perspective, drawing from the views of Nildo Viana, Terry Eagleton, Marx, Cardoso, among others. The methodological basis consisted of reading Roniwalter Jatobá’s work and the bibliographical research used to understand it, as well as the use of other works that directed an answer to the problem. Finally, the dissertation’s main result was the realization of the impact of Jatobá in inaugurating proletarian literature. It also highlighted the author's importance in analyzing and understanding the working class of the 1970s.Item Interfaces, dados e algoritmos performativos como formas culturais na Netflix(Universidade Federal de Goiás, 2023-09-18) Oliveira, Thiago Moreira de; Rocha, Cleomar de Sousa; http://lattes.cnpq.br/5039948128955710; Rocha, Cleomar de Sousa; Melo, Marcilon Almeida de; Marchi, Leonardo Gabriel deThis dissertation aimed to understand how interfaces, data and performative algorithms represent a new way of perceiving ourselves and the world, therefore, it would be cultural forms; and in what way they impact, particularly, the categories in which the audiovisual of the Netflix device in its desktop version is enunciated. It is with this objective that we look, in this research, at the triggers, the action, the performance from what humans and non-humans establish as articulation. For this, we use the methodology of frames as an epistemology of analysis and synthesis as a standard for problematizing and discussing results, direct observation of the Netflix platform, accessed mainly from a private window of the Internet browser Firefox version 110.0.1 (64-bit), such as data collection techniques. As a theoretical reference, we used the assumptions of authors who approach Anthropology, Data Science, Media and Cultural Performances from a technocultural perspective, such as Bauman, Baudrillard, Di Felice, Feenberg, Frey, Dubois, Kerckhove, Murray, Manovich, MerleauPonty, Rocha, Santaella and Williams, evidencing the transdisciplinary nature of the topic addressed. As a result, we found that Netflix's recommendation system increasingly raises the user's algorithmic challenge for the most diverse actions. This is characterized by measurability, submitting attributes, activities and interactions to different categories of metrics; by recursion, continuously refining and recalibrating it based on information about itself supplied in some way by the user; by profiling, defining profiles from the contingent articulation of vestiges, data and digital traces obtained from each one; and by nichification, grouping profiles into consumption-oriented niches. These are consolidated by their assumption by the user, which corresponds to performativity, and this also refers to performance in the sense of performance. Finding out what this recommendation system shows, how it shows itself, what the user sees and how he sees it has impacts on individual and collective subjectivity and experience, making it necessary to investigate the performative reordering of Netflix based on these media crossings.Item Udigrudi recifense e suas performances(Universidade Federal de Goiás, 2023-11-29) Patury, Fernando Fagner; Santos, Rafael Guarato dos; http://lattes.cnpq.br/3100415827387317; Correa Júnior, Sebastião Rios; http://lattes.cnpq.br/7078983629857043; Correa Júnior, Sebastião Rios; Amorim, Lara Santos de; Christino, DanielThe purpose of this dissertation is to analyze the Udigrudi Recifense counterculture movement, which emerged at the beginning of the 1970s. A movement initiated through cultural hybridism and reaction to the social and political context of the Military Dictatorship. Thus, we are willing to discuss counterculture and movements prior to Udigrudi and the situation of Brazilian culture and artists during a period of political change and tension. Through the perspective of cultural performances, the work is dedicated to exposing the main aesthetic elements of this movement, from its emergence, environments, productions and impacts on Brazilian culture and arts. Methodologically, we will use the review of bibliographies on the topic and analysis of Udigrudi's diverse artistic productions. We will rely on the influence of history, sociology, geography and other areas of human sciences to expose existing contrasts between the Udigrudi Movement and the historical context in which it was inserted. The stabilization of ideals and ideologies is built in culture through various mechanisms. Within each social, historical and political context, there is a construction of practices, knowledge and living that are rooted through practices and disseminated through communication and cultural vehicles. Likewise, ideas, movements and manifestations arise that oppose this mass culture.Item #Elenão e ni una menos: a "quarta onda" feminista e o ativismo nas redes sociais(Universidade Federal de Goiás, 2021-12-20) Peçanha, Virgínia Generoso; Roriz, João Henrique Ribeiro; http://lattes.cnpq.br/1358433023080116; Roriz, João Henrique Ribeiro; Gonçalves, Eliane; Martins, Aline Regina AlvesThis work aims to analyze the movements #EleNão (#NotHim), in Brazil, and Ni Una Menos (Not one [Woman] less), in Argentina, and if it is possible to understand them as an expression of a supposed "fourth wave" of feminist movements. The choice of such movements was due both to the protagonism of women and to the magnitude of their multitudinous marches, started on the Internet and which took mainly women to the streets not only in their countries of origin, but also in different parts of the world. To the purpose, a review of the literature on the "fourth wave", a term that is still in dispute. In addition to the literature review, that still incipient, interviews were conducted with activists from both countries, approved by the Comitê de Ética em Pesquisa (CEP) of Universidade Federal de Goiás.Item Guatá para retomar a terra: performance e luta(Universidade Federal de Goiás, 2023-02-24) Pereira, Oendu de Mendonça; Pissolato, Elizabeth; Hartmann, Luciana; http://lattes.cnpq.br/8454367473690262; Hartmann, Luciana; Gonçalves, Luiz Davi Vieira; Dias, Luciene de OliveiraThis text traces my journey as a poetic performer, from my early exhibitions to my current work, rooted in autoethnography and centered on the themes of ethnocide and land issues. The poetic exploration engages with political, historical, and anthropological perspectives, exposing the coloniality in Brazil. It focuses on the reclaiming of ancestral indigenous lands, where the dreams guide the Mbya Guarani in their journey (guatá). The objective is to analyze my artistic performances from an autoethnographic perspective, anchored in Guarani ancestralities. In doing so, I draw inspiration from the writings of indigenous intellectuals to generate a decolonial critique, particularly relying on the thesis of Guarani author Almires Martins Machado for the thematization of the Mbya journey. In a performative writing style that traverses my artistic process, I describe my works and aesthetic choices. I adopt an anticolonial perspective, dismantling myths and emphasizing the role of the State in the ethnocide of indigenous peoples. In this historical moment, indigenous communities face the dismantling of their fundamental and territorial rights, as recognized by the 1988 Constitution. The text discusses the relationship between my journey as a descendant performer and the journeys of the Guarani, focusing on the reclaiming of lands, teko porã (living well), and nhandereko (cultural strengthening) movements led by the Mbya Guarani in Rio Grande do Sul. It explores how these practices resist ethnocide.Item Vozes divergentes? Uma análise de gênero das opiniões sobre assuntos públicos no Brasil(Universidade Federal de Goiás, 2024-01-26) Pereira, Shirley de Jesus Oliveira; Mundim, Pedro Santos; http://lattes.cnpq.br/0065670247671119; Mundim, Pedro Santos; Gonçalves, Eliane; Assis, Mariana Prandini FragaThis work aims to answer the following research question: Do men and women have the same opinions on public issues in Brazil? To do this, it was necessary to make a comparison between the female and male categories. The answers given by men and women on certain public issues in public opinion survey questionnaires that had already been carried out were analyzed. Two questionnaires were selected, Brazilian Electoral Study (ESEB/CESOP) 2022 and Latin American Public Opinion Project (LAPOP) 2018/2019. The work’s hypothesis is that women will have more progressive attitudes than men in relation to issues of compassion and more conservative attitudes in relation to moral issues. The public issues investigated were: social welfare policies, minority rights, equal roles between men and women, support for democracy and moral issues. The independent variables were: sociodemographic, government evaluation, ideology, party preference, employment status, gender identity and number of children under 13 years old living in the house. After logistic and linear regression analyses, it was found that Brazilian women tend to support the adoption of children by a gay couple and same-sex marriage more than men (support appears both in the ESEB data and in the LAPOP data) and the rights of homosexuals to run for public office, that public schools teach children to pray and believe in God. They opposed the decriminalization of drug use, the reduction of the age of criminal responsibility, privatization of public service, the fact that the rich pay a lot of taxes and receive little in state services and abortion even in cases where the mother's life is at risk. They are less likely to believe that democracy is preferable to other forms of government and are more dissatisfied with democracy in the country than men (similar results in both ESEB and LAPOP data).Item e-Cidadania como performatividade cidadã(Universidade Federal de Goiás, 2023-09-01) Ribeiro, Eloá Augusta; Rocha, Cleomar de Sousa; http://lattes.cnpq.br/5039948128955710; Rocha, Cleomar de Sousa; Oliveira, Vânia Dolores Estevam de; Santos, Fabiane Cristina Silva dosCitizenship is a constantly evolving concept that permeates various approaches, meanings, and understandings. Its semantic evolution coincides with the very history of society. Scientific and technological development has established the foundations of society through systematized knowledge, step-based methods, specific metrics and processes, in the construction of a contemporary society that is hyperconnected, fragmented, and technological. In this context, this dissertation aims to investigate the new disposition of relationships that has been established in the exercise of citizenship through hyperconnection and technological mediation, which characterize contemporary society. Through a phenomenological approach, we identify ecitizenship as a phenomenon that emerges as a cultural form of exercising citizenship in the networked technological society, presenting itself as the main vector for citizenry construction in contemporaneity, due to its performative nature.Item Ações afirmativas para pessoas negras nos concursos públicos para TAEs do IFMT: possibilidades e limites da Lei n.º 12.990/2014(Universidade Federal de Goiás, 2023-08-25) Santos, Lirian Keli dos; Almeida Neto, Luiz Mello de; http://lattes.cnpq.br/1951913717385648; Almeida Neto, Luiz Mello de; Vilasboas, Jaqueline Pereira de Oliveira; Guimarães, Maristela AbadiaThe present study aimed to analyze the possibilities and limits of the affirmative action policy, based on racial criteria, implemented by Law n.º 12,990, of June 9, 2014, at the Federal Institute of Education, Science and Technology of Mato Grosso (IFMT), for the position of Educational Administrative Technician (TAE), in the period from June 9, 2014, date of approval of the law, to December 31, 2022. we opted for a case study and a methodology that is in the field of qualitative and quantitative research due to the need to apprehend the subjectivity that exists in social relations. Since these are intertwined with existing values and rules in their social organization, through documental analysis and bibliographical research. The information was collected in the tender selection system (WEB Selection), made available by the IFMT on its online page. As well as on the website www.concursos.ufmt.br of the Federal University of Mato Grosso (UFMT), an institution that examines some IFMT competitions. Laws, Decrees and Resolutions were also consulted, which support the legitimacy of the vacancy reservation process adopted by the institution. When carrying out the research, the data were organized and grouped into different categories, later, we carried out analyzes on the number of black candidates approved to fill the racial quotas in comparison to the number of people summoned for the broad competition to understand the limits and shortcomings of the Quota Law for TAEs within the scope of the IFMT. The results show that the IFMT used devices contained in the selection notices to prevent the creation of vacancies reserved for black people, specifically those with greater prestige and remuneration. In this way, the implementation of Law 12.990/2014, with the main purpose of promoting inclusion and equal opportunities for black people, was compromised.Item Trajetória dos filhos da luta pela terra: o assentamento "Che" em Itaberaí - Goiás(Universidade Federal de Goiás, 2022-08-30) Santos, Nilda Ferreira dos; Vettorassi, Andréa; http://lattes.cnpq.br/4314274220564712; Vettorassi, Andréa; Silva, Rusvenia Luiza Batista Rodrigues da; Miziara, Fausto; Nunes, Jordão Horta; Sofiati, Flávio MunhozBy approaching the movement of struggle for land, this thesis seeks to analyze the dynamic reality of a rural settlement in the city of Itaberaí, in the Brazilian state of Goiás. The research seeks to understand how a second generation of people from the “Che” Settlement led their lives over ten years of its consolidation, based on the struggle for land. We also seek to understand the extent to which these new generation are willing to assume a way of life in the countryside, continuing the work started by their parents, in view of the difficulties particularly imposed on a settlement. In this way, we highlight how the technological development that has been incorporated into the mode of production in rural areas, as well as the culture of agribusiness, which aims at large-scale production for exportation, are far from the reality of the small producers, even more specifically in the case of settlers. To account for this dynamic reality, methodologically, the research is based on historical-dialectical materialism, in a neo-Marxist perspective proposed by Henri Lefebvre, whose regressiveprogressive methodological procedure also guides the research, aiming at the articulation between Sociology and History, together with the contributions of José de Souza Martins on this object that, although it is inserted in the rural environment, has peculiar characteristics that make it different.Item Jazz dance: memórias e histórias negras do Brasil(Universidade Federal de Goiás, 2023-10-23) Santos, Susan Maria da Graça Castro dos; Vilaça, Aline Serzedello Neves; http://lattes.cnpq.br/1365305407750338; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Ratts, Alecsandro José Prudêncio; Ribeiro, Ana Paula Alves; RibeiroThis dissertation addresses the presence of black bodies in Jazz Dance in Brazil through the lens of the Anthropology of Ethnic-Racial Relations and dance. I intend to articulate my autoethnography in dialogue with Edson Santos and Israel Plínio, who participated in the Cia de Dança Race of Roseli Rodrigues (SP), as well as Vera Passos, who was a member of the Ballet Folclórico da Bahia in Salvador. From the presented scenarios, one can perceive how black trajectories are continually made invisible by the dominant narrative voices of white researchers and/or artists. To combat this, my main goal is to investigate, analyze, and highlight black jazz stories and memories, including mine, to point out aesthetic, poetic and afro-oriented paths in creative practices in dance.Item Grafismo Iny: arte e identidade de um povo indígena do Brasil central(Universidade Federal de Goiás, 2023-08-30) Silva, Frederico Elias Barbosa; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Leitão, Rosani Moreira; Alvarez, Gabriel OmarThis dissertation aims to contribute to the study of Iny graphics in Aldeia de Santa Isabel (TO), and its attributions in material culture and the body. Going through a little of its historiography and memory through photos and images in accordance with the identity of the people of the river, I sought to demonstrate the visual records of this art in ethnographies set back in time. This was done with the intention of learning about aesthetics and identity, covering graphics and material culture. I based myself on the written works of the first German expeditions that were in contact with the so-called Karajá on Bananal Island, at the end of the 19th century and the beginning of the 20th century. XX, as well as in collecting and ethnographic records and narratives, written between the 1920s and 1980s, along with more contemporary works. In addition, the research includes two fieldworks. One took place during the month of December 2021, with the aim of demonstrating the diversity of graphics and their applications in the vast world of material culture. The second focused only on body painting, printed with drawings that play a fundamental role in identifying this culture. These lines and colors symbolize the internalization of customs and knowledge, traditional and at the same time contemporary, becoming essential elements for cultural identity.Item Arquivos da insistência: narrativas biográficas de entendidas, maduras e lésbicas(Universidade Federal de Goiás, 2023-10-02) Silva, Isabella Gonzaga Guimarães; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Kofes, Maria Suely; Gonçalves, ElianeThis dissertation is the result of an ethnography of the biographical narratives of 4 women homosexuals aged between 51 and 70 years old and who record their sexual itinerations since categories such as “madura”, “entendida”, and “lésbicas”. The complex arrangements were covered temporalities put into circulation by them when they problematize the way their sexual and gender performances are constructed over time. When counting their modes of subjectivation articulate an ethnographic theory about the different relationships between subjectivity and truth in different cultural formations, making their existences are like seismographs of subjectivities in transit. Taking the narratives from themselves since the moments in which they underline the way in which they constituted themselves as subjects from a temporality of the impossible, it is suggested that their existences compose an archive of insistences and a radical imagination.Item Corpos e gritos de desencurralamento: performances como expressão das territorialidades geraizeirinhas(Universidade Federal de Goiás, 2023-12-07) Souza, Jonielson Ribeiro de; Hartmann, Luciana; http://lattes.cnpq.br/8454367473690262; Hartmann, Luciana; Salgado, Ricardo de Seiça Alves; Lopes, Jader Janer Moreira; Veloso, Jorge das Graças; Corrêa Júnior, Sebastião RiosThis work presents a reflection on the relationships between theatrical performances by Gerazeiras children and adolescents and the ways of being and living in their communities in contexts of socio-environmental conflicts. Combining ethnography and theater, this research seeks to understand how children and adolescents are involved in these processes and how such relationships would be expressed in theatrical performances performed by them, which leads us to call this methodological proposal a performative ethnography. To this end, observant participation in the communities involved, provided by the author's experience in struggle processes or everyday events, combined with practices such as walks through their territories, are added to theatrical initiation workshops for children and adolescents taught by the author.Item O latenira Iny: pássaros e plumária no rio Araguaia(Universidade Federal de Goiás, 2023-08-25) Yabagata, Lucas Veloso; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Valente, Renata Curcio; Oliveira, Arthur Bispo Ângelo de; Silva, Joana Aparecida FernandesThe work is dedicated to outlining reflections on the relationships established between the Iny, a people who have inhabited the banks of the Araguaia River since time immemorial, and their materialities, especially feather ornaments. The pillar of reflection is the latenira, a feathered helmet that encapsulates a “multicollectivity” of Iny knowledge. By monitoring the making of this artifact and ethnographic records of its use in ritual contexts, it was possible to penetrate part of this “multicollectivity” of knowledge: “craftsmanship” and the artisans’ technical processes; the relationship between the Iny and the birdlife of the Araguaia River; the meaning of feathers in ancient stories from mythical time; and, finally, the process of constructing male identity through headdresses and the interaction between the different Iny cosmological levels.