Mestrado em Antropologia Social (FCS)
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Item Arquivos da insistência: narrativas biográficas de entendidas, maduras e lésbicas(Universidade Federal de Goiás, 2023-10-02) Silva, Isabella Gonzaga Guimarães; Hirano, Luis Felipe Kojima; http://lattes.cnpq.br/1424410374681201; Hirano, Luis Felipe Kojima; Kofes, Maria Suely; Gonçalves, ElianeThis dissertation is the result of an ethnography of the biographical narratives of 4 women homosexuals aged between 51 and 70 years old and who record their sexual itinerations since categories such as “madura”, “entendida”, and “lésbicas”. The complex arrangements were covered temporalities put into circulation by them when they problematize the way their sexual and gender performances are constructed over time. When counting their modes of subjectivation articulate an ethnographic theory about the different relationships between subjectivity and truth in different cultural formations, making their existences are like seismographs of subjectivities in transit. Taking the narratives from themselves since the moments in which they underline the way in which they constituted themselves as subjects from a temporality of the impossible, it is suggested that their existences compose an archive of insistences and a radical imagination.Item As mulheres na luta contra a ditadura militar: Maria Augusta Thomaz e outras memórias(Universidade Federal de Goiás, 2016-06-01) Sousa, Ana Luiza de Oliveira e; Souza, Maria Luiza Rodrigues; http://lattes.cnpq.br/2356260805513956; Souza, Maria Luiza Rodrigues; Hirano, Luis Felipe Kojima; Silva, Adriano CorrêaThis paper discusses the construction of the memory of women who fought against the military dictatorship of 1964, having as a conductor axis the memory of Mary Augusta Thomas, who was a philosophy student at PUC-SP and MOLIPO member. She was killed in 1973 and her remains are still missing to this day. Here, I question whether the gender binaries influence or not the construction of the memory of Maria Augusta Thomaz and other women present in this research.Item Bairro nortista (Jussara-GO): a migração e a (re)construção de um lugar(Universidade Federal de Goiás, 2019-08-28) Silva, Hilda Freitas; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Lima Filho, Manuel Ferreira; Campos, Yussef Daibert Salomão deThis work contemplates the migration and (re) construction of place, within the process that oscillates between rural and urban. The place is the Northern District, located in Jussara, interior of the state of Goiás. The research was done with a group of 50 adults. These people are chosen because they have a memory and experiences of time spent in the Northern District and / or the northeastern states. The interest of this research arises from the perception of the marginality of official recognition of participation of these neighborhood residents in the formation of the city, as well as the constant attribution of other residents of other neighborhoods that the Northern District is a dangerous and therefore bad place. of living. In this sense, this research builds and ethnographic analysis of the aforementioned neighborhood to know the daily lives of the people who live there. It can be observed preliminarily that it is formed by families that are neighbors and friends of some decades, in which they themselves demonstrate and say that there is a good place to live, undoing or refuting the official narrative in force in the city. For this context, I use anthropological theory as a support for research, and I already use Yi-Fu-Tuan (1983, p.182) when he says that "specific importance changes over time, while general importance remains." Given this, it is understood that this work is of general importance, as it fits in a context of migration, without intervention and direct incentive from the government; and specific, as the people involved have singularities that built and rebuilt a place, a movement that sometimes explodes official history. Thus, the study embraces both time in the diachronic perspective, as well as synchronic. This is justified because history is not ignored throughout the ages, nor is it ignoring the present perspective of living. Thus, the process of constructing the senses of places and valuing experiences are used to understand the uses and customs of residents, as well as to approach the understanding of the anthropological constitution of their memories and identities.Item Os “Braga da Pontezinha”: os mutirões como encontros que reafirmam pertencimentos ao lugar e à família(Universidade Federal de Goiás, 2020-05-15) Moura, Veralúcia Pimenta de; Dias, Luciana de Oliveira; http://lattes.cnpq.br/9317426815646934; Dias , Luciana de Oliveira; Alvarez, Gabriel Omar; Rosa , WaldemirThe text of this dissertation begins with a description of my own experience, since I have lived for 20 years in Pontezinha, a rural area inside the town of Santo Antônio do Descoberto, state of Goiás - Brazil, where the research was carried out. In order to talk about my “affection” for Braga da Pontezinha and also my interest in developing this paper, the studies of Marilyn Strathern and Jeanne Favret-Saada helped me to live this “ethnographic experience” considering the concepts of “immersion in the field” (STRATHERN, 2014) and “to be affected” (FAVRET-SAADA, 2005). Inspired by these authors, the narratives of the interlocutors were gathered in the scope of the research and the trajectory of the people from slave laborers in the gold mines of Santa Luzia in the first half of the 19th century until their arrival at Pontezinha. It is on the banks of the Córrego Fundo that the site “Os Braga” first appears. Taking into account the indications of ethnography, I reintroduce its citizens, as since after the Corumbá IV Dam in 2006, they started to be recognized by the municipality and by the Concessionaire as a “traditional community”. The CORPO formal association, since 1988, is presented from the perspective of the lack of water issue and from its conflicts with the Community. On the trail of the ethnographic reports, I reformulate the research question and reflect about the “mutirões” in the current scenario as a form of resistance from Braga to several interferences, in order to preserve the unity of the family and of the place. Final considerations allow to highlight some similarities between quilombos and “mutirões” then make a comparison between them with the habitus (BOURDIEU, 2010) and the “campesinidade” (WOORTMANN, 1990).Item Calças jeans como suporte para pensar o consumo – uma etnografia na Feira Hippie de Goiânia(Universidade Federal de Goiás, 2016-09-29) Silvestre, Bruno Souza; Souza, Maria Luiza Rodrigues; http://lattes.cnpq.br/2356260805513956; Collaço, Janine Helfst Leicht; Marques Filho, AdairFrom an ethnography on Feira Hippie of Goiânia, the largest free market in Latin America, this dissertation seeks to raise some aspects linked to the popular fashion consumption in Brazil. Starting from the approaches proposed by the anthropology of consumption and theories of material culture, this ethnography had the jeans as the main focus. Seeking to analyze the relationship between product and consumer established at the Feira Hippie of Goiânia, this dissertation depart of a description of the market as a whole and then analyze the product sold in the market. The relationships established between the jeans as a global product and the market as a local event are the focus of the work.Item Caligrafia marginal: pichação, performance e patrimônio(Universidade Federal de Goiás, 2015-12-09) Rodrigues, Livia Nunes Borges; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Tamaso, Izabela Maria; Hirano, Luis Felipe Kojima; Pereira, Alexandre BarbosaThis research does a general approach about the urban interventions, giving priority to the actions ephemeral (graffiti and pichação), how arise each of these practices, their disparities in Brazil, and the actions taken by the Government for combat them, with enphasis in pichação. The pichação is a practice of marginal and oppositional character that has become an integral part of complex societies. For the government, as well as for a large portion of Brazilian society that action is taken as a crime, but for those who are included in this marginal culture, the act of tagging can be interpreted as a socialization tool communication, leisure, art, call to memory etc. Among the various perspectives of analysis contained in pichação, this work sought to explore how this urban offensive action can be interpreted under the bias of performative act. In addition, it sought to understand how graffiti artists and other residents of Goiânia/GO, deal with the elements arranged in the urban space, emphasizing the architectural constructions of social value.Item Caminhos da memória: na rua de significados se encontra a cozinha de pit dogs(Universidade Federal de Goiás, 2023-08-15) Martins, Gabriel Sulino; Collaço, Janine Helfst Leicht; http://lattes.cnpq.br/9655194212314066; Collaço, Janine Helfst Leicht; Roim, Talita Prado Barbosa; Lima Filho, Manuel FerreiraThe present dissertation aims to present an analysis of the sociocultural context of workers and consumers who are interlocutors related to the cuisine of “Pit Dog” on Rua 10 in Goiânia. To carry out this qualitative research, ethnography will be used as a lived experience, adapting according to the situation, to identify the variables around this relationship between subjects and cuisine, based on theories that refer to the anthropology of consumption, food and urban throughout the dissertation . The research strategy, through cyberspace and face-to-face space, due to the current context of transition between the pandemic period and an endemic one in our society. From this, this text presents the conditions for the research, experienced field factors, relationships between the researcher and the interlocutors, information obtained in the text that lead to the construction of the notion of memory, tradition, identity and street. These aspects are related to the cuisine of “Pit Dog”, such as being on Rua 10, in Goiânia, changing and adapting to the movement of the city. Thus, the main object of research, the kitchen of “Pit Dog”.Item Caminhos e sujeitos no adoecimento e na cura entre os Akwẽ Xerente(Universidade Federal de Goiás, 2016-10-31) Ferreira, Ariel David; Silva, Joana Aparecida Fernandes; http://lattes.cnpq.br/2026902199057983; Souza, Marta Rovery de; Collaço, Janine Helfst Leicht; Herbetta, Alexandre FerrazThis work aims to discuss, understand and interpret processes and subjects involved in the health, and sickness of Akwẽ Xerente. Taking as a basis the “haze” category used by the group to designate a series of symptoms, discomforts and pains that a Xerente can feel is observed its ability to integrate narratives and experiences of sickness beyond the biomedical perspective. I work the diversity of subjects and therapeutic itineraries used by the group to alleviate and solve their discomforts, pains, sickness and afflictions. In this context, the narratives of patients and health professionals serves as the means of assessing the public health service that is offered to the group.Item Cartografia etnográfica de memórias desobedientes(Universidade Federal de Goiás, 2018-11-27) Boita, Tony Willian; Wichers, Camila Azevedo de Moraes; http://lattes.cnpq.br/1268440854810735; Wichers, Camila Azevedo de Moraes; Hirano, Luis Felipe Kojima; Bruno, Maria Cristina de OliveiraThe present work seeks to reflect on the memories of disobedient sexualities in exile. To do this, it searches from a cartography, map memory indicators and museums that address memories of non- normative sexualities. It is intended to reflect on traumatic memories and their influence on exiled memories. Finally, the aim is to present the actions developed in the Favela Museum, with the LGBT Memory Project in MUF, developed in 2015 from the intersectional cuts of gender, race and class. Together, we seek to debate the space of the memories of the Brazilian LGBT community and non-normative sexualities around the world.Item Classificar é preciso? Uma análise sobre as representações do rural e urbano no distrito de Cruzeiro dos Peixotos em Uberlândia - MG(Universidade Federal de Goiás, 2015-10-16) Nazareth, Carolina Cadima Fernandes; Collaço, Janine Helfst Leicht; http://lattes.cnpq.br/9655194212314066; Silva, Joana Aparecida Fernandes da; Collaço, Janine Helfst Leicht; Frúgoli Junior, HeitorThe present dissertation analyze the representation between the rural and urban in one district in the city of Uberlândia (MG) calling as Cruzeiro dos Peixotos, For this, the analyze was realize in three moments, first, by analyze of local history and the bibliographic of the theme in the Social Science. The last two chapter of the study covers the urban representation, through of the rural work, by Folia de Reis. For this, analyses beteween the “inside” and “the outside” (or “others”), was constantly addressed. Finally, this work search, through the district, understand and explain what specific classification limit places which are located in the “inset” rural/urban, and the analyze of the native representation are fundamental for understand the possibility of this transit between this two possible universe of the district. Terms like hybridity and continuun will be addressed.Item Com quantos paus se faz uma boneca? – “entalhes” de uma etnografia da boneca de madeira karajá(Universidade Federal de Goiás, 2016-08-15) Araújo , Gustavo de Oliveira; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Pereira , Edmundo Marcelo Mendes; Hirano , Luis Felipe KojimaEl trabajo que presento, bajo el título COM QUANTOS PAUS SE FAZ UMA BONECA? – “ENTALHES” DE UMA ETNOGRAFIA DA BONECA DE MADEIRA KARAJÁ tiene como objetivo hacer un ejercicio etnográfico sobre la elaboración y confección de estos artefactos y su relación con la sociedad no indígena, así como su presencia en colecciones de museos etnográficos. Por lo tanto, he dividido la escritura en cuatro etapas: en la primera trato de hacer una historia del Museo Antropológico de la UFG y su relación con los karajá y su cultura material. En la segunda, a partir de una definición/delimitación teórica y metodológica, demuestro el estado del arte de la cultura material de Karajá, especificamiente em lo que si refiere a las muñecas de madera. En el tercer capítulo hay una escritura más etnográfica, en el que "transcribo" mi experiencia en el campo y documento cómo hacer muñecas de madera. Por último, en el cuarto capítulo, presento las piezas que representan la colección del Museo Antropológico, haciendo un ejercicio de documentación museológica en relación con los objetos artefactos de este estudio.Item “Combinamos de não morrer”: transfobia, racismo e resistência à necropolítica entre pessoas trans negras em Goiás(Universidade Federal de Goiás, 2021-02-22) Rêgo, Yordanna Lara Pereira; Braz, Camilo Albuquerque de; http://lattes.cnpq.br/4883038594618199; Braz, Camilo Albuquerque de; Oliveira, Megg Rayara de; Dias, Luciana de Oliveira; Ratts, Alecsandro José PrudêncioThis dissertation anthropologically works on the articulation between racism and transphobia from the standing point of narratives of black, transgender and transvestite people living in the state of Goiás. It brings as goal to interpret the relations between racism and the transphobia as techniques of governance of bodies and transgender black existences. To understand the intercrossings of such subjects, the intersectionality is the main theoric/methodologic tool used, as, beyond proposing the expansion in possibilities of dialogs in several areas of knowledge, it allows a debate beyond the hierarchical oppressions, searching to achieve and analyze the singularities that are established in each experience narrated. In this regard, it leaves the concept of necropolitics, once the studied narratives allow to question the place of the State in the production and reproduction of violences within their bodies and the difficulties that they face to access some public policies. In special those that refer to their social name and/or ratification of their civil records, once the search of acknowledgment not only of their names, also mean, for the interlocutors, their gender identities. In the end, this work aims to outline the destabilizing potency of the established resistencies by these people in front of such social and cultural processes.Item Comunidade do Ferreiro (GO): a terra, a luta e o sagrado(Universidade Federal de Goiás, 2015-12-17) Morais, Lucinete Aparecida de; Lima Filho, Manuel Ferreira; http://lattes.cnpq.br/9114125597206149; Lima Filho, Manuel Ferreira; Collaço, Janine Helfst Leicht; Moura, Marlene Castro Ossami de; Silva, Joana Aparecida FernandesThis thesis presents the issue of land , the struggle and the cultural heritage in the town of Ferreiro(GO) , historic site listed by IPHAN in the city of Goiás and experienced by settlers community - the Settlement Project Serra Dourada . The documentary sources added to the ethnographic method allowed to identify the representations and appropriations of the place through the social organization of production, the festivals , the sacred , politics and community memories. The outline of this work took into consideration the daily practices of the Ferreiro community and the desire to signify them for good collective life around the earth and the sacred .Item Contranarrativas periféricas: o movimento Hip Hop como agente de memórias(Universidade Federal de Goiás, 2021-02-19) Santos, Giovanna Silveira; Wichers, Camila Azevedo de Moraes; http://lattes.cnpq.br/1268440854810735; Wichers, Camila Azevedo de Moraes; Baptista, Jean Tiago; Roim, Talita Prado Barbosa; Alfonso, Louise PradoThis work is centered on the study of the Hip Hop movement as an agent of memories, from the anthropological perspective. I intend to examine how the community linked to the Hip Hop movement is activating categories such as history, memory and heritage for a struggle in search of social justice. The research is developed in the light of the notion of social markers of differences, searching to understand the relationships and identity issues with regard to the Hip Hop movement. I also address ethnographic experiences in relation to otherness and positionality in the movement, through the lens of Anthropology. I analyze two processes, which are more closely intertwined: the application for registration of Hip Hop as Intangible Heritage of Goiânia and the process of musealization of Hip Hop with the creation of a community museum associated with the Centro de Referência da Juventude, in Goiânia. Finally, I present the Hip Hop movement as an agent of memories able to build peripheral contranarratives.Item Danhônô. ritual de passagem Auwê Uptabi (Xavante)(Universidade Federal de Goiás, 2021-09-16) Rã 'Wa Tsa 'e'Omo'Wa, Michael; Alvarez, Gabriel Omar; http://lattes.cnpq.br/1246783304706348; Alvarez, Gabriel Omar; Silva, Joana Aparecida Fernandes; Coelho, Rafael FrancoÃhã romhuri hã tedza róbdzanhã duré tedza rowatsu’u DANHÕNÕ, daró HU’UHI remhã, a’uwê uptabi höimanadzé ihöimana watsimanharidzé date ãmã re dawamri dza’ra mono duré aibo na aibo ãmã re tsimanharidza’ra mono dzé hã durei hawi we wa’ru’rata hawi ihöimana wahöimana dzé hã. Danhãnõ we duréihawi we datsima date iwabdzuri mono awa’awi ãmã re watsiwadzébdza’ra mono da, danhitsé, datsina tsapari prédu hã, datsiwadzé tsi’ré aba tsi’uiwana, A’uwê ãmã re watsitébré da hã duré watsina wate re tsaparidza’ra mono da hã. Danhõnõ wahi’rata nori nhimi rowatsu’u na hã datsi aibö dzé.Item Das flores da Campininha ao concreto de Goiânia: dinâmicas urbanas, memória, tradição e consumo(Universidade Federal de Goiás, 2017-08-17) Custódio, Omar Lúcio; Collaço, Janine Helst Leicht; http://buscacv.cnpq.br/buscacv/#/espelho?nro_id_cnpq_cp_s=9655194212314066; Collaço, Janine Helst Leicht; Hirano, Luiz Felipe Kojima; Magnani, José Guilherme CantorThis master’s thesis aims to contribute to the recognition of the cultural patrimony existing in the municipal markets, especially of the individuals who work on them, through anthropological tools, especially ethnography. It is focused on memories studies (BOSI, 2016), (HALBWACHS, 1990) and (ZUKIN, 2012), in addition to the identification of categories that make it possible to analyze both the sociability and practices networks present in these places (MAGNANI, 2012). Through field research and based on the narratives of interlocutors, it was possible to establish the existing urban dynamics in the city of Goiânia, the flow between the rural and urban environments and its relations with what is denominated old and modern. Methodologically, a greater incidence of light was provoked on the Market of Campinas, that made it possible to analyze, comparatively, the behavior in time of the other markets of the city. The conclusion was that, is spite of the strong external pressures that these places are submitted to, the capacity of agency of its permissionaries, especially the pioneers, is evident.Item Das margens ao centro histórico: patrimônios e turismo na perspectiva dos moradores das áreas periféricas na Cidade de Goiás – Goiás(Universidade Federal de Goiás, 2014-05-09) Oliveira, Marcelo Iury de; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Tamaso , Izabela Maria; Leite, Rogério Proença; Lima Filho, Manuel FerreiraThis paper aims to analyze the uses ethnography, sociability and demonstrations played by residents of the peripheral areas in patrimonializated turistificados spaces and the historic town center of Goiás. These two phenomena, heritage and tourism, began to set up and modify economic behavior, political, cultural and social of the town since its early operationalization of processes, which intensified with the title of World Heritage, received in 2001 by UNESCO. The political and economic practices changed and (re)signified the uses and social practices established by the residents of the peripheral areas in the historic center. The ennoblement of goods and patrimonializated spaces, caused especially by the title of World Heritage made the senses and uses of goods and patrimonializated spaces were targeted mainly for tourist consumption. From this social, political and economic antagonistic scenario, this work seeks to interpret and (re)present themselves as residents of the peripheral areas, “up there”, and traverse these socio-spatial boundaries and appropriate use, and extraordinarily daily, streets, alleys, plazas, shops, churches, museums and other spaces patrimonializated the historic center, is to reproduce some cultural and religious practices or to operationalize and oxygenate the tourist market undertaken this “piece” patrimonializado City of Goiás.Item (De)leites (PrEP)arados: uma etnografia sobre a profilaxia de pré-exposição ao HIV em Anápolis/GO(Universidade Federal de Goiás, 2020-10-23) Carvalho Junior, Eládio Fernandes de; Braz, Camilo Albuquerque de; http://lattes.cnpq.br/4883038594618199; Braz, Camilo Albuquerque de; Almeida Neto, Luiz Mello de; Valle, Carlos Guilherme Octaviano do; Ferreira, Glauco BatistaMore than 30 years after the beginning of the hiv-aids epidemic other prevention methods have emerged in addition to condoms, such as HIV Pre-Exposure Prophylaxis (PrEP). PrEP is a drug composed of two antiretrovirals (Tenofovir and Entricitabine) and marketed under the name Truvada. This Master's thesis uses the tools of the anthropological methods to interpret how PrEP is inserted as a prevention method among men who experience homoeroticism in the city of Anápolis/GO. Thereby, this ethnography addresses some axes: how different temporalities are triggered when it comes to a medication that prevents the HIV virus; how was my experience as a health professional conducting anthropological research; which issues in addition to the “fear of the disease” my interlocutors trigger when talking about their feelings as users of PrEP - such as gossip, which occurs when being in a health unit that promotes prevention, diagnosis and treatment of HIV. Finally, I ethnograph narratives about the boundaries between pleasure and danger related to the use of PrEP, as long as it is not the central element in the fulfillment of desires, but works as its co-author when it comes to the analysis of the search for more pleasure in sexual relations.Item Desde nuestras miradas: a comunicação e a produção audiovisual indígena construindo o estado plurinacional na Bolívia(Universidade Federal de Goiás, 2013-10-17) Costa, Warley Borges de Miranda; Pechinha, Mônica Thereza Soares; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4703534H6; Pechinha, Mônica Thereza Soares; Nogueira, Mônica Celeida Rabelo; Ratts, Alecsandro José PrudêncioThis work focuses on the relationship of indigenous audiovisual production in Bolivia with construction of the plurinational state. For this, research was mainly developed with a look at the practices, discourses and activities associated with indigenous video production of Centro de Formación y Realización Cinematográfica (CEFREC) and Coordinadora Audiovisual Indigena Originaria de Bolivia (CAIB). In 1996 both institutions shaped the National Plan of Indigenous Communication (Plan Nacional de Comunicación Audiovisual Indígena) with five national indigenous organizations of greater amplitude. This dissertation shows the convergence between these organizations, despite having different views on national policy; it’s managed to achieve a strategy of indigenous communication which reached a production and a significant spread in the country and communities, in addition to articulating a continental indigenous communications network.Item Deslocamentos patrimoniais: polifonias, memórias e visualidades em rio de contas (BA)(Universidade Federal de Goiás, 2014-03-31) Silva, Jean Pierre Pierote; Lima Filho, Manuel Ferreira; http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4798638U1; Lima Filho, Manuel Ferreira; Eckert, Cornelia; Souza, Maria Luiza Rodrigues; Pechincha, Mônica Thereza SoaresThis dissertation is a study based on representations, practices and current senses of heritage in Rio de Contas (BA). The use of artistic interventions as a way of illustrating the ethnography, as well as the questioning of the place of speech of the researcher in the context of the nearby alterity, are some of the reflections presented in this thesis. I will also describe and interpret the speeches of the speakers of this research, using these tools as a theoretical and methodological strategy to overcome and move itself the speeches referring to the senses of heritage in the city of Rio de Contas. Categories such as Backlands (Sertão), memory, stigma, and social representation will also be analyzed. Thus, the narrative built here also propose to question the experiences lived by my ethnographic encounter, verifying the extent to which the relationship between the landscape, visual and memory representations relate to the heritages representations shared by the social actors participants in the frame of this ethnographic field in context.