Doutorado em Comunicação (FIC)

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A comunicação em um ambiente virtual e democrático no contexto da pandemia de Covid-19: a desinformação nas lives publicadas pelo presidente Bolsonaro
(Universidade Federal de Goiás, 2023-08-25) Ribeiro, Eva Márcia Arantes Ostrosky; Oliveira, Tiago Mainieri de; http://lattes.cnpq.br/4332108741473825; Oliveira, Tiago Mainieri de; Moraes, Ângela Teixeira de; Freitas, Luiz Antonio Signates; Baldissera, Rudimar; Prior, Hélder Filipe Rocha
Esta tese buscou compreender a comunicação, na era da virtualidade, estabelecida pelo presidente do Brasil, Jair Messias Bolsonaro, no contexto da pandemia de Covid-19, a partir da análise de lives postadas na rede social Facebook do presidente. Com isso, propôs-se identificar as materialidades dessa esfera pública virtual, que se forma com as mídias sociais. Para entender esse ambiente virtual, partiu-se da noção de Habermas (2014, 2020) acerca de esfera pública, até chegar ao entendimento da esfera pública virtual ou hiperconectada, com base nos autores Gomes e Maia (2008), Miège (2004, 2014), Thompson (2008, 2018), Di Felice (2008, 2020), entre outros. As lives que foram analisadas são as denominadas “Lives de 5ª feira”, que fizeram parte do levantamento quantitativo do conteúdo audiovisual postado por Bolsonaro desde o começo de seu mandato presidencial. Além da fundamentação teórica acerca da esfera pública e esfera pública virtual, foi realizada uma abordagem dos conceitos de democracia e comunicação, ponderando as possibilidades comunicacionais e incomunicacionais que a internet pode promover, como o fenômeno de Câmaras de Eco e filtro bolha, conforme apontado por Recuero, Soares e Zago (2020), Pariser (2012) e Quattrociocchi, Scala e Sunstein (2016). Para além dessas reflexões teóricas, abordou-se o entendimento sobre desinformação, pontuado por Wardle e Derakhshan (2017). O estudo empírico foi realizado por meio da Análise de Conteúdo, enquanto método de pesquisa, com apoio em Bardin (2016). Foi realizada análise dos comentários feitos pelos seguidores do presidente e, também, das notícias veiculadas pelo Consórcio de Veículos de Imprensa. A partir dessas pesquisas e do tensionamento teórico, os resultados revelam que esse espaço virtual é um locus de ampliação, visibilidade, circulação de assuntos atinentes à pandemia, mas não pode ser pensado como um espaço de discutibilidade e racionalidade, e nem comunicacional, tendo como base o entendimento de comunicação como relação. Contudo, neste sentido, encontra-se a tensionalidade da pesquisa, pois, como afirma Braga (2008), a sociedade se faz em comunicação. Espera-se, a partir desta tese doutoral, contribuir com a temática acerca da esfera pública virtual, tão importante na atualidade, a partir de um olhar acerca da pandemia de Covid-19.
A cooperativa de jornalistas de Goiás – Projornal (1978-1988): narrativas de memórias midiáticas e culturais
(Universidade Federal de Goiás, 2022-09-02) Souza, Kalyne Menezes; Borges, Rosana Maria Ribeiro; http://lattes.cnpq.br/8386191325702205; Borges, Rosana Maria Ribeiro; Dias, André Bonsanto; Santos, Andréa Pereira dos; Palacio Montiel, Celia del; Sousa, Jorge Pedro Almeida Silva e
The research approaches the narratives of memories of the Cooperative of Journalists of Goiás (Projornal), a Journalism experience in the final period of the Military Dictatorship in Brazil. The research had as its main objectives to identify, to understand and narrate the history of the Cooperative, which even being of great relevance to the History of Journalism in Goiás and in Brazil, it didn’t have academic and scientific records, remaining silenced. It is understood that Projornal is situated in a specific space and time and, therefore, it was based on a Cultural Analysis based on Cultural History, specifically in the History of Press and Cultural Studies. The research has dialogued mainly with authors such as Halbwachs and Le Goff, who approach the studies of memory and collective memory; Thompson, who presents the development of Communication and the different media and Barbosa, who deals with the development of the Press in Brazil. The research has a qualitative approach, and its methods are Historical Research and the Oral History. As methodological instruments, it used the Bibliographical Survey, the Documentary Research, the Analysis of Narratives and the In-Depth Interview. The thesis reveals that Projornal can be considered an alternative and independent project of journalism in Goiás, moved mainly by a need of generating a job market and by the execution of a journalistic work according to what the professionals that participated in Projornal believed in.
A mobgrafia no ensino da fotografia: experiências no curso de Comunicação Social
(Universidade Federal de Goiás, 2024-12-19) Vianna, Karine do Prado Ferreira Gomes; Fernandes, Ana Rita Vidica; http://lattes.cnpq.br/9011537191118959; Fernandes, Ana Rita Vidica; Satler, Lara Lima; Oliveira, Rodrigo Cássio; Borges, Déborah Rodrigues; Barros, Laan Mendes de
Photography and its expansion in an interconnected world open up new and vast possibilities, where the mobile phone emerges in a networked society not merely as a technological tool but as a catalyst for transformations in our relationship with images. In this hypermediated and hyperconnected context, it becomes essential to rethink photography education and practice. This doctoral research aims to deepen the study of mobgraphy — photography done with mobile devices — and propose its use as a relational aesthetic experience in the classroom, particularly within Communication courses. Starting with a historical and evolutionary analysis of photography and its teaching, from its origins to contemporary uses of mobgraphy, this research underscores the importance of adapting photography education to the context of current mobile technologies. For this purpose, we adopted a comprehensive methodology, including bibliographic research, in-depth interviews with photography instructors from various institutions in Goiânia, and a field study with an experimental class focused on mobgraphy practice. Thus, the course “Thematic Seminar in Advertising: Mobgraphy” was conducted over a semester, generating experiential knowledge and consolidating reflections that shape this thesis. Additionally, previous experiences, such as the creation of the “Mobile Device Photography” Free Elective in 2020, are also reported. This research draws upon the author's experience as a photography educator, interviews with faculty, and students' testimonials, demonstrating the value of mobgraphy as an aesthetic practice in the classroom. It enhances students' artistic sensibility, critical thinking, and autonomy, with impacts on both academic and social-civic formation. Anchored in a liberating, decolonial, and emancipatory educational perspective, the experience provided by mobgraphy reaffirms its power as an educational practice. With the experiences and findings reported, it is hoped that photography education may evolve, incorporating mobgraphy as a new and enriching pedagogical dimension.
Cartografando o discurso de Jair Bolsonaro acerca da pandemia da Covid-19: entre comunicação, desinformação e negação da cidadania no Brasil
(Universidade Federal de Goiás, 2024-02-21) Leal, Maiara Raquel Campos; Freitas, Luiz Antonio Signates; http://lattes.cnpq.br/0464596762919932; Freitas, Luiz Antonio Signates; Oliveira, Tiago Mainieri de; Mundim, Pedro Santos; Albuquerque, Afonso de; Alberto da Silva Moreira, Alberto da Silva Moreira
This research proposes an analysis of the speeches released by President Jair Bolsonaro about the COVID-19 pandemic, during the year 2020, using his official page on the social network Twitter, which was widely used, as a source of observation and data collection. by the president of the republic during the pandemic period. We carry out a multi-method approach, with the interweaving of methodologies known as netnography (Amaral et al. 2008), content analysis (Bardin, 1977, 2000, 2010) and controversy cartography (Venturini, 2009; Latour, 2012; Lemos, 2013) , seeking to identify the regularities, discrepancies and intensities published by Bolsonaro on the topic, focusing on the concepts of communication, disinformation and citizenship. We collected 498 tweets on the topic during 2020, in which economic issues and misinformation represented the biggest regularities identified in their publications, with emphasis on the billion-dollar figures spent by the federal government to control and combat the virus. The main controversies fomented by the president were related to the misinformation spread about the virus and its forms of treatment, with emphasis on issues involving chloroquine and hydroxychloroquine, in addition to conflicts surrounding state social isolation decrees and the controversy with the STF, highlighting a problematic relationship with such entities. We conclude that Bolsonaro relied heavily on a discourse of authority to foment controversies surrounding the COVID-19 pandemic, driving the denial of citizenship to Brazilians, where necropolitics emerges as a type of public policy, since preserving people's lives was a concern secondary role in the management of the health crisis by the federal government under the responsibility of President Jair Bolsonaro, who preferred to focus almost exclusively on matters involving the economy.
Ciberquilombo: autopreservação, reterritorialização e sociabilidade negra no Twitter
(Universidade Federal de Goiás, 2023-12-15) Brito, Lucas Lustosa de; Silva, Magno Luiz Medeiros da; http://lattes.cnpq.br/8829860934484429; Silva, Magno Luiz Medeiros da; Fernandes, Ana Rita Vidica; Dias, Luciene de Oliveira; Carrera, Fernanda Ariane Silva; Boateng, Akosua Boatema
This research seeks to analyze aspects of the Cyberquilombo observed on the virtualized interaction platform X. With diasporic realities constructed in distinct geographical locations, Brazil and the United States share anti-racist movements with practices of sociability, reterritorialization, and self-preservation on digital social networks. This investigation aims to understand convergences and distinctions in discursive practices of Cyberquilombo in the aforementioned countries. Building on what Abdias Nascimento postulated as Quilombismo, this research explores possibilities of recognizing in virtualized spaces an update of practical approaches to quilombo. The goal is to identify traces of quilombo as a communication process genuinely consolidated through mediated exchange by experience. The observation of virtual practices and the reflections of racism in cyberspace stimulate a revision of concepts of virtual communities. Based on the discussion of quilombo as a communication process and identity constituent, the process of aquilombamento is observed in the capacity to claim concrete and symbolic territories. By understanding digital social networks as a territory open to occupation, can it be observed as spaces of Cyberquilombo through the discourse of its users? To achieve this answer, we analyze Black Twitter. Through the categories of sociability, reterritorialization, and self-preservation, we select tweets using hashtags that stand out for similarities between Brazil and the United States. Based on the tweets, we propose a visual intersection, named the Cyberquilombist diagram, to analyze the observed expansions and contractions in discourse. As a result, we find forms of interaction among the black population in the diaspora as an epistemic key to propositions of sociability, reterritorialization, and self-preservation in contemporary virtualized contexts.
Comunicação comunitária e sociomuseologia: mídias colaborativas produzidas para a preservação e difusão das culturas e memórias das comunidades LGBT
(Universidade Federal de Goiás, 2022-11-25) Boita, Tony Willian; Borges, Rosana Maria Ribeiro; http://lattes.cnpq.br/8386191325702205; Borges, Rosana Maria Ribeiro; Cordeiro, Douglas Farias; Wichers, Camila Azevedo de Moraes; Peruzzo, Cicilia Maria Krohling; Primo, Judite Santos
Los medios colaborativos producidos por la comunidad LGBT son fundamentales para la preservación y difusión de sus propias memorias y culturas. Juntos, contribuir a la superación de las fobias a la diversidad sexual. Esta tesis tiene como objetivo reflexionar sobre las estrategias colaborativas que producen estos medios, en especial la Revista Memorias LGBT (RMLGBT), vehículo que nació de la necesidad de pensar la relación de la Museología en diálogo con la Comunicación frente a poblaciones sexualmente disidentes. Así, la tesis propone un diálogo entre los medios colaborativos y la Sociomuseología, y la pregunta principal se centra en el potencial de los usos de los medios colaborativos como soportes para la preservación y difusión de las memorias comunitarias en las comunidades, así como los puntos de convergencia para la construcción de medios donde la museología hecha por sujetos minoritarios pueda encontrar espacio. La hipótesis entiende que los medios colaborativos producidos por comunidades sexualmente disidentes y entrecruzadas contribuyen a la preservación y difusión de la cultura y la memoria de grupos en situación de vulnerabilidad y/o históricamente excluidos, y tales medios, aliados a la Sociomuseología, gozan de una función transformadora. energía. La justificación está en garantizar derechos básicos a estas comunidades, aún perseguidas y brutalmente asesinadas. De forma interdisciplinar, el estudio apunta a la centralidad en las categorías de Comunicación, Medios Colaborativos, Memoria, Sociomuseología y Cultura y, por tanto, el cuerpo teórico principal engloba a autores que dialogan en esos campos. Desde un enfoque cualitativo descriptivo y exploratorio, la investigación utiliza como método el estudio de caso etnográfico, y triangula los instrumentos de recolección, sistematización y análisis de datos provenientes del levantamiento bibliográfico, la investigación documental y la etnografía de las narrativas. Finalmente, esta investigación verificó la importancia de los medios colaborativos producidos por comunidades históricamente excluidas, cuando se combinan con el derecho a la memoria y la comunicación en favor de su dignidad humana.
Comunicação organizacional inclusiva: o pertencimento dos surdos às organizações
(Universidade Federal de Goiás, 2022-12-20) Veronezi, Daniela Priscila de Oliveira; Oliveira, Tiago Mainieri de; http://lattes.cnpq.br/4332108741473825; Oliveira, Tiago Mainieri de; Silva, Magno Luiz Medeiros da; Moraes, Ângela Teixeira de; Barbosa, Diego Maurício; Baldissera, Rudimar
This investigation has as its object organizational communication, focusing on the inclusion of Deaf employees in the corporate environment. According to some scholars, based on the understanding of the Deaf community itself, the use of the Brazilian Sign Language (Libras) is the differentiating element between people with hearing impairment (who do not use it) and the Deaf, who communicate through it. However, this distinction often does not reach the legislative scope, which generally uses the expression “person with disabilities” and includes the Deaf among these subjects. It starts from the idea that inclusion, as a social practice, has as a prerequisite the transposition of communication barriers and the feasibility of interactions between subjects in their diversity. In Brazil, the great milestone in the achievement of Deaf rights is Law nº 10.436/2002, regulated by Decree nº 5.626/2005, which recognizes Libras as a legal means of communication and expression. Law nº 8.213/1991 is also worth mentioning, which establishes quotas for people with disabilities in organizations and contributes to a continuous, albeit incipient, movement of the Deaf towards these spaces of sociability. However, being in organizations, by legal obligation, does not automatically mean feeling belonging and included in them. In this sense, this investigation proposes the constitution of an inclusive organizational communication, which presupposes the recognition of the Deaf as subjects that must be known in their specificities and for which communication professionals need to devise strategies capable of reaching them, awakening in the Deaf the feeling of belonging to the corporate environment. Bearing in mind the importance of communication for social inclusion to become a reality, the Brazilian Law for the Inclusion of Persons with Disabilities brings with it barriers in communication and information that make the implementation of this process difficult. Furthermore, these mishaps related to communication are addressed by renowned researchers who are dedicated to the studies of inclusion, even in other areas of knowledge. With this, this research presents the following problem question: How can the communication professional contribute to the Deaf to feel part of organizations? This question, in turn, unfolds into: What procedures should be adopted to implement inclusive organizational communication? What difficulties do Deaf people face daily to develop their work? What measures have been effectively taken by organizations towards inclusive communication? Regarding the methodological aspects, it is an exploratory study, with the aim of deepening knowledge or making new discoveries. In order for the desired results to be, in fact, achieved, this investigation uses bibliographic and documentary research, as well as interviews, through semi-structured scripts, and the application of questionnaires, which are scrutinized based on the method of analysis of content. As a result, the study demonstrates that the inclusion of the Deaf, as a social practice, is permeated in its essence by communication and, in this context, it emerges as a promising field of research for studies developed in the context of organizational communication.
A constituição do jornalismo nas televisões universitárias brasileiras
(Universidade Federal de Goiás, 2022-07-25) Maia, Kamyla Faria; Del Bianco, Nélia Rodrigues; http://lattes.cnpq.br/3708240583479831; Del Bianco, Nélia Rodrigues; Coutinho, Iluska Maria da Silva; Lopez, Debora Cristina; Silva, Magno Luiz Medeiros da; Temer, Ana Carolina Rocha Pessoa
The research seeks to identify how the television journalism of university television, which operate in broadcasting concessions and pay TV, is constituted and how it relates to the principles of public broadcasting, listed by Unesco (2001). For that, three daily news programs were analyzed, UESB Notícias, from TV UESB, Jornal da UFU; from TV Universitária de Uberlândia, and Camera Aberta; from Unisul TV (UniTV); and three debate programs, the series Brasil em Questão, from UnbTV; the wekly Em Pauta, from TV Unesp; and the daily Opinião Pernambuco, from TVU Recife. The analysis was carried out through the creation of indicators of telejournalism on university television based on the principles of public broadcasting (UNESCO, 2001; CIFUENTES, 2002; MENDEL, 2012) and the concept of public interest journalism (COUTINHO, 2013), by through the method of analysis and critical reading of audiovisual journalistic narratives (BECKER, 2012). Through this analysis, it was possible to point out that each of the stations, in its own way, has sought to complement the informative content offered by commercial stations through the promotion of diversity and content that helps in the understanding of reality, either through in-depth debates, or through the dissemination of local information in cities in the interior of the country. However, there is little investment in innovation of genres and formats and little space for the effective participation of people from the community in general, external to the educational institutions that manage the televisions. And, above all, the content of most broadcasters is not universal, because it is not on a free viewing platform or because it does not have accessibility features.
A construção do telejornalismo de vizinhança da Rede Globo: um estudo comparativo de três emissoras afiliadas no Centro-Oeste
(Universidade Federal de Goiás, 2022-11-30) Sousa, Bernadete Coelho de; Temer, Ana Carolina Rocha Pessôa; http://lattes.cnpq.br/2424054335258827; Temer, Ana Carolina Rocha Pessôa; Silva, Magno Luiz Medeiros da; Pereira Júnior, Alfredo Eurico Vizeu; Rebouças, José Edgard; Santos, Marli dos
In this research work it is proposed to present a reflection on the subject of telejournalism self-styled 'community' of Rede Globo from its development in broadcasters that are part of Rede Globo's affiliate network in the Midwest Region, specifically journalistic material that involves issues related to the promotion of citizenship in these newscasts. The observation has a comparative character and, depending on the current situation, the period chosen was that of June and July 2020, which corresponded (albeit unintentionally) to the period of Covid-19 pandemic. It should be noted that, even with the serious situation of the coronavirus, in that period the local broadcasters kept the space for the so-called 'community journalism', although adapting to new productive routines, since the pandemic affected the structures, agendas and contents of journalism. The object of analysis was the news broadcast at lunchtime/midday on broadcasters: TV Anhanguera - Goiânia/GO, TV Morena Campo Grande/MT and TV Centro América/MS. sought verify/compare how stations belonging to the same network effectively carry out/interpret the proposal of community telejournalism in their local products and how they seek to highlight the demands of the community. The methodology used is base content analysis; It is a research method and technique that has been present since the first studies of communication research where the investigation of phenomena is sought symbolic collecting data that lead to understanding and/or inference that facilitate the understanding of the context. The investigation shows how the term 'community' associated with ‘citizenship’ is used differently on each broadcaster, but prevails as a strategy to strengthen the ties of affinity with the viewer and create symbolic value with the court hearing. As a result of the analysis, it was observed that citizen participation prevails as someone who is in a subordinate position, a social actor with demands for health services. infrastructure that are the responsibility of the State.The conclusion points out that journalism self-styled 'community' journalism is primarily a neighborhood journalism, in which individuals from the same locality, without organic or organizational ties, unite in sporadic way to claim a service to the public power. It was noted that the way this journalism is presented on broadcasters in the Midwest and seeks to foster the notion that the interviewees share values, interests and beliefs and, therefore, belong to a community. It was also observed that there is no single formula to be followed, but that each of the stations surveyed sought, in their own way, to give visibility to the problems of infrastructure of peripheral neighborhoods, thus following the determination of Rede Globo.
Corpografias: comunicação dialógica entre corpos cuir e memória cultural
(Universidade Federal de Goiás, 2022-08-15) Cruz, João Lúcio Mariano; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Vidica, Ana Rita; Jesus, Jaqueline Gomes de; Bruno, Fabiana; Martins, Alice Fátima
Nuestra tesis grafa las huellas de la memoria cultural presentes en fotografías y textos escritos, que actúan como archivo para nosotros, en sus relaciones con las performances artísticas, que escenifican nuestro repertorio de actos encarnados. A través de estas grafías de la memoria - fotos, textos escritos y performances -, navegamos por la información social e histórica que comunicamos en/a través de nuestros cuerpos. Nuestro objetivo fue pensar imágenes textuales e iconográficas sobre las normas de género y sexualidad inscritas en nuestros cuerpos para mapear contra-visualidades. El cuerpo, en el sentido que estamos proponiendo en esta tesis, se sitúa en la médula ósea del campo comunicativo, como célula originaria de todo proceso comunicativo. El cuerpo es tomado aquí como lugar de eventos culturales, como territorio de conocimiento, herramienta y símbolo de comunicación. Es un cuerpo construido sobre el espacio y el tiempo y ocupado por inscripciones. Adoptamos la corpografía como metodología que mapea archivos y repertorios inscritos en el cuerpo. A través de una estrategia de lenguaje polifónico, accedemos a un contenido visual anacrónico para encarnar la memoria cultural. Utilizamos elementos gráficos a lo largo de la tesis para desencadenar grietas y buscar desbordamientos. Como resultado, encontramos marcas de invisibilidad corporal y epistémica cuando hablamos de sujetos cuir. Encontramos que los cuerpos cuir, en su multiplicidad, y otros cuerpos plurales, cuando acceden al derecho a mirar y al derecho a ser visto, actúan como mediadores que tensionan la performance corporal dominante y promueven aperturas.
Corpos que gingam: comunicação e persistência cultural na capoeira Angola
(Universidade Federal de Goiás, 2023-08-23) Gomes, Elisângela; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Borges, Rosane da Silva; Vaz, Gláucia Aparecida; Fernandes, Ana Rita Vidica; Cirqueira, Diogo Marçal
Corporeality in the African diaspora establishes new territories, albeit impermanently. It is transformed, but it also modifies the geography of cities by disputing meanings and constructions of identity. The body’s existence is based on a continuous movement to stay alive, so black corporeality can be understood as the driving force behind communication. It affirms itself through its culture, which in turn finds in the body the possibility of remaining. In this way, I seek to understand how communication is established through corporeality and presents African civilizational values in the Black Diaspora. At the beginning of each chapter, a short story presents stories heard and lived that dialog with the understanding of evaristian writing, bringing to this great circle the ginga present between theory and practice. Capoeira Angola, chosen for analysis, manifests itself centrally in the body and its reactions. Therefore, corporeality not only constitutes culture, but is also a fundamental part of its existence. The type of research was participant-based, understanding the importance of theory and practice combined. As data collection instruments, I used a script of semi-structured questions that were applied with Mestre Guaraná, Mestra Ana Maria, Ceiça Ferreira, Andresa Moreno and Juliana Cordeiro; associated with photographic, sound and audiovisual records. The composition of images was contributed by Goiás photographers and capoeiristas Juliana Cordeiro and Andresa Moreno. The search is for the possibility of seeing portraits of Capoeira Angola from Goiás made from an inside look at the experience in a movement to claim the “right to look”. I use the articulation between the body, communication and black identity elaborated by Muniz Sodré (1998; 2017), who, based on the analysis of cultural aspects such as samba and musicality, perceives the body as an affirmation of an African cultural universe. My understanding of communication is based on the contributions of Fabien Eboussi Boulaga (1977), who states that the original communication with the world lies in the act of feeling; and Ciro Marcondes Filho (2007; 2019), who interprets it as a process, an event that can occur between people or between people and objects, but even so, a rare event. The discursive practice that claims the right to look has its own techniques, and has been disseminated as a counter-visuality by Nicholas Mirzoeff (2016), a visual culture theorist. The data resulting from the collection stage was analyzed in convergence with the theoretical-methodological framework adopted. In constant dialog with communication, I bring up references based on cultural studies, covering concepts from African philosophy and sociology, black literature and visual culture. To encompass the complexity of the body, I brought in the Yoruba world concept of Cosmosensation (OYĚWÙMÍ, 2021), which understands that, in a sensory and cognitive dimension, we are integrated with nature, with the cosmos. To conceptualize culture, the perspective presented is based on an African cultural unity (DIOP, 2014), supported by the existence of a common trunk founded on African civilizational values that accompanied the African people in the Black Diaspora. I enter cultural studies from the perspective of Stuart Hall (2009), who, when scrutinizing the migration process in the Caribbean, states that there is a reunion with Afro-Caribbean traditions due to the need to make sense of the interpretative matrix and cultural self-images. With this research, it was possible to affirm that black cultural manifestations have the potential to bring together the construction of collectivities, a sense of belonging and the creation of bonds of affection, making it possible to learn and remember teachings that were “forgotten” as a survival strategy in the face of the politics of death. Its foundations present African civilizational values, which in turn are under constant threat considering the presence of structural racism, the lack of institutional recognition of the figure of Mestras and Mestres and acts of cultural appropriation and intolerance. The analysis of the images resulted in the understanding that Capoeira Angola is a space for identity formation and recognition of corporeality and has the potential to transform the gaze of its practitioners, so the images recorded by the photographers reconstitute historical images, generating an imagetic representation based on respect, affection, dignity and protagonism of black people. I conclude that black corporeality is not at the service of visuality, and by proposing other possibilities for recording, they provide an opportunity to create new memories of black corporeality.
Do limão à caipirinha: o humor e as linhas de fuga nas vivências gays de Baia Bahia e Raymundinho Furacão no youtube
(Universidade Federal de Goiás, 2023-12-18) Dias, Weberson Ferreira; Costa, Deyvisson Pereira da; http://lattes.cnpq.br/0550755230529493; Gomes, Suely Henrique de Aquino; http://lattes.cnpq.br/3007925506666700; Gomes, Suely Henrique de Aquino; Santos, Andréa Pereira dos; Cavalcante, Diego Frank Marques; Fernandes, Luís Antonio Bitante; Siqueira, Aline Wendpap Nunes de
This doctoral thesis deals with humor and lines of flight in narrative videos of the experiences of gay men Baia Bahia and Raymundinho Furacão posted on the YouTube platform. Based on the work of the French philosopher Gilles Deleuze, we follow the problem question: “How do Ray and Baia deterritorialize the normative devices of sexuality, establishing new singular arrangements of life, escaping the sad powers invoked by the hegemonic structures of sexuality and desire?” To write the thesis we appropriated the concepts of event, difference, communication, humor and homosexuality. The materialities were observed with a view to the methodology of Deleuzian cartography, following the lines of forces (molar, molecular and escape), through two themes: family access and street violence. Based on these concepts, the thesis aimed to map the movements of transfiguration of gay experiences produced by humor counter-effects on the Laranjas Bahia and Raymundinho Furacão channels. This research was divided into four parts, which included four chapters: in the first, we explained the event, the difference and the cartography in terms of communication; in the second, we expose the relationship between humor in general, humor in Deleuze and the role of communication in this plot; in the third, we address the path of homosexuality, from identity/representation to the affirmation of desire and the power of becoming; and, in the fourth, we proceeded to cartography the videos themselves, seeking to capture the lines visible in them. From the cartographies, we observed that when they talk about family, Baia and Ray get emotional and do not express their humor directly, although they use their narratives to break with the traumas. When dealing with street violence, both amplify the humor and make it work in their favor, jumping from a report of violence in various areas to a narrative permeated with good humor. In Deleuzian terms, the cartographic videos demonstrate that the selected homosexuals are crossed by two events: coming out of the closet and insult. Even so, Baia Bahia and Raymundinho Furacão, through humor, provide the fruits of everyday complaints, transforming any bad encounter into an engine that enhances their joys and gives new meaning to their experiences, enabling the emergence of new ways of being and existing.
Entre fluxos e comportas: tensões comunicacionais e cidadania no licenciamento ambiental da UHE Estreito
(Universidade Federal de Goiás, 2023-08-31) Clemente, Lígia Regina Guimarães; Freitas, Luiz Antonio Signates; http://lattes.cnpq.br/0464596762919932; Freitas, Luiz Antonio Signates; Oliveira, Tiago Mainieiri de; Silva, Magno Luiz Medeiros da; Baldissera, Rudimar; Costa, Luciana Miranda
From the context of the installation of large-scale projects causing socio-environmental impacts, this thesis aimed to understand the communicational tensions within the Environmental Licensing process of the hydroelectric power plant Usina Hidrelétrica Estreito, in Maranhão, Brazil. It focused on the effectiveness of citizenship amidst the diverse interests of the State, Economy, and Civil Society systems. It is worth noting that the installation phases of the Usina Hidrelétrica Estreito(2008-2012), located in the municipality of Estreito, Maranhão, with direct impact on 12 municipalities in the states of Maranhão and Tocantins, were marked by conflicts, negotiations, and disputes. The communicational flows and access gates from the periphery to the centers of political decisions are addressed. The issue was discussed through the lens of Communicative Action, the duality of Systems/ Lifeworld, and exchanges (input/output) between the State and Economy with the Lifeworld (HABERMAS, 1981, 1984, 1997, 2003). The understanding of the subject matter was also built upon theoretical contributions from perspectives on citizenship, Public Communication, environmental governance, and the Theory of Controversies. A case study was conducted using a multiple-evidence protocol, which included: a) documentary analysis (covering the current environmental legislation in Brazil); b) analysis of the 35 programs of the Basic Environmental Plan (with emphasis on the Social Communication Program and its alignment with other programs); c) in-depth interviews with subjects from the State system, as well as Civil Society; and d) media analysis of the main tensions on the subject in Folha de S. Paulo newspaper (2008-2012). Through the set of analyses, it was possible to identify the categories through which the notions of citizenship/communication are established and how tensions manifest themselves. From the analysis of the legislation governing environmental licensing in Brazil, categories such as access to information, publicity, consultation, and environmental education were identified. Among the 35 programs outlined in the Basic Environmental Plan, 29 of them propose communication actions as part of environmental mitigation. The Social Communication Program expresses the consortium's concern with information about the power plant but does not encompass negotiations or other forms of participation. The Social Communication Program is a specific aspect within a broader communicational context, considering the interests of diverse audiences. Spaces for social participation are limited and formalized. It was observed that tensions originating from other fields (such as economic, environmental, and social) also become symbolic disputes and take the form of communicational tensions. The work also contributes theoretically to the notion of Environmental Citizenship, which is inherently communicational from the outset.
A experiência total no romance-reportagem: uma estratégia ético-estética
(Universidade Federal de Goiás, 2022-12-12) Borges, Luana Silva; Lima, Angelita Pereira de; http://lattes.cnpq.br/0743648273038535; Santos, Andréa Pereira dos; http://lattes.cnpq.br/9315618025567235; Santos, Andréa Pereira dos; Chaveiro, Eguimar Felício; Borges, Rogério Pereira; Lima, Angelita Pereira de; Martinez, Monica
This research, carried out in the Graduate Program in Communication at the Federal University of Goiás, brought two distinct and complementary fields into dialogue: Journalism and Literature. In this hybridism, the practice of in-depth reporting was analyzed in the light of the Theory of Novel. It was shown that neither the novelistic text nor the journalistic text is sustained without the truth and, therefore, contrary to the fear about the imbrication between the genres, it was understood that both have more similarities than divergences. The novel is usually made of intimate contact with unfinished reality; an approach to the reader's psyche; a staging of the plurality of voices expressed in everyday life; of a vivification of the bewilderment of sometimes silent characters. The novelized reportage, in turn, is also made up of the same terms: there is an intimacy with what is to come today and, moreover, an ability to approach the minds that devour it. From these biases, the thesis expressed here was that the novelization of the report is constituted as a strategy not only related to textual architecture or the arrangement of language. More than a writing technique, this thesis argued that novelization refers to an ethics of journalistic coverage, especially when the investigation concerns themes that are situated on the limit of language. In order to defend this point of view, an essay analysis of two reports was constructed: Los suicidas del fin del mundo – chronicles of a patagónico pueblo (2005), by the Argentine journalist Leila Guerriero; and Every day the same night – the untold story of Nightclub Kiss (2018), by Brazilian Daniela Arbex. Guerriero went to Las Heras, a small town in Argentine Patagonia, to investigate a wave of suicides that, between 1997 and 1999, devastated dozens of young people who lived there. Arbex went to Santa Maria, in Rio Grande do Sul, facing mothers and fathers who lost their children to the fire at the Kiss nightclub. These investigations tried to reach the silence of the abrupt loss, at first, and then the attempt, on the part of the family and friends of those who passed away, to understand the totality of life with its setbacks. Thus, as the factual domain is insufficient to deal with these themes, it was found that the reporters romanticized their narratives. As verified in this research, the novel was constituted as the genre most used to this kind of supply, at the same time, of a total experience and of a bewilderment – silent and wandering. It was concluded that, in the face of such complex themes, the authors put the novel into action to vivify, in the reader's eye, and via formal realism, space, time and the progressive, felt discoveries of the characters. The novel-report amalgam composed an ethics based on respect for otherness, since, through the novel-form, the reader had the possibility of diving into the world of others, living it closely and, for that very reason, recognizing it in Himself, without judging him or without transforming the events of this alien life into mere fait divers. Methodologically, the novels-reports were considered not as simple objects of study, but as articulators of experiences that carry times and places full of the tensions of historical reality. Finally, in the movement of the journalistic fabric towards the novelistic possibilities, it was noticed that the coverage can, in fact, be enhanced: they will amplify towards themes that, without the possibilities of the Romance, would be inaudible or taboos in the routines of the press traditional.
Fundamentos para uma ética do horizonte: o jornalismo construtivo como elo entre cidadania e futuro
(Universidade Federal de Goiás, 2022-03-04) Pereira, Guilherme Lucian; Moraes, Ângela Teixeira de; http://lattes.cnpq.br/5759623883813822; Moraes, Ângela Teixeira de; Sousa, Jorge Pedro; Santos, Vanessa Matos dos; Freitas, Luiz Antonio Signates; Silva, Magno Luiz Medeiros da
This thesis proposes to investigate a variation of journalistic discourse that acts in the composition of constructive enunciation, and its purpose is to reassemble, as far as possible, the scripts of History that authorized for journalism a particular type of knowledge based on semantic chains and in the logical con-nections necessary for the formation of a repertoire of transformative evocations. The speculations that will be presented are articulated with emerging public values, and serve both to understand the discursive phenomena investigated and the search for a communicational centrality that gives epistemological cohe-sion to the symbolic arrangement of the evocations of this configuration of journalism. The approach we adopt is that of Foucault’s archeology — insofar as the statements of a constructive journalistic activity are associated with the socio-historical positions occupied by the plots of its discourse, considering the fundamental values for reviewing your responsibility and your system of ideas. It is, therefore, about de-fining the sayable limits of an enunciative extension common to the ethical exercise of the profession, which is capable of reflecting in the daily life the project of words that are oriented to the protection of life. Foucault’s discourse theory allowed us to associate the normative character of the Horizon Ethics and the pronunciations that are oriented towards the conservation of human destiny; and the tendency of our deconstruction of words and meanings points to the consolidation of an emancipatory repertoire. As for the empirical anchoring, the linguistic-symbolic aspects of the content of 3258 textual segments from the articles published by the “Muda Tudo”, Positive News and Reset websites were observed, which gave rise to twelve thematic classes that are correlated to constructive enunciation. The results of this work, after all, can make clear the open possibilities of pronunciations that condition journalism to change collective attitudes towards the future.
“Não dá pra fugir dessa coisa de pele”: imagens e afetos de mulheres negras em telenovelas brasileiras
(Universidade Federal de Goiás, 2023-04-14) Conceição, Juara Castro da; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Satler, Lara Lima; Rezende, Tânia Ferreira; Martins, Alice de Fátima; Valério, Erinaldo Dias
This thesis proposes to investigate the affections of black women in images produced in Brazilian soap operas on TV Globo. The analyzes are based on the characters played by actress Taís Araújo between the years 1997 and 2022. They are: Vivian from “Anjo Mau” (1997), Edivânia from “Meu Bem Quer” (1998), Selminha Aluada from “Porto dos Milagres” (2001), Preta from “Da Cor do Pecado” (2004), Ellen from “Cobras e Lagartos” (2006), Alicia from “A Favorita” (2008), Helena from “Viver a Vida” (2009), Maria da Penha from “Cheias de Charme” (2012), Verônica from “Geração Brasil” (2014), Michele from “Mister Brau” (2015), Vitória from “Amor de Mãe” (2019) and Clarice from “Cara e Coragem” (2022). A study is carried out based on the cultural analysis of the images, taking into account their aesthetic elements and their intersections, considering the production of the meaning of affection. Recognizing the soap opera narrative, there are also discussions about fictional series and television narratives. In addition to Latin American Cultural Studies as a theoretical-methodological contribution and analysis spatiality. The images used in this work are electronic, the result of an imagery field driven by the presence of digital technologies. The search for images was intermediated by Google, which in addition of being a search device is also software and a multinational advertising company. In view of this, the virtualization of the memory of these fictional narratives based on their images is also discussed. Affectivity comes as an object of analysis from the thematic axes of: motherhood, affective-sexual relationships and friendship. When talking about the affectivity of black women, from television characters elements such as race, gender and class are touched. In addition to the generational and also aesthetic discussions of the characters presented. Based on a cultural analysis of the images, this research presents a possibility of understanding soap operas and their characters, through the imagery field that makes up their memory. We are talking about images beyond a technological line, guided by racialized affection as a possibility of understanding communication from the bond.
O “Ciclo de estudos selvagem” e a comunicação decolonial
(Universidade Federal de Goiás, 2023-08-18) Oliveira, Cássia; Santos, Andréa Pereira dos; http://lattes.cnpq.br/9315618025567235; Santos , Andréa Pereira dos; Amaral, Marcela Corrêa Martins; Valério, Erinaldo Dias; Sousa, Leila Lima de; Dias , André Bonsanto
The aim of this research is to investigate and analyze the documents, educational actions and information and communication objects of the Ciclo de estudos Selvagem (Wild Study Cycle), highlighting how this knowledge is disseminated, in order to highlight its decolonial character. Selvagem is a free course of studies on life that articulates indigenous, traditional, academic, and scientific knowledge by offering a series of actions and materials in different formats free of charge: notebooks, arrows (videos), lectures, books, library, living schools and other actions. It is a production of knowledge that addresses issues related to the areas of environment, ecology, art, history, botany, stories of origin of the world, natural medicine, among others. The problem question that guides the research is: how does the Ciclo de Estudos Selvagem rethink traditional modes of communicational exercise and relate to a decolonial communication? Our hypothesis is that the Ciclo de Estudos Selvagem is configured as a collective communication environment, marked by the experience of bonding, which prioritizes and values the diversity of knowledge working for its articulation, reconfiguring both the dynamics of knowledge production and communicational action from specific informational practices. The theoretical framework of the research is based on the key concepts of communication, information, indigenous information, informational practices, decoloniality and decolonial communication. From a methodological point of view, the qualitative research foresees the use of netnography with the use of exploratory analysis of project documents (reports, notebooks, arrows, available conversations etc.), observation and the analysis of some informational practices based on categories highlighted by a specific model of informational practices. From this conceptual and methodological framework, we seek to understand the dynamics of content production to identify decolonial practices in their knowledge production process. We assume that the Ciclo de Estudos Selvagem acts in favor of the decentralization of knowledge, through a community marked by diversity and a dynamic of knowledge production based on human plurality, articulating different mechanisms of research and knowledge. We believe that this experience is linked to decolonial thinking, consolidating itself as a communicational exercise that rethinks the monocultural logic of knowledge and information in its field.
Prevenção em controvérsias: as disputas em torno da PrEP no Youtube
(Universidade Federal de Goiás, 2022-04-29) Oliveira, Mayllon Lyggon de Sousa; Costa, Deyvisson Pereira da; http://lattes.cnpq.br/0550755230529493; Gomes, Suely Henrique de Aquino; http://lattes.cnpq.br/3007925506666700; Gomes, Suely Henrique de Aquino; Costa, Deyvisson Pereira da; Santos, Andréa Pereira dos; D'Andréa, Carlos Frederico de Brito; Cardoso, Janine Miranda
PrEP (pre-exposure prophylaxis) is a compound of tenofovir and emtricitabine that, taken daily, has the potential to reduce the number of new HIV infections significantly. It was implemented as a public policy in Brazil in 2017, and its use is recommended for gay men and other men who have sex with men (MSM), sex workers, trans people, and injecting drug users (BRASIL, 2018), key populations experiencing a concentrated epidemic (UNAIDS, 2007). In Brazil, from 2007 to 2019, the number of reported cases increased by 530%, with the most significant increase being among young people and adults aged 15 to 24 years. These numbers, especially among MSM, reveal the limitations and failures of prevention policies (CALAZANS, PINHEIRO, AYRES, 2018), and come from the dismantling of HIV and AIDS care, prevention and treatment policies that have plagued the country since 2012. Since the beginning, AIDS and HIV have been carved out as a biopolitical device (PELÚCIO; MISKOLCI, 2009) for the control of populations, which involves a heterogeneous set of elements, such as NGOs and OSCIPS, the media, the scientific, moral and religious discourse, the pharmaceutical industry, the scientific disputes of laboratories, the government of oneself and others. In this context, science reduces the body and sexuality to what they have as the latest and operates through the biological and somatic, seeking global results of balance and regularity (FOUCUALT, 1979, 2010). This dynamic establishes a process of biomedicalization of sexualities and neoliberal prevention, where Pre-Exposure Prophylaxis (PrEP) is spotted. It is located in a field of dispute between the forms of HIV prevention because it raises a complex series of agencies and controversies about science, the State, risk management, sexualities, and people. From this point, what we intend to answer is which controversies are generated from PrEP on Youtube?. To ensure that, we used the Cartography of Controversies proposed by Tomaso Venturini (2009, 2010) and anchored in the Actor-Network Theory proposed by Latour (2012). We collected Youtube videos published by actors from the LGTBTQIA+ community, using Youtube Data Tools tool, and analyzed the amount of 69 videos published in Portuguese between 2017 (the year of implementation of PrEP) and 2021. In the PrEP case, we glimpse cosmologies whose disputes are established, above all, in the context of recommendations for the use of prophylaxis (how and who can have access to prophylaxis), in the dynamics of a public health protocol, and the moralization of dissident sexual practices. People mainly settle between the new vs old prevention paradigm; education and respect for human rights vs drug prevention; condoms vs PrEP; individual responsibility vs population security; absence and cut off funds for treatment with HIV and AIDS vs investment in prevention; key populations vs prophylaxis coverage. Around these disputes, a network is formed from the interaction of digital platforms, experts, influencers, NGOs and OSCIPS, public and private institutions, prophylaxis users, scientific disseminators, people living with HIV, laws and norms, diseases, and preventive technologies.
Processo de produção de um audiodocumentário para a formação das identidades culturais de adolescentes assistidos pela Associação Polivalente São José
(Universidade Federal de Goiás, 2025-02-26) Silva, João Djane Assunção da; Pavan, Ricardo; Pavan, Ricardo Pavan; Silva, Magno Luiz Medeiros da; Oliveira, Tiago Mainieri de; Oliveira, Diogo Lopes de; Backes, José Licínio
La investigación analiza cómo el proceso de producción de un documental sonoro contribuyó a la formación de las identidades culturales de adolescentes atendidos por la Associação Polivalente São José (APSJ), ubicada en el barrio Parque Santa Cruz, en Goiânia/GO. Fundada en 1996, la APSJ desarrolla proyectos socioeducativos dirigidos a niños, adolescentes y adultos del Parque Santa Cruz y de barrios vecinos. Para alcanzar el objetivo general, se definieron los siguientes objetivos específicos: comprender el proceso de producción de un documental sonoro como estrategia de articulación comunitaria; evaluar cómo el formato de documental sonoro, inserto en la lógica independiente de producción, distribución y compartición de producciones radiofónicas en podcasting, contribuye a garantizar el derecho constitucional a la manifestación del pensamiento, la creación, la expresión y la información; y profundizar la comprensión sobre los documentales sonoros, atribuyendo al formato cinco premisas fundamentales: informar, educar, sensibilizar, entretener y transformar. La investigación resultó en la producción del documental sonoro “Porque Até No Lixão Nasce Flor” (“Porque Hasta en el Basurero Nace una Flor”), realizado con diecinueve adolescentes de entre 13 y 17 años. Metodológicamente, se adoptó un enfoque cualitativo de carácter exploratorio, utilizando la investigación bibliográfica de documentación indirecta como procedimiento preliminar y la investigación participante como procedimiento principal, de naturaleza interventiva. Las técnicas de recolección y sistematización de datos incluyeron entrevistas no dirigidas y observación participante como auxiliares, mientras que el grupo focal se utilizó como técnica principal. Los datos obtenidos a través de este último se analizaron con base en el análisis de contenido categorial temático. La investigación integró comunicación, educación y cultura como campos complementarios para la realización de acciones transformadoras que promuevan una sociedad más democrática y comprometida con la ciudadanía. El proceso de producción del documental sonoro brindó a los adolescentes una comprensión más profunda sobre las cuestiones que afectan su territorio, unificando sus motivaciones individuales hacia un propósito común. Además, favoreció el desarrollo de una percepción crítica de las narrativas relacionadas con sus vivencias, valorando tanto las historias locales narradas por quienes interactuaron con ellos como sus propias voces. De este modo, fueron alentados a elaborar estrategias de comunicación artístico-expresivas para deconstruir realidades previamente naturalizadas y contrarrestar los estereotipos que les habían sido impuestos.
A produção partilhada do conhecimento na vivência com a comunidade indígena Bororo: princípios para uma ciência cidadã
(Universidade Federal de Goiás, 2023-06-21) Ribeiro, Geisa Müller de Campos; Gomes, Suely Henrique de Aquino; http://lattes.cnpq.br/3007925506666700; Gomes, Suely Henrique de Aquino; Rezende, Laura Vilela Rodrigues; Albagli, Sarita; Santanna, Sérgio Bairon Blanco; Costa, Deyvisson Pereira da
The research aims to raise, together with the Bororo indigenous peoples and researchers who carry out research/teaching in the Meruri village, the principles present in the dynamics of the shared construction of scientific knowledge. It is intended to identify the dynamics established for the shared production of knowledge; punctuate institutional and territorial tensions and ruptures and what they reveal in the scope of production, legitimation/verification and sharing of the produced knowledge; discuss the communication that is set or that is demanded in the relationship with this group; reflect on the concept and foundations that Citizen Science demands. From a methodological point of view, the research is influenced by decolonial methodologies where the community does not act as an object, but as a subject of knowledge production sharing. It is a context in which there is no single model and normative uses of types of research, as it is an instrument within popular action that takes place in another dimension of time and space, and uses the shared production of knowledge as its foundations. This indigenous group has been demanding cognitive justice and epistemic diversity in science, breaking with scientific endeavors that commit epistemicide. They fight for autonomy to fully exercise their capacities to use, share and create knowledge. In the research, we sought to develop the dialogues in 3 ways: 1. The reception of the community. 2. Sharing of knowledge in loco based on the objectives. 3. Data evaluation: return of knowledge. These steps were the foundations of the research for 14 months (2021/2023). Long individual and group conversations were held. The aim was to overcome some of the limitations of the traditional survey format and let the sharing group tell its own story. That is, who was spoken, assumes the speech in the process. These long conversations are taken as testimony, a broad narrative that considers a person as the bearer of the dimension of their collectivity. Developing the research in a way ofsharing provided the creation of the Bororo indigenous expression “Panure Paeruduwa Maku Puibagi” which is the living/experience itself; communication base between researchers and the Boe and which hasits own sharing economy guided by the idea of exchange. The reflectionsshowed the need to form a language capable of giving meaning to certain abstractions that are part of the local context and that citizen science must pay attention to this activation. In this, there is a withdrawal from the claim of scientific language as unique, universal, towards the understanding that there are “languages” and particular logics, the result of the local context. The concepts presented give us clues to reflect on the construction of the basis of a Citizen Science that breaks with hegemonic universalism and this is a political and emancipatory act; it produces situated knowledge, which comes from a reconstruction of objectivity; brings to the centrality the tension of talking about the object, to talk and produce knowledge With; it does not have ready-made methods, but they are built on the go, together and consistent with situated knowledge; suspends linear time to establish a coexistence with local time; it is intercultural because it allows the coexistence of logics of ethnicity and citizenship in the same social and territorial space; it tensions the locus of knowledge production, but at the same time seeks to create objective conditions for these groups to appropriate the University; and it is not a proprietary science, but one that follows collective criteria and norms. These questions indicate that the citizenship of science finds its maximum expression in the relationship of otherness that requires overcoming the limited and ethnocentric notion of the concept of citizenship. It manifests itself, then, in the recognition of oneself and the other so that there is cognitive justice and the full exercise of citizenship in the scientific field, which for the Boe is to have the autonomy to speak about oneself without the tutelage of anyone. Being a citizen is to be a subject and not an object of research, it is to produce and have your data recognized in the debate and in society's major development strategies.

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